6
Page 8 University Daily Kansan, September 9, 1980
Jayhawks want "Duck Soup"
The KU football team, highly touted and lightly seasoned, began cooking up a recipe this week it hopes to stir into a victorious "duck soup" in Saturday's
The Jayhawks, riding on a theme of the Marx Brothers classic movie, "Duck Soup," for their opener against the Oregon Ducks, got their first taste of the various formations Oregon uses in yesterday's practice.
"They're a good team" said KU head coach Don Fambrough. "They made only two penalties Saturday and that tells us they's a well-coached team."
Oregon, beaten by 15th-ranked Stanford Saturday, managed 421 yards with a third-string quarterback. The offense was highlighted by tailback Reggie Brown, who rushed for 128 yards of the I-Formation.
"They do a lot more options and a lot of sprint-outs," Fambridge said. "Infinitely, we use a six-man front, and you don't see much of that around here."
While the Oregon offense is the star on the field, the Ducks are finding a need for a special kind of defense off the field.
Riddled by a rash of criminal charges, the latest being the arrest of tailback Wilson Robertson on charges of sodomy and coercion in 2015. For two years ago, the Ducks are one of five Pac-10 teams ineligible for post-season play.
"The problem hasn't torn them apart," Farnham said in summing up the situation. He had drawn them closer together. They had told that everybody is picking on them."
For the 'Hawks, senior Steve Smith will probably start at quarterback, with the tailback slot still open. It is doubtful that he'll reach Kerwin Bell will get the starting nod.
Perhaps the biggest question mark on the team, the kicking game, has been answered. Freshman Bruce Kalmeyer will handle kicking duties while Bucky Scriner fills the punting vacancy left by Mike Hubach.
Defensively, the 'Hawks, which gave up an average of 32 points a game last year, will be counting on youth.
"I have been pleased with all of our young players," Fambrough said. "In the future I can see a defense out there." He said he was ready for defense was hitting hard last week."
One returning defensive starter, however, will be missing Saturday in Oregon. Linebacker Seallers Young, a veteran from Iowa, is season, is out with a sprained ankle.
George Brett
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ANAHEM, Calif. —Carney Lansford had three hits, including a double and a double run and drove in three runs last month for the KC Rangers. Angels past the Kansas City Royals 7-4.
The loss snapped a four-game winning streak by the Royals, who played without George Brett for the second straight game.
Brett, who had his injured right hand x-rayed yesterday in California, was given permission to take batting practice before the game and could return to the lineup this week, club officials said.
Brett was hitting, .396 and needs 55 more at-bats in Kansas City's remaining 24 games to qualify for the league batting championship.
The injury is similar to tendinitis and will be treated as such, team officials
ph 841-6642
Angels drop Royals 7-4; Brett returns this week
By United Press International
It is up to Brett, trainer Mickey Cobb and Kansas City manager Jim Frey as when Brett will return to the lineup.
Without Brett, the Royals had 11 hits to the Angels 12 last night. The Angels belted four their second and three thirds, four their attack against Larry Gurka, 18, and Marty Pattin.
Lanford's home run gave the Angels a 3-1 lead in the third and Brian Downing added a solo shot to build the lead to 4-1.
Gura surrendered a two-run homer to Dan Ford in the first inning, but Amos Otis came back in the second with a home run to cut the lead to 2-1.
A single by U.L. Washington, who went three-for-three, and a double by Wille Wilson in the fifth set up Frank White's two-run single. Willie Aiken's followed with a double to tie the score off Martinez. But then Acek came in and silenced the Royal's bats the rest of the way.
The loss, coupled with a Texas victory over Oakland, kept the Royal's magic number at eight. Any number of Kansas City victories or Texas losses totaling eight will clinch the American League West title for the Royals.
said, with ice, whirlpool and ultrasound therapy.
41-100
In the American League East, New York beat Toronto 7-4, while Baltimore
September, 1980
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Blondie
LESTER BANGS
Simon & Schuster. $6.95
If zombie movies (George Rumers' anyway) can criticize consumer society and comic strips (such as Richard Applegate's *Asphalt*), its only right is that a rock-group fan book can be a meditation on the health of Western culture—such as Lester Bing's *Blonde*. This is not to say that Bing's tense character is not hard to grappify bits that go with the genre. It still lets us know Debbie Harry has such visible dark roots—not through incompetence, certainly—and how much she likes to buy. Harley debits jeans commercials, looking good deal less mock trasky than her wont. There is the uneliminable abundant supply of photographs of the 1950s, with its stylishing degrees of sloveniness and sophistication, or at both once.
