Examination Schedule-Spring Semester,1960
Friday, May 27, 1960, to Thursday, June 2, 1960, inclusive
Classes meeting at: **Will be examined at:**
8 A.M., MWF sequence* ... 1:30- 3:20 Tuesday May 27
8 A.M., TTS sequence** ... 1:30- 3:20 Tuesday May 31
8 A.M., MWF sequence* ... 10:10-12:00 Saturday May 28
9 A.M., TTS sequence* ... 8:00- 9:50 Wednesday June 1
10 A.M., MWF sequence* ... 8:00- 9:50 Friday May 27
10 A.M., TTS sequence* ... 1:30- 3:20 Wednesday June 1
11 A.M., MWF sequence* ... 10:10-12:00 Monday May 30
11 A.M., TTS sequence* ... 10:10-12:00 Tuesday May 31
12 Noon, MWF sequence* ... 3:40- 5:30 Wednesday June 1
1 P.M., MWF sequence* ... 8:00- 9:50 Tuesday May 31
1 P.M., TTS sequence* ... 3:40- 5:30 Monday May 30
2 P.M., MWF sequence* ... 10:10-12:00 Wednesday June 1
2 P.M., TTS sequence* ... 10:10-12:00 Friday May 27
3 P.M., MWF sequence* ... 1:30- 3:20 Saturday May 28
3 P.M., TTS sequence* ... 8:00- 9:50 Thursday June 2
4 P.M., MWF sequence* ... 10:10-12:00 Thursday June 2
4 P.M., TTS sequence* ... 1:30- 3:20 Thursday June 2
French 1
French 2
German 1
German 2 (All Sections) ... 8:00- 9:50 Saturday May 28
Spanish 1
Spanish 2
General Biology
Zoology 2 (All Sections) ... 3:40- 5:30 Tuesday May 31
Physiology 2
Chemistry 1, 2, 2a, 3, and 28 (All Sections) ... 1:30- 3:20 Monday May 30
Physics 3, 4, 5, 6, and 116 (All Sections) ... 3:40- 5:30 Saturday May 28
Business Administration 9, 12, 72, 73 (All Sections) ... 3:40- 5:30 Wednesday June 1
Business Administration 21 (All Sections) ... 3:40- 5:30 Friday May 27
ROTC (Army, Navy, Air Force, All Sections) ... 3:40- 5:30 Thursday June 2
Engineering Mechanics, 1, 1a, 61 and 61a (All Sections) ... 3:40- 5:30 Friday May 27
Engineering Mechanics 48, 49, 55 and 57 (All Sections) ... 8:00- 9:50 Saturday May 28
English 1, 1a, 1H (All Sections) ... 8:00- 9:50 Monday May 30
Artist Theorizes-
**3 time classes meeting Tuesday, Thursday and Saturday; 2 hour classes meeting Tuesday and Thursday of Tuesday and Saturday or Thursday and Saturday; 1 hour classes meeting Tuesday or Thursday of Tuesday and Saturday.**
Bad Art Can Be Beautiful
There is a need for bad art.
This was the opinion expressed yesterday by George Cohen, associate professor of art at Northwestern University.
Prof. Cohen was here to judge the Big Eight student art competition. He spoke to a group gathered in Swarthout Recital Hall.
"Industry has taken over modern
art," he said. "An artist must not be afraid to produce bad art as this is a way to get back to good art again. Bad art suddenly becomes good art."
PROF, COHEN, who is an artist himself, said that artistic self-examination is more important today than in any other period. He said that this importance may be a
The artist has to make many choices. Prof. Cohen said.
result of the critical period that art is in today.
"In the choice of idiom, the artist has to choose between one's self and one's society," he said.
Slides Show 'Marriage' Of Art, Nature in Paris
Nature and art are married in Paris.
This was the lecture theme of Klaus Berger, professor of art history, at the "Great Cities and their Art" lecture yesterday. The series is sponsored weekly by the Museum of Art.
Tuesday, April 12. 1960 University Daily Kansan Page 3
"The desire to be one's self has motivated many artists, but this desire may get an artist way out on an island."
