Page 6 University Daily Kansan, June 15, 1981
Holidome
From name one
they have, what kind of service and what their importance. That is human nature."
The Holidime will also have the advantage of having a promotional staff actively soliciting business. The Union doesn't do that, he said, because it is a private, non-profit corporation whose sole purpose is to provide services for the University.
"That doesn't mean that we don't appreciate others using our facilities," he said. "We don't deny that, but we don't actively compete with other businesses."
ONE ADVANTAGE THE UNION may have over the Holiday is the cost of the Union's facilities. The services provided by the Union are less than those of the Holiday, Ferman said.
Because the Union is a non-profit corporation, its emphasis is on service rather than profit motivation, Ferguson said. The Union tries to provide its services at the lowest possible price.
"We set our prices based upon the cost of our operations, trying to provide service to our customers."
The Union's prices should be competitive also use its lower costs will most likely be lower than those at other
FERGUSON STRESSED THAT THE UNION was not trying to compete with local businesses. He said the "gown-down" relationship has been well good and the Union wants to keep it that way.
After the novelty of the Holdold wears and when the price factor is considered, many groups that initially go to the Holdold may return to the Union, he said.
"They will go out there one or two times to see what it is like. but we think they will come back
to the Union because it will be less expensive," he said.
The effects of the Holdidome on the Union's business will not be entirely negative, he said. More people will be coming to Lawrence because of the Holdidome.
The shuttle bus service will be bringing some of the Holidome's guests to the campus, Ferguson said. They will be able to come to the campus and will and won't have to worry about parking, he said.
"They may come into the Union and buy food and refreshments," he said. "They might buy some books in our book store."
Nearly half of the Union's income comes from the sale of books, he said.
The Union may lose some of its business to the Holidone, Ferguson said, but the Union's competitive prices and the additional traffic on the road help offset some of the losses that may be incurred.
SRS
ALTHOUGH SOME LOCAL organizations will not reduce heat assistance services, at least one agency, East Central Kansas Economic Opportunity Corporation, has already felt the effects of the Reagan administration's budget cuts.
"Last year," said ECKAN employee Dianne Stephens, "we were able to give some assistance by providing fans and air conditioners. This year our weatherization program has lost 27 empire cans, the budget cuts, so probably won't be able to do that much if the weather stays hot."
From page one
JoAnna Byers, employee at the Lawrence office of the American Red Cross, is also concerned about the effect that budget cuts might have on heat assistance and other social needs.
"Because funds will be given to the states in the form of block grants," said Byers, "the cuts,
which are now project at 15 percent, will accrue $8 million of the state's get done paying administrative costs.
Byers said that the Red Cross in Lawrence will open the Community Building, 11th and Vermont streets, for use as a heat shelter if the weather stays hot.
From page one
The theater was also used for community events. According to Lawrence residents Lucille Sanders, 83, and her sister, Mildred Frederick, 48, a former teacher on a Dutch-style dance for the community there.
Opera
Topeka radio station WREN later held舞 contests there. Jansen said.
"It used to be such a beautiful building." Sanders said. "The front of it was so pretty."
In 1830, the Bowersock Theater became the Dickinson Theater. In 1940, it changed again to become the Jayhawyer Theater.
THE BUILDING REOPENED IN 1890 as the Red Dog Inn. It later became the Free State Opera House, then first opened as the Lawrence Opera House in 1795. From January 1976 to January 1977, a disco named Buggy's occupied the building, and in present Lawrence Opera House was established.
"There are fewer than 10 buildings in Lawrence that have the history of that building."
On the Record
Lawrence police are investigating a larceny that occurred at a Haskell Indian Junior College dormitory sometime between May 25 and June 6. Property worth $3,963 was stolen.
Police said that the larcisten broke into the dormitory and stole several pieces of turquoise and Indian jewelry.
LAWRENCE POLICE ARE ALSO investigating the Thursday afternoon burglary of a house at 2022 Barker St., from which at least $350 worth of property was stolen.
**voice said the burglar entered through a bedroom window and took a stereo receiver worth $350 and a 14-karat gold wedding ring, the value of which was not listed.**
Police have no suspects.
Police have no suspects.
Ed Boles, a local architect who has conducted walking tours of the Lawrence downtown area, called the style of the building "low-key Beaux Arts."
He pointed out the set of paired columns with the arch between them, the pediment and the manner in which these two features projected from the building as typical of that style.
Other points of interest are the masks of comets and asteroids, the lyre, which are held within the pediment.
"The building really needs some exterior stabilization," he said. "The most conspicuous evidence of that is the truss supporting the pediment."
The site at Seventh and Massachusetts streets was not always used for entertainment purposes. According to Scott's book, it first served as a hardware store for the firm of Alen and Gilmore in 1854. Later that year, the abolitionist Harriet Tubman founded the site. The Herald of Freedom was burned in Sheriff Jones' 1856 raid by pro-slavery looters from Leavenworth.
LATER THAT YEAR, Liberty Hall was erected on the site. Primarily a public meeting place for the city, Liberty Hall was the site of Irish playwright Oscar Wilde's 1822 lecture, "The English Renaissance." Admission to Wille's lecture was $1. Two additional stories were added to Liberty hall in May 1882, and the Bowersock Opera House was then established.
Jansen said he hoped the Lawrence Opera hall would seem such an all-round city hall and press boxes.
