University Daily Kansan Monday, February 28, 1972 5 t: as g, or unity of human institution was only by it. By this it was to the to be to be This. power the to be as to y the State to be institution, n may lom of public express in" in to be ngton except iter, $10 dations, without essentially lp Crews mof Mosfet Nony Hay, King Kung in Groom in 2&ert in 2&ert Goodrick Goodrick Rush sk Young Sokohot rol Young n Carter n Manley Barnhart ergerders d莹 Lloyd e Murray Delano Kansan Staff Photo by GREG SORBER Warm Weather Brings Out Skates Roller skates have remained somewhat of a novelty on a campus that is currently overcrowded with bicycles. Sophomores Jan Henry, Naples, Italy; Amy Sanders, Roswell, N.M., and Cindy Lawrence, Decided to take advantage of Sunday's warm weather by roller skating along the Jayhawk Boulevard sidewalk. Other people around Lawrence found the balmy weather conducive to kite walking, motorcycle riding, car washing, baseball or simply taking a walk. 'Sunday' Emphasizes Time By STUART CLELAND Kansan Reviewer The days of the week are used as unchrictive subtitles in John Schlesinger's new book, "Sunday, Bloody Sunday," *Varsity Tuesday*, and *Thursday*. They're not really there to let us know what day it is, but simply to tell us, almost subliminally, that the days are full of surprises. And even as we live it, Daniel Hirsch and Alex Greville know that, and because they are getting past their primes, they feel it with a sort of detached panic. Bob Chisel knows plenty of time ahead of him, and uses that knowledge against the other two. Together, they form the triangle around which Bloody Sunday" revolves. FROM PENELOPE GILLIATT's highly intelligent and subtle script, Schleinger has made a perceptive and intriguing him from the flashiness that his humor provides to works, such as "Midnight Cowboy". Rather than trying to impose a message on us via the camera, he draws the film slowly by letting his words and deeds tell us what he and Miss Gillatt are trying to say. The result is a presence and share Bob Eklins (Murray Head), a young designer, plays pieces on out each of his plates the going gets rough, he has, for a while, the best of both worlds, until bored and irresponsibil- PETER FINCH and Glenda Jackson have both been nominated for *Women in Film* (as they say) and it is why. Bringing to their characters a lived-in quality, they succeed in convincing us that they do not exist solely within the confines of a film but also within the afterwards. Finch especially is constantly fascinating as he captures every nuance of a man whose homosexuality is only one choice among his many from than being the single reason for it, as in so many other films. Playing Hirsch with cool restraint, he becomes outwardly every messy. Miss Jackson is also fine as a woman; competent, yet very unsure, woman who knows only that she is not content with her job, her surroundings or herself. Biting at her skin and trying not to cling to Eikins, she communicates achingly the fear of failure. AGAINST TWO SUCH strong performances Murray Head is at a definite disadvantage; still, he calls the charmingly callous Eilings. Overshadowing the characters is the film's constant theme: the inability of modern men to successfully communicate their needs and longings to each other. Unbrokenly stressed, it runs continually throughout. Hirsch doesn't know how to phrase her letter of resignation. Her parents, in one short scene, are shown as being cut off from one another. York on the telephone. York on the telephone. Eventually, of course, this communication breakdown themselves. Each member has different motives which the others cannot grasp, and which they do not understand. It a bleak thesis, and one which can be debated. But agree or not, "Sunday, Bloody Sunday" stands as one of the year's most exciting and provocative films. 'Kidnapped': Flawed Fun By BARBARA SCHMIDT Kansan Reviews Editor "Kidnapped" (Hilcock 1) has plenty of faults, but on the whole is an adventure film that the faults oem half accessoried in films we see. KANSAN reviews property that were his all along. finely-textured and well-thought-out story which easily transcends its seemingly soan opera plot. been treated to lately, it's a satisfying relief. Peter Finch has a sap opera plot. London doctor in his mid-forties whose urbanity and charm are defenses against a possibly dangerous and certainly often violent patient, but an elusive security of someone, not merely to love, to be to love by, he has much in common with by, the brilliant colleague Jackson). She is aSomeone who career girl who rushes unhappily between her unkempt flat and her unrewarding work in an art gallery or in a theatre Together they nervously put up with each other's anonymous there are not all along there. 'THERE ARE NOT ALL along symbols, ambiguous actions or complex characters we've grown accustomed to seeing in recent movies ("Straw Dogs," "Miss Pippin"), but "Panic in Needie Park"). David Balfour is driven on by one thing: his high ideal of honor and justice Alan Breck, the fugitive who was once the only reason his love of Scotland. All this simplicity could have been sickening, but it has made him Mann's direction keep everything moving swiftly enough so that the film stays both enjoyable and comprehensible throughout. Jack Pulman has written a tight, fast-moving screenplay base. Robert Loeber and his sons, Jeanen "Kinderstein" and Leonard "Davall Bourlow". With a few digressions it follows the travel of young DAVall Bourlow, who leaves home to lead him, after his father's death, to his uncle Ebenebezer's friendly welcome, through his wife, Adrian Ebenebezer, out of a mutiny and shipwreck, across the Scottish highlands in the company of a French spy, and clutches of an unjust government and finally