6A NEWS THE UNIVERSITY DAILY GANSAN FRIDAY, APRIL 17. 2009 TRIPLE-DOUBLE DEAL Buy 2 same size drinks, get 1 free. smoothies.frozen drinks Bring your friends or surprise them with a drink. Mint MUSIC Shorter chamber operas make debut in recital hall Students compose, produce, perform operas based on literature BY JENNIFER TORLINE jtorline@kansan.com The Heilanthus Contemporary Ensemble is taking a small-scale approach to grand-scale opera with its chamber opera performances this weekend. Rather than long performances in different languages, the chamber operas are all in English and are each less than 30 minutes long. "It it's a great chance to get a tase of opera if you've never gone to one before," said Matt Elliott, Great Bend sophomore and stage manager. The ensemble, a KU organization devoted to performing music written in the last 20 years, will present three chamber operas composed, performed and produced by students. The performances will be Saturday in Swarthout Recital Hall. Although the ensemble has performed chamber music in pass semesters, this is the first time for the ensemble to perform chamber operas. A chamber opera is a smaller performance than a fullscale opera because it is shorter and has fewer characters and instrumentalists involved More than 30 students are performers, directors, conductors, stage managers, composers and musicians for the production, which has taken more than a year to prepare, said Forrest Pierce, assistant professor of music composition and director of the ensemble. Stage Director Sylvia Stoner-Hawkins said this was the premiere performance for all three operas, which are based on folk tales and other pieces of literature. This created a challenge for singers, who had no recordings to listen to when preparing for the performances. This was Stoner-Hawkins' first time staging a work by a living composer. "You really have to be very sensitive to what they've created and try to mold it to a way that is respectable to their intentions," she said. Some of the operas also involve puppets, including a Russian horse and a Japanese bamboo spirit, made by Spencer Lott, Lawrence junior. For the three student opera composers — Dan Musselman, Joe Eidson and Andrew Trites — it is the first time all of them have written an opera and had it performed. "These are operas that you have never heard and that no one has ever heard before," Pierce said. "This music is very much about now, this very moment in our culture." Edited by Sam Speer WHAT: Three chamber operas composed, directed and performed by KU students. WHO:The Helianthus Contemporary Ensemble a student group that specializes in music written during the last 20 years. WHEN: 7 p.m. and 9 p.m. Saturday Composers Dan Musselman and Joe Eidson will host a preconcert lecture at 6 p.m. in Room 402, Murphy Hall, to discuss the history of chamber opera and the pieces that will be performed during the evening. WHERE: Swarthout Recitar Hall HOW MUCH: Free Here's a closer look at the three chamber operas that will be performed: Composer: Dan Musselman, Burlington, N.J., doctoral student Genre: Comedy Setting: Russia Inspiration for the opera: "Overseasoned," a story by Anton Chekhov Plot summary: A bureaucrat is traveling to a farm and hires a peasant to take him on a horse-drawn cart the remainder of the trip. The bureaucrat gets scared because he is in an unfamiliar land, and tries to intimidate the peasant. The peasant gets scared and runs to the woods, which upsets the bureaucrat, who yells at the peasant to come back. The two men eventually meet up down the road and walk to town together. Right: Ben Cleveland, left, listens to an expllation from Josh Lawler during a strange carriage ride in the wilderness in the opera "Deukino Road," composed by Dan Musselman. Caleb Sommerville/KANSAN An opera scene from "The Taming Of the Shrew" Setting: Padua, Italy during the Renaissance Composer: Andrew Trites of Overland Park, December 2008 graduate Inspiration for the opera: Act 2 Scene 1 from William Shakespeare's "The Taming of the Shrew" Plot summary: This scene takes place after a dinner party where all of the suitors come to the home of sisters Katherine and Bianca. Katherine ties up Bianca's hand when she refuses to tell her which suitor she liked, and Katherine slaps Bianca's face. Their father, Baptista, walks in and splits up the two girls. He rebukes Katherine and tries to comfort Bianca. Right: Katie Bieber, right, as the character Kate from the Shakespearean play, plays against her sister Bianca as Michael Austin as Baptista looks on. Bieber and Austin are in the operatic adaptation of Shakespeare's "The Taming Of The Shrew," composed by Andrew Trites. Caleb Sommerville/KANSAN The Bamboo Cutter and the Moon Composer: Joe Eidson, Jefferson City, Mo., doctoral student Genre: Folk tale Setting: 9th/10th century Japan Inspiration for the opera: "The Tale of the Bamboo Cutter," a 10th century Japanese folk tale. Plot summary: An older woman, Take, finds a young girl, Kaguya, in her bamboo field and takes her in as a daughter. The girl grows to a beautiful young lady, and all the princes pursue her. She gets annoyed and sends the princes on impossible tasks. Eventually, she falls in love with the Japanese Emperor Mikado, but the moon spirit comes and tells Kaguya that she is from the moon and must return. Kaguya says goodbye to her family and Mikado and gives them items that grant them eternal life. Right: Anna Hoard, left, sings to a spirit puppet operated and operated by Spencer Lott. Hoard is in the opera "Bamboo Cutter," composed by Joseph Eidson. Caleb Sommerville/KANSAN ---