4
Friday, February 7, 1975
University Daily Kansan
ENTERTAINMENT
Exhibit soars with air photos
By FAITH LUBBEN
Karen Art Residency
"Photo-Realism 1973" by Spooner Art Museum shows photo-realist images of airplanes. The collection of works was commissioned by Stuart M. Harris, an airline lawyer, in 1973.
Unified by a common subject, the show could have quickly become monotonous. But enough variety in approach and technical skills is displayed to make the show worth seeing.
A very popular approach in the past few years, photorealism represents nature as seen by the camera rather than the human eye. In general, these works display a sense of depth and realism to the imposition of the camera between artist and subject.
Mel Ramos' erotic image of a girl leaning against an airplane is an exception to this impartiality. And that subject clashes with his unnatural plastic makes it seem out of place.
Another quality some of the paintings share is a sense of
flattening that reveals that the artist is working from a two dimensional three-dimensional. This flattening is especially strong in paintings by Richard Eestes, Malcolm M尔森 and Paul
A documentary feeling is evident in works by Guy Johnson, Martin Hoffman, and Paul Stager. It adds quality with objects cut off by the frame. According to Richard Goings,
his work captures the awkwardness and randomness of nature.
Some tight geometric compositions contrast this randomness. The image becomes a glorification of the beauty of the machine. Richard Estes' reflective city window captures urban culture in the tight grid of the architecture. For me, it has
Most of the images show an obsession with accurately representing reflective surfaces. Ron Kleeman and Audrey Flack get marvelously carried away with their reflections. Jerry Orr is fascinated with an interaction of reflection and skin. John Rummelhoff shows the reflection of the photographer as he focuses on in the nose of the plane.
Some of the images raise questions for me. Malcolm Morley does his watercolor as if he's working on graph paper. It is a photograph off a reflective tile surface or a cubist effect? And why are parts of Audrey Flack's works out of focus?
If you haven't seen the show, do it. Here's through Feb. 12. The subjects aren't emotionally exciting. But there are many ways to represent and beautifully represented details. And the variety of compositional approaches is captivating.
Tuesdays jazzy at local bar
the same quality as a Cartier-
Bresson photograph and is my
favorite of the show.
By INGRID NYBERG
Kenson Staff Reviewer
At the Mad Hatter, more is offered than a tea party. Especially on Tuesday nights. For the last three Tuesdays this Lawrence bar has been providing jazz.
harry Tea, the disc jockey at the Mad Hatter, said, "Jazz is a complement to conversation, not background, not dominating, not just sound filling up a room."
The jazz seemed to be complementing well. Tuesday nights are attracting a different crowd, a less noisy crowd.
Mike Whitrigh, Shawnee senior, said, "That's the reason I like these Tuesdays—they attended Thursday nights at the Hatter.
Another student, Cynthia Forbes, Barrington, Ill., senior
also approved of the "different atmosphere on Tuesday nights.
And jazz is that 'something different' on Tuesday nights. Tea plays jazz that is modern and experimental, Laws George Benson and Flora Purin are some of the artists heard, as well as the Jazz Man Harold Baden-Bodden and Herbie Baddler. Herbie Man Herbie Hancock.
approved of the "unread" atmosphere on Tuesday nights, it might be that the crowd as you'd be in your dorm or apartment, but it's something different, a new place," she said.
Harry Tea, the man behind the music, is something different himself. After attending Bloody Blood, Miss. in 1987, he used to carry the horn cases for rhythm-and-blues bands so he could get free admission and jazz entertainment at high school sock hops.
After high school he tried college, but he left to join the Navy. Eventually he went back to school in broadcasting. But broadcasting is out in the fields, not in the books."
His broadcast experience has
included work at 12 radio stations, including his present job at KUWM-FM in Lawrence. He is also known for his future in broadcasting here.
"Sure, colleges always have a womb atmosphere," he said. "But Lawrence is different. Something will happen; we're going to have a cultural revolution, from within."
"Music has to move you—if not, it's only sound."
The Mad Hatter may not be a tea-party bar but the party will have music with music is one of the Tuesday night wonders of Lawrence.
By ROBERT A. GAVIN Kansan Reviewer
Genesis reborn with new album
Conceived in 1989 as a band of poets rather than one of musicians, Genesis has always placed higher priority on visual and lyrical excellence than strength of musicianship.
Top practitioners of theatrical rock, the members of Genesis have added a new dimension to rock 'n' roll that involves seeing whether seeing the group live attending a play or a concert.
"The Lamb Lies Down on Broadway" holds true to that form. Loaded with allegorical fantasies and surreal images, it has been described by lead actors as "the plot album" as opposed to a "concept" album. In reality, it is a cross between "Tommy"
KANSAN review
(Who) and "Tales From Topographic Oceans" (Yes).
