Brush and Charcoal
By FRANK JENNINGS
In the relaxed atmosphere of the third floor of Strong hall, (east end, that is) the drawing and painting department dispenses its additions to the contemporary culture.
Under the direction of Prof. Raymond Eastwood, third floor habitues come in contact with such things as constructive drawing, sketch, anatomy for artists, composition, portraits and mural painting.
Informality is the keynote in the department, and this applies to actions as well as fashions. Oil smeared jeans have come to be a veritable hallmark of the art student. Breaks for a cigarette and a few thousand words are not infrequent.
NO ATOMIC SECRETS-But a real live figure drawing class is in session. Only advanced drawing students may enter these portals.
WHY NOT TRY A PAINT BRUSH?—Instructor John Armstrong makes a few suggestions relative to painting technique.
GEORGE AT THE EASEL—George Knotts, education senior, adds the finishing touches to his canvas in a portrait painting class.
BREAK TIME-Anne Hyde and Regina Lux indulge in one of the favorite pastimes of art students, and everyone else, for that matter.
CHARCOAL AND PAPER—These are the elements of the drawing profession and they're used by elementary students. It's a beginning class in figure drawing.