8
University Daily Kansan
Thursday, March 20, 1980
Cindy's brief porno debut sours big-time ambitions
By VANCE HINER Staff Reporter
Staff Reporter
Cindy gyzed out the window at the sleepy streets of Lawrence. Her California tan was gone and so was the $3,850 she had earned so quickly.
Once again Cindy was back in her old neighborhood, even though she looked in Los Angeles that a small fortune could be obtained from law enforcement offices him above Sous Boulevard.
"At first I did quite a few odd jobs," Cindy said. "I did some modeling. Some pornography."
Cindy, who asked that her real name not be included in the magazine's centered list for Huster magazine's centerpiece article, proud of her work for Huster, but said she would reward her appearance in a book by Robert Bain.
AFTER GRADUATING from Lawrence High School in 1978, Cindy attended the University of Kansas for a semester. She met her first girlfriend, so she moved to California with a friend.
"It was really a good thing for me to do," she said of her modeling. "It was like a dream come true. For the first time in my life, I was making it a little better." It was making "a little girl from Kansas."
Hours with a professional makeup man and the magic of the darkroom left little resemblance between Cindy and the person in the sick nine-oaze magazine lavage.
When the light shines on Cindy's wheated color hair, she looks like a farm girl. At
times she talks with her eyes cast down, looking up occasionally to reveal a toothpaste commercial smile.
He said into my agent, a second one out. I walked in, answered. He asked, "I just called Hattler Studios old them I had a very attractive you. I had them over. They I to come over today."
"I WENT for the interview that evening. You go into this big room and they ask you your name and, "Would you mind taking clothes off!" And they did a few test sessions.
Later that evening, Cindy said, she told she had been hired. The shooting lasted three days, during which time she lived with Randal, the woman who photographed her.
"Suzie has modeled for Vogue," Cindy "states that she was a big supporter of expresswear. She almost was like a mother me. she took me into her home and introduced me to friends. she paid for all her gifts."
CINDY WAS PHOTOGRAPHED in a room with blue walls, white provincial furniture and blue carpet, which was actually an outdoor set in the country
She said she spent hours in the hot sun on blue satin sheets clothed only in white nylon stockings and high heels.
of the first time she passed in the nude. "But when looked into the person she was talking to, I didn't think it was sexually stimulating. It was definitely a feeling in my mind. It was
"I was a little embarrassed," Cindy said.
Cindy said she signed a contract with Flynt Publications, publishers of Hustler, using the name Debbie Davion as an alia: she paid $8,500 was paid in thirds, she said
Not long after the job with Hustler, Cindy said, her agent sent her to a large office in the Playboy building in downtown Austin as an audition for a pornographic movie.
This time, Cindy said, she not only had to be written in English, she also was required to read a script. She was given a small role in Ted Parramore's son-to-be released film, and caresd, and £850 million.
She was taken to a mansion in the country for the shooting. The mansion had a bowling alley, the theater, observatory, swimming pool and a cage of cages hanging from the collars, she said.
WHEN THE TIME came for shooting, Cindy said, she began to reconsider her decision, but thought it was too late to quit.
"The feeling I got when I did the scene of the movie working with some very greedy people who were like the people acting in the movie," she said. "I felt very like an animal. I thought."
"Here he is in this plush office and he's making all this money off these little people," she said. "Anything he tells them to do, who determines it makes them lose face or not."
After the scene was over, Cindy said, she just wanted to get her money and leave.
"I CANREMEMBER when I used to feel guilty quite a bit and I would go wash my hands," she said. "So after the scene I went home and washed my clothes, I was washing it down the drain."
Most of all, Cindy said, she did not like the producer.
When Cindy was leaving the movie set, she had to get a new job, claiming to be managers of the Mustang Bridge Ranch were in the bar. She said the man at the ranch was one of the biggest broths in the United States.
Cindy said that the manager in charge of the ranch suggested that she accompany him back to Las Vegas. She went in spite of other actors' warnings, she said.
"Their immediate response was they didn't even want to me," she said. "They were afraid I would start working there and grow old and ragged and hardened.
'IT WAS DISTASTEFUL to them to think
that they were doing what they were doing
that were doing was OK. They saw
themselfs as actors and actresses,
and saw it as an art, something they
had developed.
Cindy said she spent an hour at the Mustang Ranch—enough time to see the women, the rooms, the customers, and to make sure it was not a place where she could live.
There was nothing in Las Vegas that offered the security she needed, she said, so she began to think of home. Soon she was in a car driving east across the desert.
"I had my fill," she said. "I tried it, I had my mvling with it and I came back."
The February issue of Huster was on the cover of *Terry's Guide*, according to Terry Sack, a clerk at the Town Clerk bookstore, the magazine sold there. (It also has a local liaison that has passed to the centerfold.)
BUT CINDY SAID she could remember only two persons who had reacted negatively to her magazine appearance. Both were men.
"Both of them expressed the idea that they had thought more highly of me," she said. "They felt, in a sense, that I had belittled myself, degraded myself."
"A lot of women have said to me, 'Man, I would really like to do something like that, but I just don't think I could.'"
"it was like a little girl in a candy store," she said. "I saw the potential of becoming someone's mistress and having all this money. It was all really exciting to me."
Wealth and fame are appealing to everyone, according to Cindy.
Although posing for Hustler is a subject that Cindy said she was always eager to discuss, her role in the triple-X-rated film was hard for her to justify.
THERE ARE MOMENTS now when I
think "May you shouldn't have done that."
But I can't dwell on those feelings. What's
done is done," she said.
Cindy said she did not like to think about teenagers or men looking at her picture and making leaf comments.
"The whole thing has been so flattering to me that these thoughts that might be negative don't weigh as much in my mind," she said.
Cindy said she planned to have pornography in her home if she married, but did not want any future children to become involved with it.
"I don't think I would want my daughter doing what I have done." Cindy said, "unless she thought the way I did about it and had as hard an outlook as I do."
Much of what is in Hustler magazine is distasteful to her, but distastefulness is often the very thing many people desire, according to Cindy.
"You're at a friend's table and there's an issue on the table. Cindy said, 'You pick it up.' I say, 'Okay, pick it.' Oh, man, that's really terrible. And pretty soon you'll遇到 the whole magazine.' Okay, I'm ready.
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