6 Friday. July 9. 1971 University Summer Kansan Debate Team Takes Copius Notes ... students keep up with opponent's argument Court System Is Debated Rv REGINA AHRENS In preparation for the coming school year, members of the camp's debate division (except Kansas debaters) are engaged in verbal combat on the topic "Resolved: That the jury system should be significantly changed." On the other hand, they must prove that a jury keeps the judicial system responsive, and it is not possible to prove this. After three weeks of research, debaters have already found juries to be racist, unrepresentative of all communities, slow, easily, capricious and easily baged by good "It as it looks now, it will be an affirmative case," one debater speculated. In other words, more facts have been found to support a character in the injury system. Debaters from Kansas are not allowed to receive instruction on the national debate topic before the regular season begins, according to Kansas Activities Association rules. One Karasan debater, in agreement with the association, explained that it was really not fair for some debaters to receive special training on the topic while others could not afford such an opportunity, if they were to debate on an equal basis. The debaters interviewed were certain that the training received here would be beneficial. "The teachers aren't just debate champions, they're collegiate leaders," one team member said. "They are realists purists in technique," he said. "If you don't copy the entire book, the quote's out of context." out of context. The courses available for debateers are extemporaneous speaking, debate theory, fundamentals of debate, radio and television speaking and persuasive speaking The public is invited to attend the debate tournament which is scheduled for the last week of camp, ending July 24. The schedule will be announced later Meanwhile, inside source advises us to "watch for the opportunity to see coach Junior" Ware's cross-ex of coach and counselor "Funky' Bill Russell." Alberto Bolet Is Guest Conductor "If you are sensitive to one art, you are sensitive to another," says Alberto Bolet, guest conductor for this past July 4th weekend. By PEGGY BROWN Bloet was born in Havana, Cuba. At the age of seven he began private lessons on the violin. At 11 he was a violinist for the Havana Conservatory from the Havana National Conservatory at 14. From Cuba, he went to Europe to study music after winning a scholarship. At 19 he graduated from the Royal Conservatory of Madrid. "I have studied under many famous men," "believed said in an interview last Friday. Bolet settled back and began to talk about himself, one pastime he enjoys very much, as many of the music campers have found out. In Madrid he studied with Arbos, Turina and Conrado del Campo. He did post-graduate studies in Paris with Ecole Normal at the Conservatoire de Paris. He has also been a pupil of Lucien Caciop, Fermin Touche and Javier González. He is also a student reportoire with Huaby Jeno in Budapest for five months. Boelet was music coordinator at the Palais Goumont in Paris for two years. "I have been all over the world," said Boltet. His different positions with orchestras over the whole world points this out. He has played in trios and quartets on tour in Europe and in New York, where he conductor with International Companies throughout South America and Central Science Students See Stars negatives of pictures taken of the moon, Jupiter and some galaxies. Students were able to look through one of the two telescopes and were able to view the moon. He has conducted the five major orchestras of London, and all of the other BOB orchestras in Great Britain, Ireland and Scotland. He has conducted 54 times since 1942 for the BOB in London. America. He has been conductor with orchestras in Holland, Germany, Austria, Norway, Switzerland, Spain and France, as well as many orchestras all over the United States. Thirty-two microbiology students have been given an unknown organism and it is their job to determine the identity of their " little beats." Their organism is