6
Friday, October 20, 1972
University Daily Kansam
Weekend Scene
Music of Korea and '50s
ART
ISIS AND OSIIRS: A collection of monoprint collages by Eugene Larkin. The 37-piece collection is done in a variety of media, using fragments such as grass, wood and leaves with drawings of various color and design. University of Kansas Museum of Art.
X7: A display of photographs by seven photographers from the Midwest. Included in the display are works by Jim Lichtenstein, an art history and curator of the photography museum of Art, Union Gallery.
DIRK  SHEARS, JERRY
WOOD: of these three two art-
ticles, are used in the
drawings, acrylic paintings and
painted wood sculptures. 7 East
MUSIC
AHI AHK: The folk music and dance of Korea performed by the Akh Troupe. The troupe will feature a variety of sight and sound from the Korean folk culture. 8:20 tonight, University
SUGARLOAF: A band famous for interesting instrumental work and good material, sugarloaf has had a number of hits, including "Green Eyed Lady" and "Grey Eyed Lady", "Tonight, Red Dog Jee".
LONNIE FAME AND THE BELLTONES: Lonnie and his rocker trolls return to turn back the hands of time. Yes, for a few hours the magic of the $50 will light up Saturday night. Red Dog Inn.
THEATRE
TARTUFFE: Oct. 21-25.
University Theatre.
JOE KIDD, PLAY MISTY FOR ME: A big night on the town for Clint Eastwood worshipers. The chiller involving a disc jockey
and an unusual listener. Hillcrest
FILLMORE: Hillcrest 2. (See review on this page).
POOR ALBERT AND LITTLE
POOR ALBERT and little
shackers of all time, this most
brings Lawrence, among other
premiere screening. Hilleurst 3
OH CALCUTTA: For those who missed the nasty Broadway play, a clever filmmaker has written a new story about Granada Theatre.
CANCEL MY RESER
VATION; Another typical,
family-fun Bob Hope ex-
travaganza. Varsity Theatre.
T. R. BASKIN: Tonight and Saturday, Woodruff Auditorium. (See review on this page.)
EMPRESS WU: A Cannes Film Festival award winner, the story of the most powerful and beautiful woman in the history of Sunday. Woolfst Auditorium, no admission charge.
'Baskin' Survives In Ruthless City
By SALLY LOVETT Kansan Reviewer
"T. R. Baskin," this week's SUA film, stars Candice Bergen, James Caan, and Peter "Soe" Young. The film trays the guays, small town girl (TRL), who ventures into the woods to find a friend and fortune. Upon arriving at the downtown W.Y.C.A., she throws parents—"don't wait up."
The play's theme deals with religious hypocrisy by focusing
Old 'Tartuffe' Finds New Life In Talented KU Presentation
By DENNIS LINGLE Kenson Rodowen
"Tartuffe," the play that was banned 300 years ago by Louis XIV for satirical overtones, was the subject of much debate in the Experimental Theatre, but this time the reception of the play was quite the opposite.
ORGON HAS complete trust in Tartuffe's special religious powers and worships him as he would the Pope. The several oracles of the prophet in vain, to convince Orgon of Tartuffe's base motives, Orgen, in his quest to show that he is still the all-powerful one in his husband's marriage of his young daughter to the much older Tartuffe.
grin on his face. Neal Pitzinger, who played Tartuffe, had the grin but not the other accounts.
Pritzer, who played in last Spring's production of "Just Good Friends," made up for the disappointment by his fine acting. He really was wicked, crafty and smooth in his speech.
DORINE, THE MAID, was the catalyst to the action early in the
T. R. begins her new life in the big city by apartment hunting, which she finds to be a harsh, disillusioning task. However, she learns that many scorches of larcenous landlords and settles into a $110 dump.
T. R. finds a job among a myriad of expressionless typists (all classified by the first letter of their last names) who peek away endlessly at an innumerable number of typewriters in their workplace. T R is trained as a number—a more face in the crowd—a
She gradually begins to meet people, although none of them seem to be her kind. She makes a genuine effort to be the opportunist, a wealthy, bore who has inherited his father's business, an attractive divorcee and a successful real estate salesman from Utica (Pier Boyle). Larry seems to be the only same one of the four children she meets, be the least sincerity of them all.
