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Page 8 University Daily Kansan, September 9, 1980
Jayhawks want "Duck Soup"
The KU football team, highly touted and lightly seasoned, began cooking up a recipe this week it hopes to stir into a thick mud 'back soup' in Saturday's season opener.
The Jayhawks, riding on a theme of the Marx Brothers classic movie, "Duck Soup," for their opponent against the Oregon Ducks, got their first taste of the various formations Oregon uses in yesterday's practice.
"They're a good team," said KU head coach Don Fambridge. "They made only two penalties Saturday and that tells us they are a well-coached team."
Oregon, beaten by 15th-ranked Stanford Saturday, managed 421 yards with a third-string quarterback. The offense was highlighted by tailback Reggie Brown, who rushed for 128 yards off the I-formation.
"They do a lot more options and a lot of sprint-outs," Fambridge said. "Defensively, they use a six-man front, you don't see you don't see much of that around here."
While the Oregon offense is the star on the field, the Ducks are finding a need for a special kind of defense off the field.
Riddled by a rash of criminal charges, the latest being the arrest of tailback Dwight Robertson on charges of sodomy and coersion in an incident where he wielded a knife. The Ducks are also one of five Fac-10 teams ineligible for post-season play.
"the problem hasn't torn them apart." Fambrough said in summing up the situation. "They have chosen together. They have a feeling that everybody is picking on them."
George Brett
For the 'Hawks, senior Steve Smith will probably start at quarterback, with the tailback slot still open. It is double-digit scoring for Kerwin Bell will get the starting nod.
Defensively, the Hawks, which gave up an average of 32 points a game last year, will be counting on youth.
Perhaps the biggest question mark on the team, the kicking game, has been answered. Freshman Bruce Kallmeyer will handle kicking duties while Bucky Scribner fills the punting vacancy left by Mike Hubach.
"I have been pleased with all of our young players," Fambridge said. "In the future I can see a defense out there." The team's coach, Mark Dwyer, the defense was hitting hard last week.
One returning defensive star, however, will be missing Saturday inregon to backer Seclairs Young, and KU in its last season, is with a sprained ankle.
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Brett, who had his injured right hand x-rayed yesterday in California, was given permission to take batting practice before the game and could return to the lineup this week, club officials said.
ANAHEIM, Calif. — Carney Lansford had three hits, including a double and a home run and drove in runs last year. He is among the Angels past the Kansas City Royals 7-4.
The loss snapped a four-game winning streak by the Royals, who played without George Brett for the second straight game.
dren was hitting 396 and needs 55 more at-bats in Kansas City's remaining 24 games to qualify for the league batting championship.
Angels drop Royals 7-4; Brett returns this week
The injury is similar to tendinitis and will be treated as such, team officials
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Without Brett, the Royals had 11 hits to the Angels 12 last night. The Angels belled four home runs and three at-bats against Larry Gura, 18-6, and Marty Patton.
Gura surrendered a two-run homer to Dan Ford in the first inning, but Amos Otis came back in the second with a home run to lead the lead to 2-1.
It is up to Brett, trainer Mickey Cobbler to decide whether Jey will Fey as a wren. Brett will return to the office.
Lansford's home run gave the Angels a 3-1 lead in the third and Brian Downing added a solo shot to build the lead to 4-1.
A single by U.L. Washington, who went three-for-three, and a double by Wilson Wilson in the fifth set up Frank White's two-run single. Willie Aiken's followed with a double to tie the score off Martinez. But then Ause came in and silenced the Royal's bats the rest of the way.
said, with ice, whirlpool and ultrasound therapy.
The loss, coupled with a Texas victory over Oakland, kept the Royals' magic number at eight. Any number of Kansas City victories or Texas losses totaling eight will clinch the American League West title for the Royals.
In the American League East, New York beat Toronto 7-4, while Baltimore
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The Tom Waits Cross-Country Marathon Interview
(Over the Finish Line with Francis Coppola)
BY STEPHEN X. REA
OS ANGELES OCTOBER 5, 1979 Tom Waits' black 64 Thunderbird parked in a used car lot, up again graffit covered wall. That is, one
graffiti covered wall. That’s one imagines the T Bird is black. Caked with an impenetrable layer of L.A. dirt, the bird can barely see anything for all anyone can tell. Inside floats a cluster of unmapped bills, unopened letters, wadded-up Kleenex, a portable AM radio (antenna broken), a cardboard box full of old, yellow Tshirts, and a paperback wedged in the crevice where windshields meet dashboard. Its title, *Inside My Privacy*, is fading fast in the sun. The auto left a rear fender sports an elaborate decal featuring the word FENDER emblazoned on the cover of Waits thus titled 1978 album. As Waits comments later, sitting in manager Hibernate cloisered offices, "I could afford a billboard, so I wrote it on the car."
For someone with the demeanor of an itinerant burn, the slowly ambience of some Kerenoa nomad, Waits has immersed himself in a demanding swamp of projects, committing his time and talents to a busy honeymoon and shakers. Apart from his current fall/winter tour and the *Heart Attack and Wine LP* (to be recorded with producer Bones
In spring of 79, Waits had commenced work on a record tentatively titled *White Spades*, but he got distracted, caught up in some other things. "I ended up changing the title to *Heart Attack and Wine*, and that's what I'm working on now. I'd say the sound a little more rhythm & blues. Gone a song called 'Breakfast in Jail', another called 'Whose Sportcote Is That? Another, 'Pomona Lisa'. A lot of it I'm going to break in on."