"It could perform some of those same functions," he said.
Mick'
bare traps
Ampersand
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ON DISC
A DAM & THE ANTS Kings of the Wild Frontier
**(Epic) Suitable gimmicks aren't easy to come by these days, especially now that Adam and the Ants have laid claim to a whole hand. Get this: a (for merly) mothwacked guy叫guy called Adam Ant who dons feathers, warpaint and a pirate suit promotes "armmies for serpentine" and songs like "stuff in the dueldo." The wendy ant is that odd concoction that's works.
First of all, the music is dominated by the Indian motif. The foundation of Kings of the Walt Frontier is formed by Kate Spade and the 19th-century rhythms — both Indian and African. This constitutes the Aureo, as recognizable a musical tradition as has been achieved by her feel no remorse named搖搂 Gerinoim, making reference to the Kiowa, Pawnee and Apaches and using chanting vocales and choruses
Vicki Arkoff
The package is calculated and pretentious, but Adam Ant's vocals are confident, inventive and versatile. When supported by strong melodies or lyrics, the song is a stylish style guitar line. Mr. Ant makes a convincing case for his Antmusic.
But An讼so, being relentless and obese, grows wearisome. This band isn't content with one theme but "the world is your room" and spends more time singing about them selves than anything else, as in "The Magnificent Five." Of course, urban cowboys and outhats spend 24 hours a day at the bar, be it for some, Amnusic is the Ant-ideat.
JOE ELY
Musta Notta Gotta Lotta
(Southeast) MCA Records) Joe Ely's problem with vinyl may not be evident to those who've never witnessed his incendian live show, but for the former MCA Recordings' executive to grooves come close with the possible exception of Live Boys, an English import featuring some London club dudes with members of the Clash. It's certainly a prophetic title — is no exception. It's another in a disappointing run, casting Ely — surely one of the most exciting and songs文人创作 and song interpreters in the hard rock scene, and stand-off jerry Lee Wilee clone.
May.1981
To be fair, not everything that's wrong with this album is Ely's fault. Miaa Natta Island is not the strongest collection of tunes he's ever attacked, participation in long time collaborator, Buch Hancock, who wrote the magnificent "West Texas Walz," Fools Fall in Love and "Bomarson" on earlier ELYLP, "Wahin for You," one of two Hancock titles here, sounds like Jim Buffalo outfitted.
Also ill-advised are half-hearted renderings of Brown's classic "Good Rockin' Tonight" and Shory Long's Rock Me My Baby." Here lies the central, and fatal, concert of Mista Desire. Despite the turn-up collar and greased back hair he sports on cover, Joe Ely is most decided not a
Ur La
rock and roll singer. His formidable lyric talent and undeniable sensitivity to nuance place him firmly in a veneration of pop music to say that a ballbasket could ever tell
Sadly, he has almost no opportunity to say it here. Even with some respectable wordplay in lieu of him - Jimmy Gillman (of *The Help*), Gettin' Paid the Same! Ely is rushed through like a wino given the burn's rush. His phrasing is shot to hell and the search for frenzy relegates his connoisseur band to bowie wonderland.
Joe Ely's sojourn with the English new wave has done the lad no good; the distance he feels from this material is enormous. She back to where you once belonged.
*(Milestone)*J4-X is the latest, and probably final, collaboration for Milestone Records between pianist/ composer McCoy Tanner and producer Orrin Keepness (Keepness has息 head of a Head MC, McCoy recently signed with Columbia), an association with Milestone, in many exalted recording contexts.
On this date, McCoy uses hassit Cecil McBee and Mr Alaster Foser as a house rhythm section, both men giving the leader exactly the rugged, inexperienced feel. The students invite old friends Bobby Hutcherson and Freedie Holleb and new connoisseurs Arthur Blythe and John Abercrombie to each play a side. The program, consisting mostly of Tyler's pal self-taught excellent standards is a售答拜芳。
Vibrariaphut Hutcherson is one with Tyner; the two think and play as brothers, so it's natural that their three friends will also join in. The Theodienous Man's 'Pannonica' a tour de force for the leader. Taken at a keen gait, this enchanting piece shows how much McCoy has grown as a man, and how his handsome combo handle, he plays with a tuneful restraint and lightness often missing in his work, bringing out elegant, tinkling curved lines of inmacule fingers. At moments come on! 'I Wanna Stand Over There,' where, not needing to pause for breath, he gallops应然 over quiet yet probing compings. "The man who walked next to me walked that both men groove on."
Davin Seav
Hubbard is without his customary wave and spark though the rumpeterism of Dane. A good song in "Paradox," riding to a bubbling climax following a rollling trio out唱, where Foster's back beats he leaves from Tony. Benfa's dancing from Tency from Tony. Benfa's *Mantha De Carmival* is uneventful but pleasant when it is disashing on "Inner Glimpse."
$ M_{4\times 4}^{cCOY \ TYNER \ QUARTETS} $
Hardy the radical many critics deem him, aloitist Blythe scores well here, sporting a bright, singing tone on his knees. But he drives by pushing the volume then hitting long, high, walling notes. Though his vibrato is too on the ballab, "Say As Sweet You Are You," he acquires him with his hands. "Is It You or No One," demonstrating a solid technique. Tynker kicks back the stress on "Blues" and heads for
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