The story revolves around a New York adolescent named Rael who uses spray paint on subway doors as a means of self-expression and a way to redefine the world render him a loser without a niche.
Simply stated, "The Lamb Lies Down" is a nearly excellent work. The musicianism has improved to a near par with the show. Tony Banks' backdrop for depth and forefront for power and is much stronger than the previous "Selling England by the Pound." Stephen Hackett also work with more biting guitar chops with the lead work with Banks.
P poetically, the work highlights, Gabriel's use of A-ARy a rhyme schemes, though not difficult, is clever, as shown by "Ku Klux Klan serve hot soil food and the band plays" in the Mood 'There' Howard Hughes in blue suede shoes, smiling at
Catherine Deneuve upsets traditions
It happened last week at the Golden Globe awards.
Miss Deneve, who is working for Evans in "Hustle" with Burt Reynolds, didn't allow the usual thank-ever body speech.
The French actress presented the prize for best dramatic film to "Chinatown," and it was awarded by the jury of production boss. Robert Evans,
LOS ANGELES (AP)—Being regarded as "the most beautiful woman in the world" allows a degree of independence.
She kept interrupting Evans until finally the show went off the air.
"I understand that Bob Evans
beautiful, she admits, but not always.
"I don't care. His speech was so dull I thought I had to do something."
She has a history of upsetting traditional institutions. Like marriage. She has a son, 11, by French director Roger Vadim and a two-year-old daughter by an American girl named Mastroianna, but has only been married once—to British photographer David Bailey.
is very angry with me," Deneuve said afterwards.
It is difficult to challenge her Gallic logic, especially when it emerges from that face. It is
"Marriage is a dying institution," she said. "Some day it disappear. It is so foolish. After you get married you can get a divorce. So why get married?"
"Like everyone else, I have my good days and my bad days," she said. "When I am feeling sad, it shows in the face."
"Sometimes I can be a trouper and overcome it. Not always."
Broadway" is Genesis' best effort and miles beyond "Selling England by the Pound." Their current American tour should finally propel them into superstar length of their theatrical presentation as opposed to their music.
Even her appearance in a television commercial was calculated.
"It wasn't something I would ordinarily do," said Deneuve, who is 31. "But Richard Avedon was very per susaive.
"It was for a product-Chanel perfume—that I believed in, and he argued that the commercial was down to the American public."
By Staff Photographer BARBARA O'BRIEN
City sophomore; center, Lynn Fogelman, Wichita freshman; and Sharmain Simard (right) Nashua, New Hampshire junior, song during a rehearsal.
the majorettes smoking Winston Cigarettes."
grabriel is as adept with word licks as Banks and Hackett are with their instruments. His many different voices compiled with his stage antics make him the Mornison of the Art we set.
Anyway, after selling England for Broadway, where can one go but up?
Chief criticisms of the Lamb are two-fold. The first is editing.
The album stretches four sides, 90 minutes and 24 titles. Instill rather basic and at times repetitive. Although the musicianship has matured, gaps still exist. Genesis may no longer be Yes? poorer sister instrumentally? poorer still lacks backup. Minik. Rick Rutherford's bass and Phil Collins' drums do little to relieve the rhythm section from plodding along.
Secondly, the music itself is
strumental transitional bits cloud each side. These short cuts may serve their purpose to group a many costume change in the band, are unnecessary on the album. Had six minutes a side been deleted, "The Lamb" could have been an early contender album of the year. As it stands it must rate nolo contendre.
Recreational for the world premiere of "Free to
Become" emphasizes the celebration of
brother and sisterhood. FAREWELL
Brothers and Sisters
JONATHAN  LIVINGSTONE
SEAGULL—1973 film about a bird searching for the ultimate in life. You either hate it or love it, and you can soundtrack. directed by Hal Bartlett.
Voice of James Francisac and Hal Holbrook. 140 minutes, shows include a cartoon. (At 7 and 9 p.m. Friday and Saturday in Woodford Auditorium.)
On screen
This Week's
**YELLOW** SUBMARINE—
The colorful and musical animated Beetles film. The Beetles chase out the Blue Meanses. The music and animation are truly delightful. Animated by Heinz Edelmann. 85 minutes. At 1:30 p.m. in Woodruff auditorium.
BAD COMPANY-1972 film
One of the best Westerns in recent years. Made by the people who did the screenplay for Bonnie and Clyde. Directed by Robert Benton. A starring role is Brown 94 minutes. (At 7:30 p.m. Tuesday in Kansas Union Ballroom.)