"Blue Valentine" has been gathering dust in the "unpaved car lot every afternoon for three weeks in October 79, while inside the faceless, uninviting brick and concrete complex Tom Waits — beatnik balladler, jazz journeyman (the ad might read: "Have gravely robe. Will stand up and sing") — has been reading his band for a tour that will take them across the country, and through the theatre and small halls. "I don't play many beer bars any more," Waits explains. "I used to play exclusively tots that all I wanted to play. But the thing is, you play totes too long and you start get 'a lind on you."
This time, Wats is stepping out with a new bunch of musicians, including among its guitarist Terry Eaves, late of many a Little Richard and Roy Charles. Wats disists for the first time, and the dimly lit recesses of a Ventura motel bar. They are rough, Wats mumbles knowingly.
Waits also持有一 good portion of 1979 holed up in a Paris loft, collaborating with art Guy Peelarlan (Rock Dreams) on a book of portraits of American heroes, to which Waits has contributed the text. "You know people like Marlene Dietrich, Mohammad Ali, Meyer Lansky, Pearl Bailey, Jimmy Durm, Adam Clayton Powell."
"I'll take a white girl about five-two with big tits & bad teeth."
Why is he pushing himself so hard? Wants every walking hour (beginning arround 20 minutes) to be the last thing he sees.
How in early January), several motion picture forms are under way. One is a script co-written with writer/actor Paul Hampton called Why Is the Dream So Much Sweeter than The Taste? "It abouts a used car dealer in Southern California," he says, "and it easily appeared on screen, as the inebriated, slovenly barron pianist Mumbles in Sylvester Stone's Paradise Alley (unfortunately much of Walt portrayal ended up on the cutting room floor). And, like a lot of pop music figures nowadays, Walt is open to starring in films and TV shows, but he dislains being typecast. "The thing is once you get any kind of image — we've gotten
countless calls to play a drunken Irish piano
player which is, like, not very challenging (did
you play it)?
"There's a certain reward all this. But I don't know, sometimes I just want to disappear Poof! Excuse me while I disappear. Deadlines, schedules, obligations, responsibilities sometimes like going to a booth where things come along and boom boom — everything is okay. So what are you going to do? Darry the girl or pay her off?"
grams or those received frc...
(Professional Program Exchange...)
Torn Waits does n't dwell on the loft megaplatinum pirchide of success enjoyed by groups like the Eagles and Fleetwood Mac, or by solo artists like Jackson Browne, but his albums and his frequent tours (on last years, for example), have all been conditioned local stripper) have sold consistently well. His songs have been covered by several million-selling artists (including the Eagles), which means that Waits has been on the receiving end of a few fat royalty checks. A self-described follower of "He on a beer" has been an important part of Waits must have done with his extra cash. He answers: "My name is Morgan, but it isn't J.P., if you receive my meaning."
This past fall, rumors circled the Hollywood hot wood milpurselling that Waits had returned from France a changed man. One story went so far as to suggest he had shed his shirt shop threads for Giorgio Amati suits and wore an 'Infinite couture' sitting in one of Herb Gohen's small offices and backdropped by a bouncy and Spanish courard, Waits needn't have inquired "Giorgio who?" to debunk that fiction. One look was enough: pointed black shoes (leather cracked), tight, prickly shoes, plain black pants but bounced off white white shirt, his ghouze more under his chin than on it, and wavy brown hair fitted high on top, seemingly propped upright by a pair of over sized sleeves.
SALINA, KANSAS
DECEMBER 7, 1979
En route to Kansas City from Denver,
on the last leg of his year-end tour,
the one-time pizza maker from suburban San Diego celebrates his thirtieth birthday on his Harbor Day in this wintry, midwestern town.
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Though he rolls his eyes and clears his throat in mourn despair, Waits insists that the Big Three O's no matter to sweep over. "The big ages are sixteen, thirty-three-and-a-third, forty-five and seventy-eigh," he laughs. "turning thirty — everybody thinks about it, I guess. But it don't bother me, I feel pretty healthy." At that point Wait's lets loose a painful succession of coughs, a peal of mucus swirling in the lungs.
And speaking of lungs, Tom Watts, the man who couldn't make a gesture on stage — let alone tell a story — without holding oroking on a Lucky Strike, has given up smoking. "It's a whole other world for me. I just didn't feel good, I felt like I was caving in inside. I lost my breath and out of breath and wheezing and out of breath, so I said, What am I doing killing myself? I don't want to live hard, die young and have a beautiful corpse. I really don't."
What about his much ballyhooed bouts with a bottle of Four Roses? "I ration my教会. You know, it is good to discipline yourself in this area. As I turn the corner on thirty I am fast becoming concerned about personal hygiene. Drinkin' and smokin' and smokin' and smoking me down. If these days I will want to have a family, I've gotta think about that."
Tom Waits married? Sentelled into a nice子
siblingsplit? Little Toms and Tasminas
were married? Sentelled into a nice
submarine split?
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