one of nine which they are studying and through biochemical tests—gram stains, streaks for broth, and carbohydrate broth tests—possess the bacteria made. When each is identified, the students will write a report about his organism and submit it to his microbiology instructor. on June 28, 29, and 30, approximately 35 science students returned evening to the Lindley Anxie where they were briefed about astronomy. They were organized for those students who had signed up and who had questions about astronomy. A brief lecture was given by a University student, and questions concerning star formation, planets and astronomy were answered. In 1989 he organized and conducted the Orquesta del Instituto Nacional de Cultura of Cuba. With them, he played more than 300 concerts in 3 years. From 1951 to 1968 he was music director and conductor of the Havana Philharmonic. While still a citizen of Cuba he was a member of the International Council of Music and the International Society for Contemporary Music. He has been decorated by many countries for his work in music education. By DEBBIE KILPATRICK Boilet is a professor of music at California State College at Fullerton. For the past three years he has been music director for the Long Beach Symphony Orchestra. “Oh, look! It’s Jupiter, and look! I can see the craters on the moon.” Alberto Bolet Ponders a Question ...guest conductor has traveled and studied all over the world Audiences Remain Small Concerts Again Excellent Rv DAVID S. RARR This weekend the Midwestern Music Camp presented a series of successful, though not very well attended concerts. The guest conductors for the week were James Ralston, George Bober, Robert Hollowell, James Barnes, and Alberto Boleto. the man,") "Johnny Has Gone For A Soldier," featuring Fatti Mias as the solo soprano, "The Path of the Just" by Nysted, LoPresti's "Tribute," and "There's No Hiding Place." Nance Jewell accompanied the choir. Saturday afternoon brought concerts by the Chamber Choir, the Concert Orchestra and the Blue Band. The Choir was under the direction of Katherine Burdick, head of the KU Department of Choral Music. The programme consisted of Vittoria's "Stintenses, Venite Ad Aquas," Purcell's Lord, How Long Will Thou Be Angry," the song from Dante's Inferno, Solomon ("Rise Up, My Love") and "Happy The Concert Orchestra was directed first by guest conductor Robert Hollowell in Jeremiah Clarke's "March for the King of Denmark (mistakenly listed as Henry Purcell's "Trumpet Voluntary"), the first movement of Franz Schubert's Eighth Symphony (the "Unfinished,") and Flower's Stradella Overture. Alberto Bolet led the orchestra in the pastorale, intermezzo and basso in the pastoral, Georges Bizet's *L'Arlesianesse Suite No. 4* Sara Willev Performs in Experimental Theatre Students Explore Life In Reader's Theater Bv.JOHN CORPUS ... three speech campers presented readings Mike Richroad, Sara Wiley, and Paul Dixon have it's at. They tell us all a phone number to call. The Experimental Theater in Murphy Hall was close to capacity July 23 at three people walked casually onto the darkened stage. It was 10:30 a.m. and very bright outside, but the walls and floor were black except for the spotlights on the three performers. The program listed them simply as Mike, Sara and Paul—"The Reader's People." Paul had a guitar and was the narrator. He began with an appropriate introduction: "Explore the life around us." Sara began her reading of "All I Own Is Mine" with嗅听, then listening to Paul, Mike sat listening and the audience began to act appropriately—they listened. "I love" was next and so were the laughs. Mike started to break up in the middle of Sara's serious reading. To those who are still wondering, yes, it was planned. Mike made his entrance with a whimsical musical rendition of Carl Sandburg's "Papa and Mama," named "Papa loved Mama Mama loved men, Mama in the graveyard, Papa in the pen." The next selections were "Oh Je Jigs and Julips," presented by Sara and "I Too," presented by Mike. Those who enjoy a little twist would have enjoyed the next reading by Sara and Mickey