NOTHING SACRED - 1937 classic of the screwball comedy era. About a girl supposedly dying of radiation poisoning, and another big city. One of the greatest comedies ever made. Directed by William A. Wellman. With Carole Lombard and Fredric March. 88 minutes. (At 7:30 in Woodraft and Atordurium.)
ENTERTAINMENT
HOLDAY—Excellent 1938 film of the Phil Barry play about the non-conformist Cary Grant who confuses a stuffy New York City society family. He finds his match in Katharine Hepburn, his humorous, fulful. Directed by George Cukor. 93 minutes. (At 7:30 p.m. Wednesday in woodruff Auditorium.)
CHILDREN OF PARADISE-1945 French classic about 19th century France. It tells the touching love affair between a palate and woman, a beautiful beauty woman. Well-acted, with noteworthy pantomime sequences by Jean-Louis Barrault. Directed by Marcel Carme. With Ariety and Pierre Brasselas. Starring Julianne Housley at 7:30 p.m. Thursday in Woodruff Auditorium.
THE SAVAGE IS LOOSE—Produced and directed by George C. Scott, who should have stayed with acting, Vincent Canby awarded it the "Oedipus Rex Family Planning Medallion, given annually to that film that most courageously explores the options available to a man when
THE TOWERING INFERNO-Called by some one of the 10 worst of 1974, by others one of the 10 best of 1974, disastrous to the army in a 188 high scryscape. The movie boasts a star-studded cast and stunning technical effects, but is hampered by a wooden script with wooden characterization. At 6 p.m. with matinee at (A) Saturday and Sunday at the Granada.)
ISLAND AT THE TOP OF
THE WORLD—A Walt Disney
production. Rated G. (At 7:30
and 9:30 p.m. daily with matinee
2 p.m. Saturday and
Sunday at the Varsity.)
FREEBIE  AND THE BEAN- James Caan and Alan Arkin wasting their considerable talents in what purports to be a screwball comedy but turns out as a nightmarish bad job to the star of *Rated R.* (A. 7:30 and 9:40 p.m. daily with matinee 2:50 p.m. Saturday and Sunday at Hillcrest I.)
be his wife and their lasting son are isolated on the beach of a chic mexican resort for 20 years without surf boards, bingo or roulette to occupy the kid. "I will go out early p.m. daily with matrons at 2-4 o'clock Saturday and Sunday at Hillcrest II.)
DELIVERANCE) Jon Voitg and Burt Reynolds star in a good action packed thriller set in a small town. But you might as well wait and see it for one dollar at Woodruff in the near future. (At 7:40 and 9:45 p.m. daily with matinee on Friday and Sunday at Hillel III.)
In concert
PATRICK NEVE, TENOR—with Victoria Rider Neve at the piano. Assisted by Celeste Mally, Kathleine Price, Douglas Lewis and Brian Crowell, he includes selections from Schubert's "Die Schone Mullerin"; "Salal! Demeure chaste et pure" from Goumod's "Faust"; and works by Debussy, Ravel and Wilhelm Swinburne, from Friday in Swarthout Rectal Hall.)
MID-AMERICA WOODWIND QUINTET—Lorraine Carlson, Jason Weintraub, James Eisenhart, Howard Halgedal. Works by Verne Reynolds, Maurice Ravel, Joseph Oeff and Anton Reicha will be featured. (At College in Swarthout Recital Hall.)
DAVID BUSHOUSE, HORN
assisted by Jack Winerock,
Lawrence Maxey, Raymond
Stuhl, Wifred Gallup, Robert
Stanton and George Boberg.
Program features works by
Quanta, Saint-Saens, Alexander
Clemente, Robert Aumann (at 8 p.m.
monday in Swertouth Recital
Hall.)
MIRIAM STEWART GREEN,    soprano—In a drama of the lyrical text of each text will be performed, the one setting by a male composer, the other by a female composer in Swarthout Recital Hall.)
MIKE BEISNER TRIO-
rock, jazz club (9-12 p.m.
friday and Thursday at Paul
Gray's Jazz Place.)
TREE FROG—country rock. (8:30-12 p.m. at the Free State Opera House.)
BARRELHOUSE—a rock group. (8-30-12 p.m., Saturday at the Free State Opera House.) He is an actor, a dancer, Dixieland jazzian. (9-12 p.m., Saturday and Wednesday at Paul Gray's Jazz Place.)
At the gallery
7E7, OLIVER AND ZOELLER - Works by Michael Oliver, graduate student in jewelry and silversmithing, and graduate assistant in ceramics (Friday and Saturday.)
WATSON LIBRARY—Spanish Art of the 17th Century. HAND AND I–Clare Tucker Bell, pottery; Lori Malott, paintings; Ann Schlager, weaving; Pam Carvalho, and Tom Swearinger prints and stained wood. (A8 025 Mass.)