In no way does T. R. fulfill anyone's expectations as a young businesswoman, but he bustles business world. Her spunk scares people. It is her grit and determination that wins over her.
KANSAN
on the rogue Tartuffe. He is pious yet conniving, he is tender but cruel, he has high moral ingenuity, and he can torture Tartuffe is a master of religious chicanyer who uses Orgon, the foolish, duped master of the household, as a magician in aIAL sidelows would use a shall.
'Fillmore' Funeral Offers Top Music
The movie joins the long list of "woodstock," "goodstock," "Moon Shutter" and all the rest—featuring a cast of musicians performing at the Fairmont East.
"Fillmore" is the story of the last days of the great rock-music hall in New York. It also the story of Bill Graham, who made the Fillmore, East and West, a music industry that the music industry had to offer.
By JOE ZANATTA
But it is not only the presence of these groups that makes the scene interesting. It's also the behind-the-scene look at the promoters, the agents and the stars themselves that secrete messages from outless other rock films.
Graham is seen as a man who is often in danger of being bands and himself. Usually his attempt falls in that order. This one of his reasons for closing the door on Graham in action, is no longer a question he he took the route he
But for all the headaches, there was one redeeming factor—the business, Graham gathered the big-name groups of San Francisco and gave his concert hall the funerals that is recorded in his book.
In the final week the headliners were Cold Boz, Blood Scag, Hot Caps, Blood Bomb, and Dead Eleni Bishop and the New Riders of the Purple Sage—and these were not even the big acts. For top attractions he had the Jefferson Airplane, Quicksilver Skiing, The Grateful Dead and Santana.
Thus, a minor plot is set into motion: Marianne, Orgon's daughter, is in love with the striking, masculine Valero and does not want to marry Tart. The young woman is mean unhappy for the young lovers. They must try to stop the marriage from going through.
Not all the performancees recorded on film are the best ever given, but most are enjoyable. These are one of the best songs. The Dead with "Johnny B. Goode," and Santana, with a Latin medley
turn in beautiful performances on the final two nights.
Richard Heffron, who conceived and directed the film, did a fine job of capturing both the mood and the music of the Fillmore, without getting exasperated by the lighting, photography, though not as brilliant as "Woodstock," is well done.
Anyone who enjoyed the music of the late '60s will probably enjoy "Filmore." After all, the two are almost synonymous.
The main character is not Tarutte but Orgon, played by Fred Vesper. Vesper is brilliant as the bumbling, temperamental head of the family. Vesper shows his determination to deliverance of his lines. Vesper portrays Orgon's movements as erratic, never moderate, and he speaks his lines, at moments, with the cadence of a Gregoirian poet. He is thus possessive in creating that half-sense of ornamentality of Orgon.
IF THERE WA$ a fallacy in this play it would have to be the casting of Tartuffe. Even though Tartuffe does not appear until the third act the audience knows very well that the stage is onto the stage. One expects Tartuffe to be plump, rosy cheeked, and to have a licherous
play. She was the one who spoke
with a sharp tongue and
hypocrisy of hypocrisy of Tartuffe.
Jean Averill acted the part master-
Brenda Kopmeyer played Elimire, the wife of Orgon, and was well-cast as the pretty lure that tricks Tartuffe, but more famous is her role in that the verse became doggerel rather than lyrical conversation.
the translator of the English version of Tartuffe said that the commonest causes for failure in action are the form of dialogue which is hurried, cut, or swamped in fancial action, Michael Nash, wrote. The text in the dialogue was not hurried. In fact, the timing of the lines was flawless. The proper pauses in the action were direction and feel for the roots of the characters. By giving them room for motivation, thought, and action the actors became rooted, matured in their roles.
Talent, Energy Combined In Wishbone Ash Concert
By MARY LIND
By MARY LIND Kangan Review
Wishbone Ash, a top group from England, swipe into the Red Baron Thursday night and sell off the 800 with a sound all their own.
u is succinct to classify Wishone Bash's music as it is a mixture of hard rock, and rhythm guitar with great finesse. In the song "Phoenix" they had the opportunity to display the incredible range of instruments in the song, is forceful at first and at one point fades into very light drums and lead guitar, with an equally forceful finish.
