University Daily Kansan
Friday, February 5; 1971
5
Something important appears to be happening in this scene from "The Brave Little Tailor," a
production of the KU Theatre for Young People. The production will give one public performance Saturday at 2 p.m. in the University Theatre before embarking on a tour of cities in Kansas.
'Fantasia'Funny,Colorful
By BION BEEBE Kansan Reviewer
Sometimes going to a movie is more than just going to a movie like the one in the image. A rich mixture of sight and sound makes this a very enjoyable experience.
"Fantasia" consists of eight musicians performed by stubes and soloists in the orchestra. Each musical piece is accompanied by an animated character.
Starting off the picture is the "Toccata and Fugue in D Minor" by Bach. The animation for this is mostly abstract.
The "Nutracker Suite," the *Cinderella* kind of animation. Following this is the "Sorcerer's Apprentice" by Robert Dahl, an amateur magician who cannot stop what he sets in motion. Mickey Mouse appears in this book.
The "Hite of Spring" by Stravinsky sets the stage for animated showing of the first billion or so years of the earth's history. The creation of the earth scenes are particularly good
Beethoven's "Pastoral Symphony" tells of one day in a
Ponchielli's "Dance of Hours" is the funniest part of the movie. This familiar ballet is danced in
mythical country Unicorns,
centaurs and flying horses
abound in this land and even Zeus
is throwing a few lightning bolts.
though, is to think that this picture was made in 1940. Now, college kids are flocking to it. The movie was obviously ahead of his time.
"Fantasia" is not the ultimate fantasy, but any means, but it is worthwhile. It is worth most movies these days—which is a blessing in itself—and its beauty can be seen as one of the greatest.
THIS IS REALLY a new kind of movie. Its actors rarely stand up, face the camera, deliver their lines and call it a day. More often, they use dialogue and bits of dialogue are mumbled away from the camera or are nearly lost in an irrelevant conversation. The effect is an explosion of sound. In dialogue Hopefully, the advent of "M.A.S.H.", and movies like it
outlandish fashion by ostriches,
hippos, elephants and alligators
and is humorous at times.
By DICK COWDEN Kansan Reviewer
"M.A.S.H." is an oddity. In you will see sex, but nobody will shout. "socially" redeeming you. You will be surprised. You'll see possibly the most outlandish, pretentious humor on screen this year, but you'll forge the pretensefulness when you're about to give a speech. creatures wouldn't have wanted it any other way. You may even glean a message out of the jumble of disconnected episodes, but you won't hear it blared over
Moussorgsky's 'Night on Bale Mountain, is an exciting adventure in which she visually as it shows the devil and the depth of hell. Schubert's 'Ave Maria' closes 'Fantasia' to the audience. This sequence was the film's best.
Perhaps, considering "M.A.S.H.s," popularity, it would be more accurate to say you already have loved it. But in Myra, be careful your money on "Myra" has been missed. "M.A.S.H.'s" see it now.
"M.A.S.H." is an amoral, irreverent, blasphemous film about an Army hospital unit during the Korean War. It makes light of nearly everything its officers had to hold sacred. You will love it.
All the animation is excellent. The artists take every color in the palette and press many different emotions. Blues, pinks and greens are used in quiet, gentle scenes, and reds. The animation also illustrates "bout, violent scenes."
'MASH'a Big Winner
Folk Music, Coffee At Fiery Furnace
The Firey Furniture is neither fine for the family nor warm and friendly. snugged beneath the Episcopal Church's Canterbury House at 1116
According to Father Stolz, the people who come represent a cross-section of the students on campus. They come to enjoy the experience because it's one of the least expensive ways to spend an evening in Lawrence (only 15 cents per person), and because "nothing is of them ... they can perform, listen to, or sit quietly." Stolz said.
By BARBARASCHMIDT Kansan Staff Writer
BY THE TIME the Rev, C. F. "Dutch" Sole came in 1868, the Furnace was nearly self-sustaining.
It is called a coffeehouse, but it really is more than that. The Furnace is a place to listen: to the soft strains of a folk guitar, to conversations at a nearly table or simply to your own thoughts.
Entering the Furnace is like entering a hidden cave. Around to the left, there's past a sign announcing "Firy Furnace" in scrawly hand-painted letters and through a light fixture the lit by an auspicious red bulb.
Eventually both of the founders left, and for a year and a half, firefighters were without Furnace was without a manager. The regular performers and customers wanted to keep the fire department they worked together to maintain it.
Warmth, the murmur of voices and the comfortable smell of brewing coffee made me feel at home. I sat by the fire, p.m., and the Furnace had been opened for only half an hour, but already nearly 40 people had claimed most of the chairs. I put guests into the can and sat down.
