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Page 12
University Daily Kansan, August 21, 1980
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BY LESLIE SPANGER Staff Reporter
After nearly nine years of con-
formance Lake was officially
dedicated July 5.
The lake, four miles west of Lawrence, is a U.S. Army Corps of Engineers project. Expected to be completed by next summer the lake will cover 7,000 acres, have more than 9,000 acres of public hunting grounds and four camping and recreational zones.
THE LAKE WAS formed by building a 9,200 foot dam and letting the Wakapan river flow over its banks. The lake is five officials' lake will be 50 feet at its deepest point.
Clinton Lake is able to accommodate nearly any type of boat is on zoned. Tim Carey. Clinton Lake ranger, said. Tim Carey. Clinton Lake boaters where they must keep out.
Corps officials said all state hunting regiments apply to Clinton Lake's firefighters.
Game such as mourning dove, quail, squirrel, rabbit and deer are plentiful around the lake. Officials also said waterfowl, such as Canada and snow geese, mallards and teal are usually abundant on the lake late in the year.
CLINTON LAKE ALSO provides camping and hiking facilities. One of
the areas, Bloomington, is not yet open for camping.
The most accessible of the lake's recreation areas is the Outlet. It is east of the dam site and open for fishing at nearby rock pools, grill dishes, water and picnic tables.
On the north side of the lake, west of the dam, is the Clinton State Park. The boat raamps and swimming beach were open, although lake officials said the beach was not completed. Camping is allowed at the state park, although electrical outlets have not been installed yet.
Woodridge primitive area is open for hiking and tent camping. Officials said it was the first such area in this district. Situated on the far western lake shore, Woodridge is a "pack-it-in, pack-it-out" region.
THE CLINTON LAKE Marina is at Bloomington, on the lake's south-central shore. Although Bloomington will eventually have a restaurant, swimming beach, grocery store and camping facilities, the resort now open. Sailboats and fishing boats can be rented at the marina.
Rockhaven is southeast of Bloomington. It is laced with 30 miles of horseback and backpacking trails. It is also available for camping.
Fall films offer some laughs, reruns
By IAN SIMPSON Staff Reporter
The fall film schedule sponsored by the Student Union Activities Association is almost a perfect wedding—something old, something new—something borrowed. Nothing blue—pornography is out this year.
SUA's schedule is heavy on comedy, musical features, and popular recent films. She plays the role of films, films, films, and a pinch of horror to keep the adrenaline pump of horror.
The schedule relies on comedy to attract patrons. Of the first 13 films shown this fall, nine are comedies. Thirty of the season's 101 movies are comedy films. "Bringing Up Baby" or the black satire "Being There."
MUSICALS ARE ALSO important. SUA will have nine musical features this fall, including a special series on the songs of Beetles and the Beatles "Musical Mystery Tour."
Many of the films to be shown this fall have been seen before at the University. Of 82 movies, excluding the popular series on Friday and Saturday, 29 have been shown in the past four months. Fifty-ix have been seen since 1986.
The first of the three-part Genre series is devoted to sophisticated
comedy. It includes films such as the 1939 classic James Stewart-Marlene Dietrich western "Destroy Rides Again" and Preston Sturgeon '1944 essay on small-town morals, "The Miracle of Morgan's Creek."
THE GREAT PLAY segment has such gems as Lawrence Olivier's 1945 film "Henry V" (dedicated to the Royal Air Force), Eugene O'Neill's "A Long Day's Journey into Night," (1963), and the vehicle that brought Marlon Brando to stardom, Tennessee Williams "A Streetcar Named Desire" (1961).
Baroque Expressionism, the last of the Genre series, features films such as the Joseph Sternburg's "Shanghai Express" (1932) and "Shanghai Gesture" (1941), Jean Cocteau's masterpiece "Beauty and the Beast" (1946), and Frederico Fellini's 1965 work, "Juliet of the Spirits."
The Sunday films range the cinematic spectrum. Some, like "Pinochio," "The Three Musketeers" (1973) and "The Four Musketeers" (1975) are good family entertainment, suitable for children.
UNLESS YOUR children like grim realism, don't take them to Werner Herzog's "Woyzck," the story of a 19th century German man whose little tykes have a craving for grade B horror films, see "Peeping Tom" (1961) a low-budget
David Lean, Busyb Berkeley, and Howard Hawks are the subjects of the Director's series. The big-budget spectacular is Lean's favorite, and the choices for this fall—which include "Dr. Zhivago" (1965), "Ryan's Daughter" (1970) and "Lawrence of Arabia" (1962)—reflect it.
HOWARD HAWKS was one of America's greatest directors, and the selections are good. Screwball comedy was a Hawks' strong suit, and "Twentieth Century" (1934), "His Girl Friday" (1940) and "Bringing Up Baby" (1938) are among the best on film.
Of the 17 films in the Classics series, nine have been shown in Lawrence in the past five years, five of those in the last two. The newcomers include the 1957 Soviet masterpiece "The Cranes Are Flying," Ingmar Bergman's "Winter Light" (1963) and the lengthy "General Della Rovere" (1960).
THE FOREIGN SERIES brings the Portuguese-language film, "Sambizanga" (1961) which is about the struggle for liberation in Angola, and "Dona Flor and Her Two Husbands" (1963) which is about a libidinous housewife who calls her a sensuous husband back from the grave. "Dona Flora" grossed more in Brazil
than "Jaws" and "Star Wars" combined.
THE POPULAR SERIES will include a Jane Fonda double feature; 'Comes an Angel' and 'The Giver'.
The remainder of the foreign schedule includes the Japanese "The Seven Samurai" (1956), the French "The Battle of Algiers" (1967) and the national anthem "Orchestre Rehearsal," an allegory on the decline of Western civilization.
a Jane Fonda double feature, "Comes a Horseman" and "Coming Home." The films shown at midnight on Fridays and Saturdays are designed to attract people after the bars have closed and the party has died. Midnight is "The Horrors"—"Night of the Living Dead" (1968) and last year's "Phantasm" and rock'n'roll—"Jimi at Berkeley" (1968) and "The Pink Floyd Movie."
It is hard to understand why Stanley Kubrick's "2001: A Space Odyssey" (1988) and "A Clockwork Orange" (1971) will be shown at midnight to a crowd in the mood for excitement and not for appreciation of a great director.
SUA SHOULD BE commended for attempting to bring the best of the filmmakers' art to the University, but it should try to move away from the tried and true. "M" (1930), for example, has played five times in the past 10 years, and "Les Enfants du Paradise" (1946) four times since 1970.
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