Wright, entitled "Between the World and the Wright," a terrific interpretation of this poem. "Then my blood was cooled mercifully, cooled by a baptism of gasoline. And in a room I got a glass, I put the rose like water, boiling my limbs." Mike said after the performance that the group took pains selecting the poems so that the program flowed freely. A job worth doing can certainly be seen in the selection of his next work, which followed Sara's reading, "Richard Corey" brought reality back to the audience once again with her terrific funny voice. Mr. Corey's oral interpretation of a Southern white praying to his Lord, "Hokies Pray" really got it together for everyone. If you were ever more confused than during the group's last reading, "Guess what?", it would be rare. This reading, composed by the group themselves, ended "Life As It Is" like it is—confusing. "Well, she told me not to tell me," he said, "a secret that you told her not to tell me." Russell Wiley opened the programme with "The Star Spangled Banner," during which the American flag was lowered from the top of the stage; an interesting effect, even though two people stormed out of the hall saying "My God! What cheap theatricals!" he reminded the performance with the "Entry of the Valhalla." "Das Rheingold" by Richard Wagner, and John Phillip Sousa's "The Stars and Stripes Forever." Wiley then introduced James Barnes, a former music camper who conducted his own opus 25, the "Commencement Festival Overture." Bolet concluded the programme with Johann Sebastian Bach's "Stabat Mater" and Junior David largo and finalist from Amherst Symphony no. 9 in E minor (from the New World), which earned the band a well-deserved standing ovation. "I feel that the program was beneficial to "every person who was there because it was really expressing life as it is," said Mike about the program. "I wish all the campers could have The group thanked their teacher, Dee Rozelle, who meets with them each afternoon in the Interpretation Workshop. She teaches them about speech in speech communications and human relations here at the University of Kansas. She has also taught English on the high school level for two years. The "Header's People" group discusses about two weeks preparing the program. Robert Foster led the Blue Band in Robert Pearson's "Watergate Concert March." Mendelsohn's Overture for band, "Variations on a Shaker Melody" by Aaron Copland, and the troka from Prokofiev's "Leutenant Kije Suite." Bolet led the band in the overture to Gluspever Verdí's "La Forza del Destino." If you were unfortunate as to miss the first reader's theater last Friday, don't fret too much, the group promises more in the near future. Sunday afternoon brought concerts by the Concert Choir and Symphony Orchestra. James Ralston led the choir in "Lift Up Your Heads, Ye Mighty Gates" by Leisring, with Wesley Hallett and the "Helig," for which Ralston divided the choir into three sections, one on stage and one on either side of the hall, "A Fable" by Dello Joe, Efinger's "Basket," with Connie Hüner accompanying on the oboe "Free at Last." Dennis Mercer accompanied the choir. The symphony orchestra opened with the theme of the camp, Percy Grainger's "Irish Tune from County Derry," and "Der Freischutz" Overture by Carl Maria von Weber, both under the direction of Gerald M. Carney. Boled ten the orchestra in the first movement of Johannes Brahms' Symphony No. 6; Boled ten the Granados' "Goyescas," and four selections from the "Firebird Suite" by the late Igor Stravinsky. The evening concert featured the Red Band and Concert Band. Ed Barley first led the Red Band in John Phillip Sousa's "Manhattan Beach," the chaconne and march from Gustav Holst's First Suite in E-flat, and "Spiritual by Dill Gibbs. Bolet led the band in the theme and three variations from the "Enigma Variations" by Edward Elgar. The band gave a performance of Hovhannes's "Three Journeys to a Holy Mountain," and the band gave their finest performance in Petrik's "Vehicle," also under Boberg's direction. There is no question as to why the Concert land was saved