8
University Daily Kansan
Thursday, March 20, 1980
Cindy's brief porno debut sours big-time ambitions
By VANCE HINER
Staff Reporter
Cindy gazeed out the window at the sleepy streets of Lawrence. Her California tan was gone and so was the $3,850 she had earned so quickly.
Once again Cindy was back in her old neighborhood, even though she learned in Los Angeles that a small fortune could be obtained by teaching international offices high above Sovereign Boulevard.
"At first I did quite a few odd jobs," Cindy said. "I did some modeling. Some pornography."
Cindy, who asked that her real name not be named as she did for Hustler magazine's centerfold photo, proud of her work for Hustler, but said she would rather forget her appearance in a movie.
AFTER GRADUATING from Lawrence High School in 1978, Cindy attended the University of Kansas for one semester. She moved to California and, so she moved to California with a friend.
"It was really a good thing for me to do," she said of her modeling. "It was like a dream come true. For the first time in my life, I was making it." It was making it was making it—a little girl from Kansas.
Hours with a professional makeup man and the magic of the darkroom left little resemblance between Cindy and the person in the slink nine-nare magazine layout.
When the light shines on Cindy's wheat-colored hair, she looks like a farm girl. At
times she talks with her eyes cast down, looking up occasionally to reveal a toothpaste commercial smile.
"I walked into my agent's office one day," she said, explaining how she got the job. "I always told them I had a very attractive young blond lady I want to send over. They'd like me."
"I WENT for the interview that evening.
You go into this big room and they ask you
your name and, "Would you mind taking
your clothes off!" And they did a few test
Later that evening, Cindy said, she was told she had been hired. The shooting lasted three days, during which time she lived with Sise Randall, the woman who photographed her.
"Suzie has modeled for Vogue," Cindy said. "She knew how to make me feel and I know how to make her feel." Her mother to me. She took我 into her home and introduced me to friends. She paid for them.
CINDY WAS PHOTOGRAPHED in a room with blue walls, white provincial furniture and blue carpet, which was accomodated outdoor set up in the country near Yelps, Santa Clara.
She said she spent hours in the hot sun on blue satin sheets clothed only in white nylon stockings and high heels.
of the first time she posed in the nude. "But when looked at her, she's even cooler," I said. I saw Amidhurst think it was sexually stimulating. It was definitely a feeling in my mind. It was
"I was a little embarrassed," Cindy said
Cindy said she signed a contract with Flint Publications, publishers of Huster, using the name Debbie Davison as an alias. Her salary of $8,500 was in thirds, she
Not long after the job with Hustler, Cindy said, her agent sent her to a large office in the Playboy building in downtown Atlanta for an audition for a pornographic movie.
This time, Cindy said, she not only had to take the pencil test required to read a script. She said she was given a small role in Ted Parramear's soon-to-be play, and cost $500 for a few hours.
She was taken to a mansion in the country for the shooting. The mansion had a bowling alley, theater, observatory, swimming pool and exotic birds in cages hanging from the roof.
WHEN THE TIME came for shooting, Cindy said, she began to reconsider her decision, but thought it was too late to quit.
"The feeling I got when I did the scene was real, working with some very greedy people who knew all about the people acting in the movie," she said. "I felt very much like an animal. I thought, 'Oh, I can't be this.'"
Most of all, Cindy said, she did not like the producer.
"Here he is in this plush office and he's making all the money off these little people," she said. "Anything he tells them, of course, what it makes them lose face or grim."
After the scene was over, Cindy said, she just wanted to get her money and leave.
"I KANREM EMBER when I used to feel guilty quite a bit and I would go wash my hands," she said. "So after the scene I went down, we drained it. We was washing it all down. the drains."
When Cindy was leaving the movie set, she came across a man claiming to be manager of the Musling Bridge Ranch were in the bar. She said the Ranch, near Las Vegas, was one of the locations where the movie set is located.
Cindy said that the manager in charge of the ranch suggested that she accompany him back to Las Vegas. She went in spite of other friends' warriors, she said.
"Their immediate response was they didn't even want me to," she said. "They were afraid I would start working there and grow old and ragged and hardened.
"IT WAS DISTAKEFUL to them to think that what they were doing was OK. They saw themselves as actors and actresses. They saw it as an art, something they had developed."
Cindy said she spent an hour at the Mural Ranch Enough- enough time to see the women, the rooms, the customers, and to make sure it was not a place where she could live.
There was nothing in Las Vegas that offered the security she needed, she said, so she began to think of home. Soon she was in a car driving east across the desert.
"I had my fill," she said. "I tried it, I had my fling with it and I came back."
The February issue of Hutter was on the newstands not long after she returned, and we bought a copy from Townier bookstore, the magazine sold out at least twice after people discovered the book.
BUT CINDY SAID she could remember only two persons who had reacted negatively to her magazine appearance. Both were men.
"Both of them expressed the idea that they had thought more highly of me," she said. "They felt, in a sense, that I had belted myself, demeaned myself."
---
"A lot of women have said to me, 'Man, I would really like to do something like that, but I just don't think I could.'"
wuse a little girl in a candy store", she said. "I saw the potential of becoming someone's mistress and having all this money. It was all really exciting to me."
Wealth and fame are appealing to everyone, according to Cindy.
Although posing for Huster is a subject that Cindy said she was always eager to discuss, her role in the triple-X-rated film was hard for her to justify.
"THERE ARE MOMENTS now when I
think 'Maybe you shouldn't have done that.'
But I can't dwell on those feelings. 'What's done is,
done,' she said.
Cindy said she did not like to think about teenagers or men looking at her picture and making lewd comments.
"The whole thing has been so flattering to me that these thoughts that might be negative don't weigh as much in my mind," she said.
Cindy said she planned to have porchography in her home if she married, but did not want any future children to become involved with it.
"I don't think I would want my daughter doing what I have done," Cindy said, "unless she thought the way I did about it and had as hard an outlook as I do."
Much of what is in Hustler magazine is distasteful to her, but distastefulness is often the very thing many people desire, according to Cindy.
You're at a friend's house and there's an issue on the table. Cindy said, "You pick it up in your hands." Oh, man, that is really terrible. And pretty soon you'll be through the whole magazine.
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