RADIO THE SAGE OF SWING Don Davis, the extraordinary president of WHB, publishes a magazine. The curious combination of a song, a suitcase, and a slogan has had a lot to do with the fortunes of Kansas City’s Station WHB, Mutual Broadcasting System affiliate. The song, Roses of Picardy, was a factor in the station’s sale in 1930; the suitcase is significant because Don Davis, WHB president, practically lives out of it as national station representative; and the slogan, “The Swing is to WHB in Kansas City,” sets the pitch for all WHB promotion. In his latest scheme, the unpredict- able Davis sliced off a bit of the slogan, emerged last month with a meaty, pocket-sized magazine titled Swing, An Apparatus For Recreation.* The curva- ceous young woman on a swing, who is featured in all WHB advertisements, became the cover girl of the new publi- cation (see cut p. 98). Modus Operandi Swing digests talks by Mutual com- mentators and public figures, seasons the serious reading with chatty com- ments on the local nightspots and thea- ters. Davis and editor Jetta Carleton, former WHB continuity head, explained they were striving for a balance in Swing comparable to that of good radio programming. Right now, Davis plans to distribute Swing gratis to advertisers and time buyers, print it on quotas al- lowed local commercial printers. He will also send plates of the copy to other Mutual stations for local printing under the title, Trend. Each issue of Trend, of course, will carry the adver- tising of the individual station circulat- ing it. While general newsstand circu- lation is only a dim hope for the future because of the paper shortage, Davis made a test on the newsstands in Kan- sas City, selling Swing at 25¢ a copy. Half the issues sold out in six days. Donald Dwight Davis, bespectacled, rotund and apple-cheeked, with a talent for slinging one quip after another, ambled out of the University of Kansas in 1918 with a Phi Beta key, a sense of humor and a fondness for drumming. Five years later he was a partner in * He is indebted to Noah Webster for the subhead. the advertising agency of Loomis, Bax- ter, Davis & Whelan, Inc. (Kansas City). One of the prize accounts was the Cook Paint & Varnish Co., which sponsored The Cook Painter Boys over Station WDAF, now the National Broadcasting Co. outlet in Kansas City. One of the Cook Painter Boys, burly John R. Wahlstedt, who had picked up the title of “Cook Tenor” in 1929, was the great delight of Charles R. Cook, president of the paint company. Cook especially liked Wahlstedt’s rendition of Roses of Picardy. When the program shifted from WDAF to WHB, Cook de- cided to buy the station, have real con- trol over his favorite tenor and pet tune. Costly Cook Tenor In 1930, when WHB became a wholly owned subsidiary of Cook Paint & Varnish, company officials settled back contentedly. But while the “Cook Tenor” continued in good ‘voice, the station lost money steadily: Roses of Picardy became a more and more ex- pensive treat. After a year and a half of this, President Cook asked agency- man Davis to try his hand at running the station. A pioneer in radio adver- tising from the agency angle, Davis saw the chance to put some of his ideas in action, promptly took over as president of WHB in 1931. A struggling operation with only a daytime broadcasting license, WHB ob- viously needed unusual promotion to WHB’S DAVIS He sliced off a bit of the slogan TIDE, FEBRUARY 15, 1945 wert TO GO wat TO SEE mi Kansas CTY JANUARY 1915 * gb WHB’S SWING Its future looks bright gain any notice. And Davis knew where to get it: he became national advertis- ing representative himself, now is prob- ably the only station president handling both jobs. In selling WHB, Davis em- ploys the special flourish distinguishing most of his activities, has arranged so that anyone can reach him with spec- tacular ease in any part of the U. S. Previously he had a telephone an- swering service in key cities, now has a setup with Spot Sales. When a time buyer interested in buying time on WHB telephones a Spot Sales office in New York, Chicago, Kansas City, Holly- wood or San Francisco, Spot Sales in- stantaneously contacts Davis, wherever he may be, by wire or telephone. Some- times within a matter of minutes, Davis is in touch with the prospective cus- tomer. — Conquistador Davis While Davis’ base of operations is Kansas City, in an average month he spends about a week in Manhattan, a few days in Chicago going and coming, perhaps jumps to the Coast and back. In between, he keeps up with his read- ing, the drama, aviation and padding his supply of anecdotes. And, besides the usual clubs, he is one of the plump- er Conquistadores del Cielo of New Mexico. Best known as WHB’s rambling rep- resentative, Davis is still responsible, along with station manager John T. Schilling, for the ingenious program- ming that has grabbed WHB the top rating for morning listening in Kansas City, long since gave the Cook company a paying proposition. WHB’s high rank is all the more remarkable because it operates on only 1,000 watts. Davis brought the original Musical Clock to Kansas City; his Weatherman in Per- son, was produced in 1932. was the first such service on the air; and he began _ (over)