UNIVERSITY DAILY KANSAN
5
Night Life
Lawrence Opera House, 644 Massachusetts St.
© Echo Citi, Nov. 3, p.m. to 12:30 a.m., $2
national assistance and $15 members
Friday, November 3. 1978
- Paul Gray & the Gaslight Gang. Nov. 3-4,
from 12:30 to 2:30 a.m. free; members to
register.*
- Fast Break, Nov. 4, 9 p.m. to 12:30 a.m.
$2 general admission and $15 charges.
- Stuart & the St. Louis Sheeks, Nov 8, 9
    at 3:00 a.m., free before 10 p.m.
    on carriage 7.
- ine Nighthawk from D.C. & Fast Break.
* ine Nighthawk from $25, 250 advanced
value and $3 of the day at the show.
- Off the Wall Hall, 737 New Hampshire St.
- Stopper, Nov. 6-7; 8:30 p.m. to midnight,
$1.50
- Accoustic jam session, Nov. 8, 7:30 p.m. free
- The Tommy Johnson Experiment, Nov.
4, 9 p.m. to midnight; $3
- Pray Paul's Jazz Place, 926 Massachusetts St
- Jam Session, Nov. 9, 9 p.m. to midnight,
free
free. Bullwinkie's, 806 W. 24th St. Private club.
G. P. Loyd's, Seventh and Massachusetts streets.
J. Watson's II, Hillcrest Shopping Center.
Private club.
Spare Time
Pentimiento Coffeehouse—Cafe, 611 Vermont St.
Shenanigan's, 901 Mississippi St. Bar
Disco.
Movies
SUA
The Late Show, by Robert Norton, with
Amy Seeley and Lily Tornan. 34-3, 340-1,
and 9:30-9.
McCabe & Mrs. Müller, dir.; by Robert
Brown; Beaty and Julie
Cunningham; Novy 6, 7-13pm
The Third man, dir. by Sir Carol Reed, with Joseph Cotton, Trevor Howard and Orson Welles. (C) 1948.
More Nuclear Power Stations and No Act of God, by ian Bailan and Sidney Goldman
Concerts
Concert Choir, conducted by Gus Peason
Nov. 6, 8 b.m., Sawthout, free.
Recitals
- Percussion Ensemble, conducted by George Bobjerg, 3, Ov 3, 8 p.m. Swatwhout底板
- Student Recital Series
- Richetta Manager, voice, Nov. 4, 8 p.m.
Swarthout free.
- Joe Uttacker, doctoral piano recital,
Nov. 9, B. 8.m., Saworthout, free.
Carlion Reclals, Albert Gersken, University carlionrelt, Nov 5, p.3 and Nov 8, p.7 m.
Faculty Recital Series, Kansas Woodwind Quintet, Oct. 8, B. p. 8, Swartwhout, free.
Exhibits
Lands' Gallery, 918 Massachusetts St,
bronze and claustrait by Jim Pattel.
Lawrence Arts Center, Ninth and Vernmont streets, exhibit of work by Lawrence High School.
The Gallery, 745 New Hampshire St., waterfront by Sherry Slaymaker Brabaugh and cera-less wood.
Valley West Galleries, Holiday Plaza at 23rd and Iowa streets, oils by Marie Bulfink, paintings by Lorenzo and hand-blown glass by Berkley Glass Company.
767 Gallery E, 7. Seventh St., paintings by Robert Sutcliffe and polaroid photographs by Robert T. Hassler.
Spencer Museum
- Reverse Paintings on Glass, ends Nov. 5.
* Paintings by Huno Helen.
- Photography: New Acquisitions and Loans.
- Melpomene, Muse of Tragedy.
Kansas Union Gallery, Designer Craftsman Exhibit
From Evening to Mid-Day, by Victor Rozov,
nov. 3-4 b., p.m. IGn Theatre, l'75, general
admission.
International Theatre, La Celestina by Fernandez de Rojas, Nov. 8, p. 5w, b. Shwartz.
Theatre
Public acclaims French organist-
Reviewer
Playing to a crowd of 250 people at the Plymouth Congregational Church, 925 Vernon Street, New York, audience with "Prelude and Fugue in E Minor," the first selection of all A&B choral works.
Marie-Claire Alain, billed as the First
Mary of France, was born during her
Todd's visit in Louisiana.
University Daily Kansan
By EVIELAZZARINO
"Allen Gittin in der Hoh hei sehr," contained marvelous tinkling, bubbling runs that evoked loud "bravos" from several people in the audience.
Another exceptional piece of the six selections on the program was "Three Chorales". The second of the chorales, "Amazing Same", is a moody and explosive. And the third,
The piece contained heavy, rich bass
tails, which seemed to play effortlessly,
which seemed to play effortlessly.
KANSAN Review
ALAIN STUDIED at the Conservatoire
NATIONAL de la Paris, where she won
four first prizes.
Alain has played the organ publicly since she was 11, when she played in a church concert with the composer Francie. She said playing the organ was a family affair, for she began by helping her grandmother play.
Although she said she was becoming more and more a concert artist," her mentors said.
BESIDES RECORDING more than 150 albums, she recently was named to the French Ministry of Culture, to restore historic organs.
Alain said she practiced six hours daily during tours but tried to rest before performance.
She said that, unlike vocalists who warm up moments before stepping onstage, she doesn't know when to start.
"Playing the organ is extremely tiring," she said. "One plays with the hands, the arms and the entire body. It is somewhat like conducting an orchestra."
"FOR AN artist, it is necessary to teach to be complete," she said. "Answering students' questions helps the performer reach perfection. And seeing a student perform well is stimulating. Young people keep you young."
