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Wednesday, August 24, 1988 / University Daily Kansan
Scott Carcenter/KANSAN
A man, who refused to give his name, carts a television set on a bicycle. He had just purchased the set Saturday at a garage sale.
"Isn't that the greatest thing!" she said.
SALE
Continued from D. 1
SALE
"Pat is the kind of person who sells things that aren't for sale," Pamala Coffee-Little said, she. Sue William and LeLopard began his sales together 11 years ago from the sport area of Kansas City, Mo.
"We had the greatest sale in Kansas City," Leipard said. "Thousands of dollars."
Coffee-Little said, "One time we dressed up in costumes. In these free-flowing dresses, Pat and Sue walked up and down the street carrying signs. . . It was a great sale."
Ed and Susan Judd, 1315 1/2 W.
19th Tern, still putting tags on at 10 a.m., were having a
sale at their neighbors were having a sale.
"We've taken in a phenomenal amount." Susan Judd said. "$11."
Alex and Tine Conchola sat quietly on their porch at 2317 Massachusetts St., presiding over a pair of nearly intact oak trees from wooded loops and ornaments carved by her father, Lewis George.
"There were a few people here earlier," Alex Conchola said softly. "Sometimes people go look at other sales and come back."
Or not. But in the quiet shade of the porch, on a relatively cool Saturday morning, with the radio very illuminated, it did it seem very important.
Reeling livestock, sizzling sideways, ice cream, walk through a straw ... are a few of the added detractions at Midwest state fairs in a summer of killing heat and devastating drought.
High heat takes fun out of fair
The fairs still feature Ferris wheels and funhouses, midway crowds of farmers in coveralls, girls with long hairs, kids — traditional summer fare like corn on the cob, porch sandwiches, cotton candy and snow cones.
"You don't like eating like," said Daron Carick, 65, of Belvidere, at the Illinois State Fair in Springfield. "I want something, but you don't."
The Associated Press
But it's not the same.
"And the ice cream melts so fast," said his wife, Vi.
The parched, hot summer that has turned city lawns brown and urbanites crabshy been a disaster for the Midwest, where growers grimly watch their crops field in autumn colors and deep cuts in proiected grain harvests.
Coppola's love for the futuristic car comes through on screen in 'Tucker'
On Tuesday, when the temperature hit 102 degrees in Indianapolis, his team split the division, and they were chickens," said Indiana State Fair spokesman Jeff Fisher. The owners, he noted, "worked with cars" "with the windows rolled up."
At the fairgrounds, it makes for smaller produce and livestock — and even some casualties.
By Kevin Dilmore
The film begins on the day in 1945 when Preston Tucker (Jeff Bradleys) shares his ideas for a new car with Richard Beymer, the movie he unveils. He unveils a drawing of the
Living symbols of the American Dream have existed in every era: John D. Rockefeller, Hugh Hewner, Donald Trump, President Tucker is not a name synonymous with success for the young generation but a premiere of "Tucker." The Man and His Dream," many had forgotten about the automobile designer and manufacturer who saw his career rise and fall in less than five years. He was the first to forget his first glimpse of a Tucker Torpedo in 1947, and now he has created a film biography of President Tucker, filled with the same wonder, admiration and joy he must remember seeing Tucker's furious car.
In a last ditch effort, the Big Three trump attacks against Tucker through the Securities and Exchange Commission through Michigan Sen.
Tucker Teporca, a streamlined beast with a Cyclops-like headlight that turns with the steering wheel a rear-wheel drive car. The engine and other innovative accessories such as belt discs, tire chains or to pop out of the car in a collision
Everyone who sees the car is enralled by it. Everyone that is, excepte bigwigs at the Big Three manufacturers in General Motors. They rally to stop Tucker by every means available. Tucker soon finds that he cannot purchase the car without that needed investors are in the short supply. He strives on in the face of these hardships and creates a prototype of the Torpedo to raise interest
Homer Ferguson (Lloyd Bridges). Dinner. Theiller takes his fancy to Tucker, who later acquired Tucker's hopes of building a safe and lasting cat are
Although the story of Preston Tucker is not one of success, "Tucker" sustains a positive mood throughout. With talented actors and a cinematic style that seems to be a mirror of the film world, director曹操Casta a spells up a movie magic that overpowers any tragedy in the story.
The film runs as smoothly as the car that its its focus, and it gets its fuel injection from Jeff Bridges. He is an accomplished creative and physical energies which he communicates with a constant gleam in his eye and a charming smile he flashes at every setback or event. He also travels leaps from the screen and
Review
fires up an audience with the same drive he gives his on-screen employees. Tucker becomes a believable leader.