Ted Turner and Andy Powell were fantastic on lead guitar. Steve Upton controlled the drums and gave the framework for the music which involves a lot of percussion. Martin Turner added the finishing touch to Wishone Ash's sound with the base guitar.
Wishbone Ash has put out three albums, in their three years together and have released a new
single, "No Easy Road," in England.
They played for about two hours, beginning with "Time Warner Free," and then "Free," then slowed things down with a song off of the "Arrows" album.
Other songs were, "The King Will Come," "Where were you Tomorrow," and "Jailbait."
Wishbone Ash was a joy to watch. They are into their music and the crowd with the crowd throughout. They play through set after set without a break and Kevin Harrington. They make sure they sellid么 a break that they seldom take a break.
They came back for the encore and "The Blind Eyes," which was "Whiskey" and "Blind Eye," both rocking songs, after which the crowd gave them a standing pose.
They play for themselves and to the crowd. Their distinctive sound and personal vivacity and their concert a rare on-perience.
As soon as they had left the stage after their last song the crowd was on their feet yelling for more.
VALERE'S GALLANTRY was a little thick, resembling Captain Big Jim Warrington of the Royal Marines. He character seemed to be farcical in that his efforts at being serious were pocked with ridiculous faults and mistakes not detract or lend itself to disaster as translator Richard Wilbur warned. As a matter of course, he complemented the dialogue.
Michael Nash once again showed his talents, as he did in last year's production of "King Ubu," in directing the French movie *Marie*. He lives for those of who thought he was dead. Nash has taken a play written in verse, which would scare the daylights out of most audiences. The scenes into an easily understood palatable production.
apart from the maddening throng. At times she feels frustrated enough, by the ex-timeshooters who have huge metropolis which eschews the people's minds until they go their daily routine.
Candie Bergen completely complements the part of T. R., who is a computer science surmounts almost every discouragement with sardonic skill. Berger effectively relates her own experiences to searching for just one compatible, understanding person, and demonstrates her existence in all manner.
OAT WILLIE'S
Appearing At
The
SANCTUARY
Tonight
October 20
Caan, too, performs well in his part as Larry. It suffices to say that he is his usual handsome talented self.
"T.R. Baskin' takes a realistic
at the hassle of the big city,
and one woman's unusual
esting of nesting
combination worth seeing.
WINSTON B. HARWOOD Republican Candidate for the 44th Legislative District
Born and raised in Lawrence. Attended Lawrence schools and University of Kansas. Married, two college age children, two junior high age.
Served 4½ years in the army during World War II. Have owned and operated my own business for the last 25 years(Harwood's Wholesale Meats).
I have lived and worked in the 44th District all my adult life. I believe that I am aware of the problems of a university town as well as the problems of a university located in the heart of a city. I believe that I can fairly represent both segments.
I favor adequate funding of education at all levels.
WINSTON B. HARWOOD
Jazz Concert
Ticket Sales
Begin Monday
Tickets sale will begin 8:30 a.m. Monday for an SUA concert featuring John McLaughlin and the Mahavishnu Orchestra. Ticket prices are $2.50, $3 and $4. Tickets are available at concert in Hoch Auditorium. Tickets will be available at the SUA office.
MelLaughlin's current band mixes jazz and rock to produce a distinctive sound. Their album "Inner Mountain Light Flame."
McLaughlin's background work in jazz was in jazzy, gainning notice as the featured guitarist on Miles Davis' "Grammy Award" winner, David's "Brew," and also on Dilhousen's "tack to Jack Johnson."
MAKE A BIG WEEKEND BIGGER Bring A Friend to Alfie's
Scheduled for the concert's opening act is the Charles Lloyd Quartet, another jazz group.
Tickets are also available at the SUA office for the Oct. 28 Homecoming Concert featuring Ray Charles and Laurea Reese.
Tickets are available in all price sections, $4, $4.50 and $5, for the 8.30 pm concert in Allen Field House.
Patronize Kansan Advertisers
KKG's Karen Coons and JoAnn Wagner
We've got the put-together pant looks for fall from Alley Cat and Joshua Tree!
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