What's unexpected in all this is Bans' lingerie ples for a return to unaltered displays of 'passion' in music and in art in general; tranny, self-mutilating attire are too much with its these days. Diffused throughout our culture they tend to neutralize any urge to embitter a cry out of the depths unless it is quickly broken by a wristwear. Were you aware of an art that is emotionally neutral?
Naomi Lindstrom
I most admist I wasn't over by Bung's particular argument on this occasion, have I a liking (a passion? for self-conscious, playfully ironic art and no fiercelyelled opinions concerning Blondie. What attracts me are the subject matter of my writing right out of the biggest garage wavers of mass culture and turn it into a vehicle of cultural criticism. The revitalization of the more stagnant bits of slob culture may be an unreachable Utopia, but Bung is making a good case for it. The rock can biography that passion might he infuse into that unread classic of mass-distributed writing, the Undergraduate Catalogue? The 1980 U.S Census Form? To the overextracible mind Blondie suggests a kind of formal and formulaic forms of writing somehow leave room for intrusions of wit and wildness.
IN PRINT
A biography of the Door's Jim Morris should make a fascinating book because the charismatic, kind and intelligent such seemingly rich possibilities. But Hopkins and Sugerman provide a sleek, superficial study that merely reinforces the myths surrounding light on the man behind them.
No One Here Gets
surprising facts about the band's rise to stardom and the startling revelation that Morrison could be an both insistent lout and a real regular Joe.
Now how the hell could he fit boxer shorts beneath skin-tight leatherers without looking like a food, or hope to dramatically strip the pants of without taking the shirts with them or wringing around like an idiot for two minutes? Can you even conceive of Jim wearing long sleeve wearing tight Gimme! Gimme!
The lour wins out by about a 3-01 margin, presumably the willingness to acknowledge Morrison's unflattering objectivity and his objective, given their close personal ties to the man Hopkins — who interviewed Morrison several times during his career by Blys Presley after Morrison suggested it, Sugerman is the real-life Danny Sulli van, the 13-year-old book in the book series by its fans from fan to confidant.
JERRY HOPKINS & DANIEL
SUGERMAN
Warner Books, $7.95
The writing, occasional lyrical analysis and attempts to place the band in a larger social context will hardly ask Hopkins-Sugman reach conclusions that strain the bounds of credulity. To wit—at the 1969 Miami concert that brought Morrison purportedly wore baggie boxer shorts under his leather stage pants in order to perpetrate a living theater-inspired challenge of public
A chronological collection of accession heavy on the sex, drugs and outrageous behavior, No One Details montour *Morrison* or years some, unseen
Out Alive
Don Snowden
Bob Dylan: His
PAUL CABLE
Schirmer Books, $5.95
Unreleased Recordings
Any rock historian, or anyone who just likes to know where everything will, will appreciate this combo of works. It's a collection of Bob Dylan music ever put—unofficially — on tape. While Cable mentions other similar studies, like Grell Marcus' length article in *Bullring* (2016) that discusses his own research's extensive.
The book is arranged in chronological order, cross-indexed. It's easy to find the information we want, and except for one obvious omission — not telling us how to purchase these illegal books, I was told about Dylan's music life than most of us wanted to know. Cable has even included song fragments
The major drawback inherent in this kind of study is that we have to take the writer's word for the quality of theREE movie. It was one of the most frustrating aspects of film criticism, when some writer would dig up an esejane Jean Renoir film and label it a masterpiece or argue? Who else had ever seen it?
snatched from old radio shows or all night jam sessions in friends' cellars
Boy Dylan, His Unreleased Recordings is a valuable guide to knowing what the man has written, even when he didn't. The book only with Cable had the lyrice to these unofficial songs, but perhaps that would have taken several volumes.
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Iazz Lives
Jacoba Atlas
MICHAEL ULLMAN New Republic $9.95
The basic format is that of the autobiographic interview with facial information and interpretation from a subject. The interview is traditionalist like Tommy Flanagan or a modernist like Braxen Flanagan a broad and diverse career is well known in the field of Brastian's complex and oblique music is made accessible to the layman. the piece on Semy Rollis is masterful in playing the chordes and sharing a sense of perfunctory and uninspired
Ulke Winnie Baller's *New York collections*, Ullman 'Jazz Lives' doesn't rely on seductive prose descriptions. Objective in dealing with musical genres, Ullman's ecstatic tastes make for an interesting swet of musicians Jove Venit, Dizzy Gillespie, Sam Cooke, Neil Harbison, Neal Heflin, Ralsaan Kirk, Marian McPartland, Anthony Braston and others.
