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WEDNESDAY, OCTOBER 16, 2013
MUSIC REVIEW
THE UNIVERSITY DAILY KANSAN
Nipsey Hussle's album delivers life lessons
RYAN WRIGHT
rwright@kansan.com
The most interesting thing about California rapper Nipsey Hussle's latest mixtape "Crenshaw" isn't even the mixtape itself. The mixtape was released online for free, but fans could also purchase a physical copy for $100.
Although the price is steep, it also includes an autograph, Crenshaw merchandise and a ticket to a Nipsey Hussle concert. In support of Nipsey Hussle's innovative approach to selling his music, Jay-Z purchased 100 copies, which pocketed Hussle an easy $10,000.
With all that said, how does the world's first $100 mixtape stack up?
Throughout the 21-song mixtape, Nipsey displays his signature rugged flow. This is what makes him distinguishable from many other rappers out there. Nipsey Hussle has never been a great lyricist, but that doesn't make him a bad rapper. His delivery is where he shines. There's nobody quite
like Nipsey Hussle.
The mixtape features raps that balance between an attitude of braggadocio and one of introspection. Nipsey is solid at both, but is at his best when he's intrinsic and self-aware. This is prevalent on the standout track "Face the World," which features production from 9th Wonder. On this track Nipsey talks about how the actions you take either benefit or haunt your life. He even warns listeners against committing suicide. That is Nipsey Hussle at his best.
The production on the mixtape is solid. As previously mentioned, it features production from 9th Wonder as well as the Futuristics and Teeflii. Nipsey Hussle has a pretty good ear for beats, although at times the production gets repetitive and many of the songs sound eerily similar.
The main problem with the mixtape is that it's too long, which causes it to be repetitive. Nipsey runs out of ways to describe his lifestyle, which is typical for
THE FUTURISTICS
rappers on long projects. Also, some of the features on the album are less than impressive and eat up space that should be reserved for Nipsey's best talent.
Even though it may be repetitive at times, "Crenshaw" is a solid effort. Nipsey Hussle continues to improve and it will be interesting to hear how his debut album "Victory Lap" will sound.
- Edited by Kayla Overbey
MOVIE REVIEW
GUNDERSON PRODUCTION
University graduate Harold Finch produces new film "Unlimited" about the possibility of infinite energy.
'Unlimited' offers engaging plot, stereotypical characters
MADDY MIKINSKI
mmikinski@kansan.com
What if there was a way to create energy from nothing? What if we were able to make electricity reach the most remote corners of the world without stringing up power lines? The new film "Unlimited" from executive producer and University graduate Harold Finch, turns these "what ifs" into realities.
"Unlimited" begins with Simon, a bloodied MIT dropout fleeing a somewhat zany Mexican drug cartel. After a harrowing chase, Simon is saved by Pedro, a worker at the local orphanage. While Simon recuperates, it is revealed that he's in Mexico to visit his former professor. They were collaborating on a revolutionary gizmo that could provide unlimited power to anyone, anywhere in the world.
It's implied that the drug cartel has gotten wind of the project and hopes to use it for — what else — evil.
Simon is helped along his path by Pedro, Pedro's beautiful, yet unavailable, sister Sophia and Harold, a characterized form of the producer played by "Law and Order" star Fred Thompson.
The characters of "Unlimited," though believable and well rounded, seem to fall into a movie archetype we've seen a few times before. Harold is the stereotypical, forgiving father figure whose unofficial motto is "Follow your dreams." Simon fits perfectly into the role of "egocentric city kid/ American who eventually grows a heart of gold." The characters of "Unlimited" are characters that fit into a mold created by other films. This time, they've just been transplanted into a Mexican orphanage
painted into a musican of plumage.
The plot of "Unlimited" is a different story, however, which poses the question, "If you had the power to make a difference, would you?" With his energy machine, Simon can dramatically alter the way the world gets energy. He has to decide whether the danger and the effort are worth it.
Spoiler alert: In the end he does and he's able to completely stop the drug cartel and supply the orphanage with their own renewable power source.
Though not new in all aspects, "Unlimited" is a captivating look at how one person with one invention can change the world.
Edited by Chas Strobel
CELEBRITIES
Tina Fey, left, and Amy Poehler arrive for the 70th Annual Golden Globe Awards show at the Beverly Hilton Hotel on Sunday, Jan. 13, in Beverly Hills, Calif.
ASSOCIATED PRESS
Tina Fey, Amy Poehler to host Golden Globes in 2014, 2015
ASSOCIATED PRESS
NEW YORK — Amy Poehler and Tina Fey will return to host the Golden Globes for the next two years, NBC announced Tuesday.
"Tina and Amy are two of the most talented comedic writer/performers in our business and they were a major reason the Golden Globes was the most entertaining awards show of last season," said Paul Telegdy, president of alternative and late-night programming at NBC, which broadcasts the Golden Globes. "We're elated they
wanted to host together again and that they committed for the next two years."
The duo hosted the show for the first time this year, earning rave reviews (from virtually everyone except Taylor Swift) for their playful performance, which included an ongoing gag about a made-up film called "Dog President." The telecast was a ratings success, too, generating 19.7 million viewers — the biggest Golden Globes audience in six years. Their banter was arguably the highlight of last
month's gloomy Emmys telecast. Both Poehler and Fey have longstanding ties to the peacock network, first as cast members on "Saturday Night Live," then as stars of the series "Parks and Recreation" and "30 Rock," respectively. Fey, who wrapped up her run on "30 Rock" in January, has a development deal with Universal Television and has already sold a pilot to NBC.
Poehler and Fey will return to the 71st annual Golden Globes on Jan. 12.
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