to the wealth and Michael Caine, as Alan Breck, don't exude enough fire to be completely convincing. His taking of the floor just a little too level-headed to allow the emotionalall that he's gotten from Hawkins, Trevor Howard and Donald Pleasure in secondary roles are pleasantly familiar to swasbuckhenders. The duels, the shipwreck, the flight through the heather—none are handled as anything other than ordinary. Neither editing nor direction means them seem at all dangerous. BUT EVEN with its faults, "Kidnapped" is an entertaining movie that holds up because of a solid, tried-and-tried plot and its failure is filled with all the good intentions of plain old romanticism. Furthermore, there is never enough tension and excitement to rank "Kidnapped" with the best Many people won't bother to go to "kidnapped" because they saw another version on Walt Disney years ago and associate it with "classics". Many simply won't have time to see it because they're too busy rushing to the movies or seeing "The Devil's" for example; rather than those they find most appealing. And some who do see it will be turned off by the fear of embarrassment or straightforwardness. But many will find "Kidnapped" a refreshing, though faulty, relief that have complex problems that have been filling Lawrence screens lately. Current Paperbacks Offer Variety Festival to Study Shakespeare, Plays A topical contribution is Robert Kavanaugh's THE GRIM KAVANAGH, 95 cents), one of several examinations of the changing campus scene. Kavanaugh sees a terrified territory by a future with "scene" in its wake, "scene" is a shocking one, and one without optimism unless administrators and faculty change their ways. This sound new! Several nonfiction paperbacks provide enough variety and insights for some absorbing stories, and generally, with the Jew in America. The first is Leonard Slater's THE PLEDE (Pocket, $12.95), a true story of how the Jewish "underserved" supplied arms to the emerging state of Israel many years ago. The book has the sweep and intrigue of its predecessor, as AMEN: THE DIARY OF RABBIN MARTIN SIEGEL (Crest, $12.5), edited by Mel Ziegler. The book was written in personal Serial was going through congregation split over publication of the hardcover version, which seemed to many Plans for the KU Kansas Shakespeare Festival and Institute are being completed now, Jack T. Brooking, professor of drama at the university and principal coordinator of the program, said recently. In Leslie Alexander Lacey's PROPER NEGRO (Pocket, 2:25), an autobiographical face of a race is offered. Lacey High on the list of current paperbacks in fiction is A. Walters, *The Great War* (£1.25), which has been hailed as the Russian novel of World War II. It deals with the Nazi invasion of the Ukraine and has been made a work of art by depicts Soviet oppression and anti-Semitism. As a youth Anatoli witnessed the massacre of 70,000 German soldiers due to complicity of his own country. An entertaining novelty is a compilation by Albert E. Kahn called THE UNHOLY HYMNAL THE UNHOLY HYMNAL consists of the words of Nixon, Agnew, Lyndon Johnson, Humphrey, McNamara, Laird, Rusk, William Rogers, Maxwell Taylor, Westmoreland, John Edgar Hoover, all related to the war, poverty, the youth crisis. affluent black family in the South, and became a militant in an African community, where disillusionment over him. The festival and institute are four theater, English literature, art and music, he said. It will begin June 5 and continue through July 16. Three Shakespearean plays will be presented during the course of the summer. The first play will be presented under the direction of Stewart Vauhann, the second will be seven performances. World War II. Pearl S. Buck abandoned the strictly Chinese theme many years ago; one of her non-Chinese stories is THE TIME IS NOON ($1.25), a soapy story of a woman who has fulfilled. Also on the sentimental side is Arthur Cavanaugh's LEAVING HOME (Crest, 95 cents). This story spans the depression, World War II fights to tell the story of an Irish Catholic family in Brooklyn. Another new one is James *Purdy's* the CABOT **WRIGHT** the BURGESS the story of a rape artist on Wall Street. Along the way Purdy also sits out at the American Museum of Art, where he likewise. In quite different vein is Frank G. Slaughter's **BATTLE** **SURGEON** (Pocket, 95 cents), and perhaps "vinem" he won the prize for captain in the *Corpora Corps in* The last in the series of plays about a woman named Vienna, under the direction of Fred Vesper, instructor of speech and drama. It will be presented An older-timer back on the scene is *Erskine* the *Caldwell's* LunginGINSLER *Gold Medal*, 60 times). Clearly, her heroine who has a series of sexual adventures that stir up an entire town. It is lesser Caldwell. Also offering sexual provocation is *Belle* the *Diagnosis POSITIVE* (Pocket, $1.25), a hospital tale that describes a scandal reaching out to a strange illness striking women clear across the land. The second production, 'Hamlet,' will be directed by Brooking and will be performed five times. Next comes one called OUR MOTHER'S HOUSE (Pocket, 95) who is long along. This one (which sounds like a few years ago), is about seven children ago. Is it about the fact that mother is dead because she are afraid to go into an orphanage. Chills also are. Is she supposed to DISAPPEARANCE (Pocket, 95) cents), a science fiction story that deals with the disappearance of sexuality—at least outer space. *Prophetic? And also in David Levy's THE GODS OF EARTH,* which is billed as ecological science fiction and concern two lovers who are frozen alive in the 20th Century and awaken 500 years later. *David E Fisher's CRISIS* (Bantam, $1.25), a suspense story that believes who he believes has the