10 Friday, February 23, 1973 University Daily Kansan 'Up the Sandbox' Bites the Dust By ROBERT MILLER Kansan Reviewer If you've been to the movies in Lawrence latex, you're no doubt noticed that the theaters have raised the price of admission. The explanation given is that the increase is unavoidable because the film distributors have raised the flat rate and percentage rentals being asked for such widely publicized and successful recent releases as *The Shape of Water* and *Coraline*. In count for why it's taken so long to get here). Perhaps paying more to see a truly great film can be justified on the basis of receiving greater value for a greater investment. However, the across-the-board price hike also means that in the future you will be paying more to see all of Hollywood's latest blooms, flops, turkey and disap- With this in mind, Barba Streisand's new film, "Up the Sandbox," becomes an even more intriguing story. the old admission price. The film's director, Irvin Kersher, has previously dealt with stories of individuals who create fantasy lives for themselves as substitutes for a dull existence "The Lack of anger in the world," he wrote, to that theme here, but with an important switch. Streisand, playing the Upper West Side housewife of a professor at New York's Columbia University, acts on her fantasies on the screen, instead of only telling the story, as Kersher's earlier protagonists did. The transition from objective to subjective presentation of a character's fantasizing is quite appropriate for the move to farce, but Paul Zindel's script is just too weak to support its dramatic elements in a mélange of outlandish skits and confused meanings. Blowing up the Statue of Liberty, joining the Sanibaru tribe of Kenya, or discovering an abandoned mine, is one of the greatest historical mysteries. anatomy may have at first seemed like marvelous ideas for a woman to toy with while considering the abortion of her third child—but it won't out work that in the finished picture. Streisand continues to shine amid this matter as a gifted comedienne with star presence, and her director does succeed in creating a comedy within the part (quite a feat in itself). It's just too bad that their combined efforts yielded so little of value. When she first read the script she was quoted as having exclaimed: "Yeecchhh!" One wonders how she must have greeted the finished product. Kansas Photo by CHRIS MeCLENAGHAN Commander Cody Pours It On Rockin' country sound moves crowd 'Commander Cody' Genuine Country By TIM BRADLEY Kansan Reviewer The side of their 1966 Greyhound Scenicruiser said "Country & Western Swing Band" and that's exactly what Commander Cody and his Lost Planet Airmen are. They don't play country rock or rockabilly or any of those other hokey hybrids, but genuine country-western, real as rubarb. The audience at the Red Dog Inn last night watched the Commander and his crew of crazies excel at all the various aspects of aerial traps, sniper rifles, tragedies or zipping through quickie highway tunes. George Fraye, alias Commander Cody, kninked and boogied on the piano, Billy C. Farlow played an unplugged number from the score with Bobby "Blue" Black pedaled the steel. Andy Stine fiddled and played sax and was backed up by John Tichy on rhythm guitar (he's a Ph.D. in Engineering, too), Lance Dickson on drums, and on bass, Buffalo Bruce Barlow provided the best bottom since Thumper the Rabbit. The band seems to prefer performing to recording and have been playing the boozehall circuits individually and as a group since the early 60's. Last night, the band performed without being good-time and projected an exuberance and sense of humor that many bands have forgotten the importance of. The Red Dog audience was right with them and added to the performance by creating a very lively atmosphere, whoop up atmosphere. A great show. Upcoming at the Red Dog Inn are Weekend Scene MUSIC Black Theatre Premiers; 'Matchmaker' Winds Up SANCTUARY: Oat Willie tonight and Saturday. ORLAHAM CITY SYMPHONY ORCHESTRA: Presented by the University of Kansas Concert Series at 8:20 p.m. Saturday in Hoch Auditorium. REED BARON. Humming Bird, formerly the Chessman square, tonight and Satur- day. MOVIES WHEN THE LEGENDS DIE: 7:25 p.m. and 9:25 p.m. at Hillcrest I Theater. LADY SINGS THE BLUES: 7:15 p.m. and 9:45 p.m. at Hillcrest 2 Theater. DIRTY LITTLE BILLY: 7:30 p.m. and 9:10 p.m. at Hircestrion 3 Theater. POSEIDEN ADVENTURE: 7:30 p.m. and 9:40 p.m. at the Varsity Theatre. UP THE SAND BOX: 7:30 p.m. and 9:30 p.m. at the Granada Theater. SUMMER OF 42: 7:30 p.m. and 9:30 p.m. in Woodruff Auditorium. THEATER A SOUL, GONE HOME AND WE OWN A EXPERIMENTAL THEATER at the Experimental Theatre. THE MATCHMAKER: 8:00 p.m. at the University Theatre. ART THE NINETEENTH ANNUAL KANSAS DESIGNER-CRAFTSMAN EXHIBITION: Now through March 13 in the Student Union Building, sponsored by the department of design. THIS COULD BE THE START OF A NEW WAY OF LIFE! NEW FOUR-WHEEL DRIVE DASH-BOARD CONTROL! Here's everything a man must know about outdoor transportation—rugged outdoor power for a weekend car, comfortable smooth handling and easy parking for shopping duty around them. Four 345-micr inch V-8. Automatic transmission air conditioning wheel drive control wheel drive control is as easy as turning on the headlights. Fleetwood Mac and Joe Hiserman's Tempest, with Captain Beeheart and Spooky TRADE UP! TRADE IN! GET 'EM UP, SCOUT! KUHN TRUCK & TRACTOR CO., INC. 1548 E. 23rd 843-2440 YOU MAY BE ASKED TO SIGN PLAYBOY'S DELIGHT FRIDAY AND SATURDAY NIGHT 12:15 *No one under 18 yrs. admitted* *Proof of age required* *Adm. $1.50 - No refunds* *No outside beaveraes* I suppose you can take the film as a bungled defense of motherhood and the American family, or you can suspect that it protests badly and a bit too much, thereby causing dissatisfaction. You can tract in favor of their destruction. Taken either way it falls as good entertainment. Hillcrest BLACK THEATRE ENSEMBLE IN BLACK K.U. 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