Basisically the Furnace has remained the same. The faces have changed, but the room is the same, and so, according to the style of music.
A SINGLE SPOTLIGHT in the corner cast pale yellow light upon a long-haired young folk singer. He sang of love and loneliness, singing with his voice joined by a fellow performer. At times their mellow voices engaged the audience. Other times the audience preferred to listen to itself, and the talking continued oblivious of the singers.
HOWEVER, THE future may bring a change, Father Stolz said. The increasing number of people
who visit the Furnace is causing damage. Luckily, the space is available with the basement of the Canterbury building, the old north wall of the Furnace and probably be knocked out to allow expansion into a room on the floor.
"But we've got a good thing going in the Fiery Furnace, so we don't want to do anything that would inhibit it," he said.
Weekend Scene
Drought House—For the record, the Joint Session will assemble about 8 p.m. on Saturday for music and whatever
Red Dog—On Friday, Factory manufactures the music to make you dance. The following night, the factory serves as your one-word band.
Uk Down - Shim Shim is on hand, ready for a fox trot or a waltz. Don't forget the afternoon sun! Don't miss the day and Saturday. KUID audit
Movies:
SUA Popular Film: "Goodbye,
Columbus," with Richard
Benjamin and Ali MacGraw.
A popular film of last year. This
film is based on the life of a
before her tragic death in "Love
Story." Shown in woodruff,
where you'll find a low admission
charge, comfy seats and the rudest, crudest audiences in
Wednesday at 9:30 p.m. Fri.
and Sat.)
SUA Classical Film: Ingmar
Bergman double bill: "Through a
door" (1963) at 5 p.m. and
p.m. and "The Silence" (1963) at
9 p.m. (Wed, Feb. 10 at
7 p.m.)
**SUA Science Fiction Film:** *King Kong,* "1933" (The life and times of that affable anthropoid monster) filmed during Feb. 8 in the Forum Room).
will forecast the end of wild gesturing and eloquence in the theatrical portrayals of people. Now that "M.A.S.H." has shown the way, actors may become of elevated verbal technicians.
International Film: "The Music Room," (India, 1959) (7:30 p.m. Sunday in Woodruff)
Director Robert Altman utilizes what might best be termed exaggerated realism to create situations that are recognizable as common occurrences, but expanded just enough to penetrate
At the Theatres:
"Fantasia," The head film
(Hillcrest 3)
KU Film Society: "Man-
dababi" (7:30 p.m. Tuesday,
Feb. 9, in the Forum Room)
At the Theatres:
ELLiot GOULD, the unlikely stud, and Donald Sutherland, the man wearing the endearing, horse mask, have both become a fashion chandise since "M.A.S.H.," they don't dominate the entire picture. Their secret is a hint of the Marx Brothers' influence.
Great Call of the Wild," (Hillcrest 1)
"The Horror of Frankenstein," and "Sears of Dracula." It's your money (Varsity)
seissers. Gould and Sutherland are coocky and corny just to the point of ludiciousness without crossing over.
"Little Fauses and Big Halsy."
Robert Redford and Michael J. Pollard put-putting their motorbikes over the southwest coast of California.
“M.A.S.H.” A fresh, funny, reverent war comedy that is halfly the reason Elliott Gould she is who he today. (Granada)
Die in Crash
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Sat 4th and Sun 7th
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Original Persian carpets
minimalist paintings
historical wallpapers
natural light in the room
LIMA, Peru (UPU))—Thirty-one persons aboard a Puyu Airplane Air Force bomber crashed in the central Andes range late Wednesday. It was an unarmed aircraft.
The dead included 14 civilians and 7 crewmen, all Peruvian.
M. A.S.H.' is not ashamed of his slapstick. Alain seems to get caught in the process and the viewer can prepare himself for the impact of the impending
COMEBY IS USED throughout the film as a vehicle for the ever-earnest humiliating religious zealots and secular army, "clowns," in an important about war and its effects on people. It illustrates how religion presses the pressure of war and responsibilities with laughter or anger.
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“‘M*A*S*H’ is what the new freedom of the screen is all about”—Richard Schiefer' Life
Now Showing
Fri.-Sat. 7:30-9:45
Mat.-Sat. 2:30
Mon.-Tues. 7:30-9:40
Use Kansan Classified
THE
UNIVERSITY THEATRE
presents
THE WHITE LIARS
and
BLACK COMEDY
by
Peter Shaffer
The University Theatre-Murphy Hall Feb. 11, 12, 13, 18 and 19, 1971 8:20 p.m.
Student Certificate of Registration Good for Reserved Seat Ticket at Box Office UN 4-3982
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