until last because their musicians were very good. Softball Teams Squared Off Into Rivalries By MARY KEENAN Even though the permanent establishment of softball teams and positions has not jelled yet, the rivalry and boisterous pride inherent in a team present even in the wing games of Lewis Hall. The newly organized teams have played three games. The first confrontation left 2 North with its tongue hanging out after 2 South edged them with a 14-13 victory. With a little help from three 2 South teamers, 2 North surprised the fifth floor team with an unexpected upset of 31-11. One fifth floor defendant claimed an unbeatable contributing the team's loss in experience. Kevin Kolloff picked the winning game. Monday night found the music students coming up short when another combination of second floor players stumped them with a score *a* 18.5- Kevin Koloff was again the responsible pitcher. (Naked chested debaters can be tricky!) Several future games are planned, and tentatively scheduled for Wednesday evening. The exact times and days may be from the computer from Lewis, or from a supervisor at Lewis. Lewis's second floor softball team has set to prove its mastery of the sport. If Koloff continues his winning streak and fifth floor success, the manager's greeness; second floor just might be it. Here's Weekend Camp Concert Schedule PROGRAM SATURDAY AFTERNOON CONCERT 2:15 p.m. CONCERTCHOIR Darrell Benne, Conductor Floyd Hedberg, Guest Conductor Dennis Mercer, Accompanist Three Moets Stanford 1. Jastrum Animac 2. Coenos Asendit Hodie 3. Beail Quorum Via The Gold Threaded Robe Meninn Wenon O'Millan Lekerb 1. Let thy hand be Strengthened 2. Let Justice and Judgement 3. Alleluia Joseph Haydr Mr. Benne, Conducting soprano soloist Mr. Hedberg. Conducting CONCERT ORCHIESTRA Gerald M. Carney, Conductor George Lawner, Guest Conductor Thomas Lilley, Guest Conductor RED BAND Ed Bartley, Conductor Dusty Bushue, Guest Conductor Russell Brandon, Guest Conductor Symphony No. 100 in G Major, Military ... Second movement, allegretto Fourth movement, presto Mr. Lawner, Conducting Irish Time From County Derry . Percy Granger Mr. Lilley, Conducting 1. Frost 2. Firestarter 3. Dance of the Comedians Mr. Carnevay, Conducting National Emblem E.E. Bagley Dedicatory Overture Clifton Williams M. Brendan, Conducting La Festa Mexicana 1. Mass H. Owen Reed La Flesta Mexicana 1. Mass 2. Aztec Dance ...Tschaikowsky American Civil War Fantasy ... Jerry Bilik Mr. Buyshouse, Conducting Mr. Branden, Conducting Mr. Bartley, Conducting PROGRAM SUNDAY AFTERNOON CONCERT 7:30 p.m. CHAMBER CHOIR Davis Reine Conductor Florida Blessing, Guest Conductor Nance Jewell, Accompanist Aun Joly Jeu Du Pouve Assistant Henee Conducting Janequin Now Start We With A Goodly Song Hassler The Lamb George Mr. Hedberg, Conducting Bailiero Arr. Candelohe He's Gone Away Arr. Davis Christmas Cantata Pinkham Quem Vidistis O Magnum Mysterium Gloria in exeelsis Deo Mr. Benne, Conducting Trumpet I: Horn: Trumpet II: Trombone: SYMPHONY ORCHESTRA Gerald M. Carney, Conductor George Lawner, Guest Conductor Irish Tune From County Derry Symphony No. 14 Jean-Baptiste and Allegro Energico Percy Grainger Jean Sibelius Variations On A Theme By Haydn Johannes Brahms Rodeo, Ballet Suite Aaron Copland 2. Corral 3. Saturday Night Waltz 4. Hoo Down Mr. Lawner, Conducting SUNDAY EVENING CONCERT 7:00 p.m. PROGRAM BLUE BAND Robert Foster, Conductor George Borgen, Guest Conductor Russell Branden, Guest Conductor Dramatic Fanfare Morton Gould American Overture For Band Joseph Wilcox Jenkins Robert Jager Minuteman March Robert Pearson Elegy For A Young American Ronald La presti Strom Hounsell Mr. Boberg, Directing NANCER BAND Russell L. Wiley, Conductor Robert Foster, Guest Conductor Polonaise From "Christmas Night" Rimsky-Korsakov The Purple Carriage Harry Alfred Mr. Wiley, Conducting Pageant Vincent Perschetti Beatrice & Benedict Hector Berlioz Arr. F. Heinzing Symphony No. 6 P.I. Tsaklowskiy Andante Arr. Percy E. Fletcher Mr. Foster. Conducting Concertine For Solo Flute Cecile Chaminaide Danza Finale from "Estancia" Alberto Giannino 1