Alain also taught master classes Wednesday at KU. She said teaching excellent students made performers become more consumate artists.
Alain played different styles of music equally well, commanding many style regimes.
The deep-bodied tomes of her last program piece, "Passacaglia," would have seemed at home in the imposing surroundings of a Gothic cathedral.
Her "undersetated elegance in playing," which James Moeser, dean of fine arts, has said is Alain's trademark, also benefited her performance.
Pieces such as "Trio Sonata Number 1 in E-Flat Major" and "Concerto in A Minor after Vivaldi" showed her ability to touch gently and generate gentle laughing sounds.
"She makes it look so simple," an audience member said. "But you just know she's doing all these wild, wonderful things with those hands."
She received two standing ovations and performed one encore.
KC is welcoming Dylan despite his critics' booing
Bv.JOHN WHITESIDES
Staff Writer
Bob Dyland will make his first Kansas City appearance tonight when he brings his show
Scattered seats behind the stage were still available Wednesday afternoon in Kansas City. Tickets went on sale in early October. Approximately 80 percent of the tickets were sold on the first day they were available.
Dylan's tour is his most extensive in 3 years. But instead of the small, tight rock-and-roll bands that have backed Dylan on tour, this year's edition is much expanded.
The concert is scheduled to begin at 8 p.m.
Remainin tickets are $7.25.
HOWEVER, THIS tour is not the first time that Dylan has confounded his critics and ignored the expectations of his fans. In the early 1980s Dylan, formerly Bob Zimmerman of Hibbing, Minnesota, transformed the rather sedate world of folk music with his angry protest songs, sparking a national movement. Mr. Dylan lustring himself into the national spotlight.
Dylan's band has three guitarists, two percussionists, one keyboard player, one saxophonist, three backup singers and a drummer who plays a variety of stringed instruments.
Dylan, a driving force in American music since the early 1980s, is in the middle of a three-month, 65-show tour of the United States and Canada.
"If they (the critics) are out to say something, they're going to say something that doesn't sound like a fight against it unless you want to defend your wind," Dylan said. "I've probably heard more music and experienced more music than anybody I'm playing to. I know what
To make matters worse for Dylan, his new movie, "Remalo and Clara," which was released last winter, received much the same treatment. Despite widespread praise in Europe, "Remalo and Clara" was terminated for its criticics and largely ignored by the public.
The tour comes on the beaks of his new album, "Street Legal," which appeared this spring. But he isn't criticists, who called it everything from "plastic" to proof that Dylan had gone too far.
THE MOVIE has never appeared in the Kansas City area.
Still, Dylan has reacted calmly to the storm arising around his new efforts. Discussing the criticism with Boston's Real Paper, Dylan professed no concern.
Festival in Newport, R.I., folk music was in its peak. The festival was a celebration of its newfound glory. But Dylan, showing the influence of the New Yorkers who chose the occasion to join Michael Bloomfield, Al Kopeper and other musicians in a rousing set of fiery rock-and-roll. He
By the time of the 1965 Newport Folk
Later, as psychedelic rock took center stage, Dylan retreated to soft, country-flavored music that included a duet with Johnny Cash.
THROUGH IT ALL, Dylan's songs like "Blowin' in the Wind," "I Am't Eat Mabe" and "A Rullab" have continued; he has given more on other areas his music. His music was an important factor in the creation of rock criticism, as experts rushed to analyze his lyrics. Those same lyrics still are heard.
Despite the criticism, however, his fans have remained loyal. The announcement that they would go on sale in early October produced a rush of fans who camped out waiting to buy
In Lawrence, the concert tickets were sold by Kief's Discount Records, 2100 W. 25th. Several people arrived at the store in the early morning hours, and by the time tickets went on sale the first day at 10 a.m., the line stretched to the back of the building.
KU first stop for Oriental art exhibit
KU students and faculty will be the first to see a new oriental art exhibition when it makes its debut this afternoon between 2:30 and 4 in the Samuel Kress Gallery of the Helen Foresman Spencer Museum of Art.
Eldredge, director of the museum, said Wednesday.
The exhibition features paintings of Hung Hsien, a native of China. These paintings show the unique changes that have occurred in Hung Hsien's life, came to the United States, Charles
Haen's work originally reflected a traditional Chinese style, but it went further. He met the Frenchman who came to the United States. Eldridge said the result was a blend of Chinese and French styles.
La said Haisen's most recent works had few bright colors than her transition work did and the feelings of her paintings were more mourn-more contemplative."
men used ink and watercolors in her paintings, scrolls and album leaves.
Hisen was born and raised in China and was educated in Taiwan. She came to the United States in 1958 and has taught at the Art Institute of Chicago. She is now teaching in Hong Kong and will be unable to attend the opening of her exhibition
About 50 of her paintings will be displayed until Dec. 10, when the exhibition will move to various galleries across the country.
Mime to perform at Spencer Museum
Faulkner's appearance will highlight the next of a series of shows that feature the role and influence of the muses of
It's been said that everybody plays the fool. Lee Faulkner, a professional minneapolis in Kansas City, Md, will do in a performance on campus Sunday in a performance on campus Sunday.
Greek mythology; The show, "The Other Face of Tragedy; The Mask of Fools," will start at 2 p.m. in the auditorium of Spencer Museum.
According to Dolle Brooking, director of museum education, medieval music, art and literature will set the stage for the mine performance, which includes a
slide show of the fool as portrayed in Shakespeare and Milton.
"Each of the muses will be examined not as historical or mythological phenomena, but for what light it can shed on contemporary society and human values in contemporary society," she said.