MUSEUM OF ART-Stuart M. Speiser collects of photorealism paintings, (through 1950), and of children's and Child; Symbol of an Age."
JIVANA GALLERY—Betsy
Webster, batkins and collage;
Jennifer Webster, weaving and
macrine; Mitzi Sudlow, stained glass; John Clifford and Kimberly Webster, paintings and prints; Karen Becher and John Dean, ceramics; and Nick Gelbard and Alan Webster, hand blown glass, pottery. (At 117 E. 8th.)
UNION GALLERY-Kansas
Designer Craftsmans Show.
2.0; 3.20 p.m. Sunday, (Feb. 9,
through March 2.)
**SPENCER** LIBRARY—A
Kansas Immigrant's Ex-
change Gilbert Family. **Kansas**
Collection; "Art of the Spanish
Book," Main Gallery;
Alens in Asia." North
Gallery.
On stage
727, "NEW IMAGERY"
Paintings and serigraphs by
Gerald Lubensky, assistant
professor of graphic arts.
(Feb. 9-28), gallery
12 30:5-30 p.m. Tuesday-
Sunday.)
PIMPLES—Play by Ron Willis about a dolphin, Santa Claus and a prostitute and their search for maturity. (At 8 p.m. Friday-Sunday in the William Inge Theatre.)
FREE TO BE . . YOU AND ME- Originally an album, then a television show and a book, this play was adapted by Peggy Baldwin, director of Hashinger Theatre, with the help of students. It is about the affirmation of the individual, breaking role with expansion, learning to work within the box of living with interdependence and autonomy. The play is a musical. (At 8 p.m. Friday, Saturday, Sunday and Thursday at Hashinger Theatre.)
Off the shelf
THE DARK BELLOW, by Michael T. Hinkemine (Metal Medal, 95 cents) — A thriller that takes place on the north shore of Loch Ness. By the Adamsons, living in a lovely old house. Papa teaches psychology, Mama is an artist and the children, Paul and Jenny, are quite all right, too, um, unlike nightmares and Mama begins to be finding hideous shapes in her paintings.
OPERATION DEATH-
MAKER, by Dan J. Marlowe
(Gold Medal, 95 cents)—About
the kidnapping of a rich child at
the Los Angeles airport and the
search made for her by our
hero, Earl Drake.
The kid had to do something with
to do with her own kidnapping, things get to be, as they say, hairy.
KILRAINE, by Thorne Douglas (Gold Medal, 95 cents) —A western in the series
called Rancho Bravo. The hero becomes indignant when a band of scums ambushes the wagons and leaves them off with more than $100,000. he really loses his temper when the same bunch kidnaps his girl
CHRISTABEL'S ROOM, by Abigail Clements (Gold Medal, 95 cents)—A book in the Gothic tradition of the 18th century. Rowena is the governed, if that's the word, and the two (along with some other people such as a flirtatious cousin named dericke) go through all three versions of Highlands, roughly in the region of that famous sea monster.
On television
SANBURG'S LINCOLN:
Sad Figure, Laughing-Hal
Holbrook and Sada Thompson
as Mr. and Mrs. Lincoln.
(Wednesday, 9-10 p.m.
on NBC).
On records
QUEEN OF THE STARDUST
BALLROOM
Maureen
in a musical about the 408.
Thursday, 8-10 p.m. on CBS.)
J. S. BACH—Brandenburg concerti, played by the Jean-Francois Paillard Chamber Orchestra, with Maurice Andre Levez and David Karpolski soloists. (RCA CRL-25801, stereo, two disks.)
CLAUDE DBESSY—Album two of a set containing his entire orchestral repertoire. Recorded by the French National Radio Orchestra under the direction of Angelo. (Angel S-A7085, stereo.)
SCHOENBERG—A new recording of his unfinished opera, "Moses and Aron," written in 1930-32. Chorus and orchestra of the Austrian Radio with Michael Gielen conducting. (Philips 6700 084, two disks.)
PETER SERKIN-Playing Mozart's six 1784 piano concerti. The English Chamber Orchestra, Schreiner, Schneider (RCA ARL-3073, stereo, boxed set of three disks.)
JANOS STARKER—Virtuos cellist playing the Dovark "Cello Concerto in B Minor," Op. 143; plus Max Brush's "Kol Nidrel" based on a Hebrew melody, symphony. Symphonia conducted by Antal Mercury (Mercury "Golden Impuls. IRPS-75045, stereo.)
GIUSEPPE TARTINI—Three of his concerti for violin, strings and continuo, played by Salvatore Accardo and the chamber orchestra (Philips 6500-784. Musicl. (Philips 6500-784. stereo.)
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KANSAN
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