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No. Course Cr, Instructor & & 8 ge a § & 3 F
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MISLIC
Theory and History
i Sight Sing, and
Ear Training I 1 Baxter 1 1 5 7
2 Sight Sing. and
Ear Training I 1 Stuhl a S
bs) Harmony I 2 Cass a 8 i+ 30
5a Harmony I 1 Cass 6 1 7
6 Harmony II 2 Cass 1 9 10
6a Keyboard Harmonyll 1 Cass - 7 9
Za Sight Singing and
Ear Training III i Cass 7 7
22 Sight Singing and
, par Training IV 1 Cass 5 1 6
25 Harmony III 2 Cass 7 ?
25a Keyboard
Harmony III 1 Cass 6 6
26 Harmony IV No Enrollment
Music Camp Theory Cass 103
26a Keyboard
Harmony IV. No Enrollment
29-30 String Ensemble .
L if 1 Cass a 2 3
59-69 String Ensemble 1-2 Stuhl 4 4
69 Appreci ation
of Music 2 Geltch 1 te e 4 8
72 History of Music 3 Orcutt ee = a
3. 52 Counterpoint II <2 Browne 1 4 5
165 Choral Repertoire
& Adv.Conducting 2 Swarthout 14 7 ; =
187 Instrumentation I 2 Anderson i7 a7
a InstrumentationII 2 Anderson L7 17
387-
388 Adv. Instrument,: | No Enrol iment
Applied Music 7 ,
Organ O-3 Anderson 1 La 1 13
Piano 2-3 Swarthout 5 5
Piano 0-2 A, Stuhl 2 1 16 2 gil 23
Piano O-2 Rogers 3 9 mi se
Piano 1-3 Orcutt 1 8 2 3 €° 2
Piano QO-2 Brown 3 9 4 1 17
Piano 0-2 Coulson 4 9 1 110% 25
Cello O-2 Stuhl e 83 8 S 3
Cello O-2 Ehrilic — 2 1 ; 8
Violdn 1 Geltch % 4 5 3,10" 23
Voice 0-2 J.iilkins 4 4 1 3% 3i 19
M e #
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