One of the books chief assets is the fleshing out of lesser-known (but important) musicians like Doco Cheatam, Raymond and McMinty, as well as the profiles of nonmusicians. Fewazzard artists, who have successfully abolished the world's infamous cabaret card law, making it possible for many musicians to earn a living. Record producers Steve Backer (Aaron) and John Renshaw of *House* offer widely differing views on the duoc in jazzy.
There are a few misspellings or names and titles and some misinformed formulas, but on the whole Ullman has written an disingruement of 21 essays that accurately reflects the current state of the current science. *Writing Silk Films*
Kirk Silsbee
Wonders
KAREN SNOW
Pengui paperback $6.95, Viking
hardcover $11.95
Poetry can be a better story-teller than prose; its author can build scenes and characters out of particles, punctuation and the rhythmic clank of sounds. But we need to block blocks of paragraphs stacked into serial rows of columns; the reader's view of processes, essential population and events is thus made quicker, brighter and more interesting because accelerates — but somehow, tragically without a concurrent blurring of detail. Clumps of words shape into heraldic devices, as it were; speaking volcans of wind, a city at night or the irregular spaces at the ends of lines can be made to go on forever.
Snow's Wonders is, in this manner, an astonishingly rich anthology of (figuratively) novellas and short stories. (The work, incidentally, won the prize for best new work at the Academy of American Poets.) Show's narrative gift is great; her evocations of childhood, girlhood, her snarl of later life, are smoldering with atmosphere, full of burning but hopeful fire. The second novel is Wilso (short for Wilhelmina), who very likely short for someone who will not break, and maybe also for the Shakespearean symbol of love turned into hate. Wilso's poem "dainty blonde/ with lullaby-voice and rock a boy' walk" The subject is also Wilso's nightmare Dutche uncle of a mother, her skirtish prows around the edges of water, her eyes filled with tears, water; her life with family and all too vivid ghosts of family.
Snow jumps into her subjects fearlessly, wades through them without tall boats we are suddenly *m* that Model T, *t* that living room. Here elegance and intensity of language in some places exceeds the usual beauty of Dr. of poems, her诗歌, lagged domestic homes recall the best of Grace Palee. Snow has written another work about Wilo, a novel bearing her name, however good it might be, it is difficult to imagine that it could add much value to the Wilo's tale told by these poems.
Colman Andrews
Ah, Men
BURT AVEDON, A&W, $10 95
DARRYL PONICSAN, Delacorte, $9.95
An Unmarried Man
T that men (and women, too, noai) are products of their environment is a fact she all know by now, but Burt Aedwon's *d. Mor.* goes into pedantic detail on the subject, using a few of the tools he rather not群招, including Ashes Montagu, Helen Gurley Brown, Sterling Hayden, Gore Vidal, Michael Korda, George Plimpton, et al., in this day, humiless tone. There are chapers on Growing up and the quotes read from the noble (Plimpton Twent to English school in New York where we were taught that the good life was not simply a question of winning, but rather of doing the best you can—and to learn to have it run and thrive." (to the ludicrously Korda
Un LA
One man's attitude is explored in Pontius's novel *An Unmarried Man* Ben Pleasants, a woodsman who has a smiden of fame due to his profile in the newspaper. He wants to really fall in love at least once before he dies. So he moves on to spouse and daughter, 8, and sure enough, Lupe, the woman he's been with, leaves. The man returns to the apartment over his new abode. This infuriates his ex wife, who then demands almost everything they own, down to his last unworked phone. He copies of his phalarope before he surrenders it to her. The book's few strengths (the father daughter conversations are well handled, the scenes with the diaries are drawn to him) are mined by the seemingly endless harage of cliched dialogue and borrily explicit sexuality with none of the grit of Pontius's earlier work like *Clover* in the late Detail. In the end, *Unmarried Man* is tressured, worse, unimportant.
That is the nature of the Human Animal, right I mean your own father, if he could find a way of cheating you in business, probably would. That's the way that Mr. Allen would be that! Dull as it is, *Mr. Men* is especially informative, especially in the area of men attitudes toward relationship ships.
Zan Stewart
BOID
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