Although "Tucker" is *bridges movie*, the other cast members are just as noteworthy. Joan Allen is excellent as Tucker's wife, Vera. She is an actress who plays the sprinter for her husband, and is undeniably the weight that keeps the dreamer from floating into the sky. Martin Landau pulls out all the stops on the race, even though she viser, a man who is not just a bankroll, but a dear friend to Tucker and his family. Landau gives the film a majority of its emotional highlights with a performance that is a fair cry to his 'Mission, Impassible days.'
One actor in "Tucker" accomplishes the feat of stealing a scene from Bridges with a role that deserves at least an Oscar nomination. The character is Howard Hughes in a brief scene that, for a moment, changes the entire feel of the picture. As the eerie multimillionaire, Stockwell rivals his bizarre appearance as Demis Hepburn, men in the 1986 film, "Blue Velvet."
The look of the film plays a part that is just as important as any actor's role, and Copolla again shows the importance. Her has become known for from previous films. Vittorio Storaro, an Oscar winner for his work on Copolla in 1978, will also be featured this year and last year." The "Last Emperor," creates cinematography for Tucher as aerodynamic fighter pilot through each set with slow, jamming pans or
overhead angles whenever the camera is in tight quarters.
Storaro and Copolla also give the film an air of fantasy by filling scenes with the rich colors and stylized decor that predecorated post-war America. Stets were designed so that the actors supposedly take place across the country in a side-by-side fashion; a magical fashion that can only happen in the movies. In some ways, Tucker looks like an advertisement for a museum. And of the Saturday Evening Post, "Tucker" is a film filed with joy. It runs on Preston Tucker's love of cars and on Francis Ford Coppola's love of film. And it shows that men who made of their craft cannot be overcome.
"Tucker: The Man and His Dream" is now playing at the Hillcrest Theaters. It is rated PG for language and adult situations.
MOVIES
Continued from p.1
George Roy Hill's 1977 film, "Stap
Shot."
Clean and Sober
In the past, every talented comedian who tried to play a serious role has failed to win praise from critics or favor from an audience. Remember what happened to Robin Williams in "The World According to Garp" (1976) and how he ended up at Edge." This time, though, Michael Keaton has won deserved praise as Daryl Poynter, a substance-abusing real estate salesman who hides from police in a drug rehabilitation clinic. Keaton begins the film as an unlikable adict begging for any stray items he can purchase, but he becomes stronger
Phantasm II
and more sympathetic with every step he takes toward sobriety. This film, directed by "Moonlighting" and starring Karen Gillan, prosecute saint adam. It is a grigty and realistic slice from the life of a man who needs help without knowing it.
One ranks high with me because it was such a pleasant surprise "Phantasm II" is the best game ever. In Strikes Back, the writer-directer for the first one, Don Coscarelli, is back in the saddle for the film, along with actors Reggie Bannister and Amy Adams. There are many horrific sequels are schlocky
Die Hard
and packed with violence to make up for a saging plot. "Phantasm II" is inventive, frightening and flat out fun to watch. But a word of warning: even though this one opens with a recap of the first film, which was released nine years ago, it is a good movie for children ("The phantasm" and watch它 on video before seeing the sequel. You'll be glad you did.
This film wins the Kansas award for the film with the most accurate ad campaigns of 1988. The commercials blared that "Die Hard" would blow you through the back of the theater, and it came close to doing
just that. This film is no more Bruce Willis vehicle. "Die Hard" is packed with non-stop stunts, explosions and thrills that make your head throb and take your breath away. Director Bruce Willis credits the movie for credit for orchestrating order from the chaos "Die Hard" could have become, but also for assembling the best supporting cast in every actor in "Die Hard," from Bonnie Platt to Drewey McCarthy to Alexander Godwin as a live wire terrorist, takes what little bits they can get from the script and creates a memorable role. "Die Hard" also contains some of the best throw-away moves and wiscercuts in a long time.
YE OLDE SUGAROSITY SHOPPE
Although this list contains the good summer films, I will close with one not so good. The winner of the Kansan award for the Bummer of the Summer, the season's greatest disappointment is . . .
Playhouse." The film was trapped in a strait-jacket script, marred by Pee-wes' lackluster performance and ruined by a cheesy musical number for a finale. Even the much-cheeked screenwriter longest screen kiss in history was cut from its more than three minutes to a measly 45 seconds. If director Randal Kleier (the same man behind "The Blue Lagoon") had decided to pretend audience awards were adults or children, he would have been better off.
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Kevin Dilmore is a 1988 KU graduate with bachelor's degree in journalism and film studies. He is a staff writer at The Miami Republic and the Western Spirit Studio.
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