"The charm of Paris cannot be explained . . . but there is almost an uninterrupted tradition of art and architecture in Paris." Prof. Berger said.
Seine is 'Lifeline'
He called the Seine the lifeline of Paris and showed slides of aerial views of Paris to show the importance of the river to the city. He also showed aerial views of the Louvre to describe its immensity.
Prof Berger said that in no other place in the world can the visitor to an art museum see such an uninterrupted continuity of French art and culture. In the Louvre every century is represented by the great French artists.
"The Louvre was built from the 16th to the 19th centuries. It's an enormous part of town really . . . It has 10 miles of space to show pictures and yet the Louvre can show only one-sixth of its collection," he said.
He shewed slides of works by such French artists as Renoir, Raphael, Rubens, David, and Colbert.
"The Marriage of Canna" is so enormous that it has never been taken from the Wall since it was originally hung. When museum officials were thinking of evacuating it during World War II, they found a ton of dust behind the picture," Prof. Berger said.
Prof. Berger showed the headless "Wing of Victory," a golden second-century B.C. Hellenistic Greek sculpture, and "Venus" of Milo the famous armless piece of sculpture. He also showed slides of "Mona Lisa," one of Michelangelo's "Slaves," the "Procession of the Maidens" (from the Parthenon) and "The Marriage of Canna."
Famous Art Shown
After showing pictures of the inside of the Louvre, Prof. Berger showed the surrounding gardens.
"Every week the flower decoration changes. They have an army of guarders to keep it alive," Prof. Berger said.
HE POINTED out that a work of art is a kind of disclosure. Art as a disclosure establishes a realm that is on the other side of being.
"This realm on the other side of being has no form until art creates it," he said.
"Reality is both the power and the danger of art," said Prof. Cohen. "It is necessary to make a distinction between a work of art that tells about reality and a work of art that is reality."
He said that the work demands what must be done. The artist has no one to tell him what to do once he is on his own, so he follows his work's instruction.
"At first the artist tells his work what he wants and then the work tells him what to do."
Prof. Cohen defined a prophetic artist as one who somehow tells his viewers the secrets of their hearts.
A DIALOGUE is established between the artist and his work, Prof. Cohen said.
"The prophetic artist does not tell the secrets of his own heart as this is known as artistic confession, not artistic prophecy."
KU Represented At Chem Meeting
KU will be represented at the 137th national meeting of the American Chemical Society at Cleveland, Ohio, this week by six members of the chemistry department and four chemistry graduate students.
Those scheduled to present papers at the meeting are P. W. Gilles, professor; W. E. McEwen, professor; C. E. VanderWerf, professor; A. W. Burgsthaler, assistant professor; R. T. Iwamoto, assistant professor, and F. S. Rowland, associate professor. The faculty will be assisted by four graduate students. They are Ernest Plate, Hinesburg, Vt.; K. Douglas Carlson, Lemont, Ill.; Robert Larson, Topeka and B. C. Musgrave, Lawrence.
Fulbright Grant Applications Are Available, Due April 25
A chance to travel and wield the gradebook at the same time is once again being offered to University of Kansas instructors by the Fulbright Program.
Applications for next year's lecturing and advanced research programs in Latin America, Asia and the Pacific area under the Fulbright Program are available now to KU educators. The deadline is April 25. Specialists such as librarians and seum curators may also apply.
THE AWARDS offered for the Australia and New Zealand positions are heavily concentrated in natural science requirements. In the rest of the areas the need is for teachers in general areas.
THE AWARDS guarantee round-trip transportation, maintenance allowance for the instructor and his family and an allowance for incidental professional expenses.
In all countries except those under the program in Southeast Asia.
Conscience: A small, still voice that makes minority reports. Franklin P. Jones
the visiting professor must go to the country prepared to lecture in the language of that country. In Southeast Asia the lectures will be given in English.
COMPETITION for positions in Australia is keen because there is no language barrier.
Applications are also being accepted for lectureship in countries not participating in the Fulbright Program.
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