divine. "HAMLET" will also be presented at KU March 14, 16, 28, 30 and April 1. "It's easier to revise 'Hamlet' for the summer program than to do three completely new shows." Brooking said. The program is being launched at KU this year, and Brooking hopes to see it become continuous. "We hope the community will respond first and foremost as an assemblage of communities that develops, maybe they can participate in some other As usual there are a few Gothics to entertain you this month. One of them is Norah Crest (35, 95 cents), about a school mistress who comes back from missionary life in Africa, looks at the girls in a private school in England. But h! she the school is not all it is purported to be. Jill Tattersall's (35, 75 cents) place is about a girl who exchanges places for a few weeks with a middle-aged governess at a school in Guess's town. What? Mystery haunts the manor. Finally in this category there's Arlade "Pritchett" his girlfriend, Medal, 75 cents). This little jewel takes place in Britain in the age of Victoria, and it's about a governor who must take her wives to Harleigh, in wild old Wales. Vaughan is expected to arrive at KU from New York City the third week of March to cast "Twelfth Night." During that time Brookling will also select replacements for members of the "Hamlet" cast summer festival and lodge. Vesper will cast "The Merchant of Venice" the first two days of summer session. "THE FESTIVAL will include a series of guest lectures by experts in the area for members of the institute." Brooking said, and a book of Shakespeare plays open to the public for a mail admission fee. Included in the institute will be a "cafeteria of courses" about music, dance, theater, music, English, history, theater, speech and drama. Brooking "The committee involved in planning the festival is very interested in developing a certain workshop, and two other workshops," Brooking said. "These workshops would be open to townspoors as well as those from elsewhere." He said the plans for this phase of the program are not yet definite. Physics Colloquium 'Because' Meeting A graduate physics and astronomy colloquium is scheduled for 4.p.m. today in 232 Mallot, David R. Alexander, professor from Wichita State University, will speak "On the Formation of Planetary Nebulae." Coffee will be served at 4 p.m. in 136 Mallot. "Because," a volunteer listening organization, will hold an organizational meeting at 7:30 p.m. Tuesday at the Canterbury Center Goodyear Funds Utah Dance Group Unique The Goodyear Tire and Rubber Co. Fund has made its fifteh and final payment of $2,000 to the University of Kansas, for its Program for Progress'. F.B. Conrad, Goodyear-Topeka plant building, research, student aid and other funds for building, research, student aid and other programs. By H. Berg Kansan Reviewer Recruiters were on campus last week. Among the more interesting ones were a group of students who, with the Repertory Dance Theatre. Arriving in the middle of the week they conducted a series of informal dance classes at KU and Med Center Now Offers Family Practice Training The newly-formed program is supervised by the Department of Finance in Chicago, where the department is one of twelve at the Medical Center responsible for five years of training. The residency program consists of three years training programs. The University of Kansas MS in Resilience training program in family practice. The program is designed to prepare physicians to teach families resilience. training introduces the resident to the primary clinical disciplines in Internal Medicine, Pediatrics, General Surgery, Ob-Gyn and Dermatology. The training is conducted in the Model Family Practice Unit. gave a concert Sunday afternoon in the University Theatre. the second and third years acquaint the physician with inpatient and outpatient family practice, clinical practice of health care and economic and legal affairs in office administration. The company, currently on tour throughout the Plains and the West Coast, will hold a dance summer for all levels of dancers. The company, founded at the University of Utah in 1966, is a most unique adventure in modern dance. The company's independent body with no "Head" The company is an example of dance in culture and the drama of decision. However, their chief virtue is that all the dancers have learned to dance somewhere else now learning to dance together. His concert Sunday was in three parts. The first part consisted of two pieces: "Noturne," or "Nocturne," choreographed in 1853 by Donald McKayle, was Repetitive Drama Theatre. The work is interesting historically even if it appears somewhat dated by today's more informal style. "Night Scene," or other, "Night Scene," is a mood duet that concludes with an enveloping embrace. The main part of the program was an interpretation of Bertolt-Calder play "Mother Courage," called Mother Courage, some 15 years beyond the point Brecht is seen still hauling her cart from one battle to the next, but confronted with the nightmares of war. The children as spoils of war. The children reveals its strength as it vividly depicts the nightmare of the (children) coming home to nest. The concert closed with two delightful pieces, "Opera" and "Tim-Tal." Opera is a hitherto unknown dance dancer. The dancers are equipped with light-sensitive sirens of varying pitch (grace a Computer Science Department ballerina), Tim-Tal, the final affair on the program, is an impressionistic dance, a musical form played on drums and accompanied by drummers and the tambourra (droning lute). The Student Body of The University of Kansas Presents BALLET FOLKLORICO OF MEXICO It's the last program of the season and probably the best! It's FREE with I.D. NO RESERVED SEATS COME EARLY FOR A GOOD SEAT. Non-Students 4.00 - 3.50 - 3.00