+ PAGE 6 THE UNIVERSITY DAILY KANSAM KANSAN PUZZLES TUESDAY, SEPTEMBER 23, 2014 SPONSORED BY We Deliver! 785. 856.5252 Order Online at: minskys.com/lawrenceks ACROSS 1 Grouch 5 Dalai — 9 Craze 12 Formerly 13 Stench 14 Glass of NPR 15 Nixon-era scandal 17 Edge 18 Verse 19 Indian, e.g. 21 Bed liner 24 Huff and puff 25 Frost 26 Geometric curve 30 Spring mo. 31 Hia-watha's carrier 32 Guitarist Wood 33 Items to be axed 35 Driving hazard 36 Clue 37 Fastidious 38 Use a divining rod 40 Swallow hard 42 Id counterpart 43 "All Out of Love" duo 48 Slip up 49 Quick cut 50 Stead 51 Sleep phenom 52 Reveille's opposite 53 Physical DOWN 1 Intimidate 2 Genetic matter 3 Performance 4 Paging device 5 Theater box 6 Leading man? 7 Witticism 8 Colored rings 9 July 4 props 10 Met melody 11 “— the torpe-does! 16 Go bad 20 Corn castoff 21 Persian leader 22 Arizona tribe 23 Night crawler 24 Family biz abbr. 26 History 27 Pismire 28 "Family Guy" mom 29 "SNL" alum Samberg 31 Movie devotee 34 Fleur-de- — 35 Limber 37 Winter ailment 38 Ante-lope's playmate 39 Shrek is one 40 Clutch 41 Mail org. 44 — minute 45 Snap-shots 46 Michele of "Glee" 47 "Tasty!" | 1 | 2 | 3 | 4 | | 5 | 6 | 7 | 8 | | 9 | 10 | 11 | | :--- | :--- | :--- | :--- | :--- | :--- | :--- | :--- | :--- | :--- | :--- | :--- | :--- | | 12 | | | | | 13 | | | | | 14 | | | | 15 | | | | 16 | | | | | | 17 | | |
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SUDOKU | | | | | | 2 | 6 | 8 | 7 | | :--- | :--- | :--- | :--- | :--- | :--- | :--- | :--- | :--- | | | | | 1 | | | | 3 | 5 | | | | | | 8 | | | | 2 | | | 7 | | 2 | | | | | 1 | | | | 8 | | 5 | | 9 | | | | 5 | | | | 9 | | 2 | | | | 1 | | | 4 | | | | | | | 3 | 8 | | | 1 | | | | | | 9 | 2 | 6 | 8 | | | | | | CRYPTOQUIP M S S F F V J D P F R I Q SF W Z S P D I J M H H M F X Q F K K Z H H D X HD Z B D Q . M ' C N Z H H MS Z W I F R X C - I Z V M X W Today's Cryptoquip Clue: H equals L Art and Design graduate students at the University will have the chance to display their artwork in a two-part show that started on Sept. 21. He said he likes to make Art and Design grad students showcase work in two-part show DELANEY REYBURN @DelaneyReyburn "I'm really far ahead in math and science and I just kind of got tired of doing calculus so I was like screw it, I'm going to take art classes." Thierry said of his high school experience. "It was a hobby more so than a career choice and I've decided it's what I want to do because I'll be happy doing it." The University's art and design graduate students are displaying their diverse array of art at a two-part exhibit, currently on display at the Art and Design building. From drawing and ceramics to weaving and tie-dye, students have the opportunity to show off their projects that required lots of time and hard work. Thierry, who has a degree in ceramics and painting, said he will be expressing his fascination with drinking whiskey by displaying his collection of handmade ceramic drinking containers at the second part of the exhibition on Oct. 5. Alex Thierry, a graduate student from St. Louis, said his love for art and design began when he was a rebellious high schooler who felt the urge to explore the world outside of typical academic classes. sculptured pots and it usually takes about three to four hours to make one. Thierry plans to finish his graduate studies here while figuring out where he wants to go with his work after school. He also plans on expanding on different art processes. Shelby Burchett, a graduate student from Kansas City, Mo., practices a different form of art with her background in textiles. Burchett said she used to be a heavy weaver, but is now experimenting with other art forms. "I always liked drawing and art when I was younger, it was kind of that thing where I started doing it and couldn't stop." Burchett has been working on a polymers-based substance that forms a sort of "goop" an art form that Burchett hopes to bring to more people's attention by showing it off at the art and design exhibition. RUBEN CASTILLO Graduate student from Dallas "I'm not really sure where it's going yet, but I think it's such a physically interesting subject," Burchett said. "It sort of has a will of its own. I'm really interested in things that have their own life, like no matter what I do it's going to have its own will so I've been playing with different set ups on how to show it off and get people interested in it." "Eventually one day I hope to bring all these ideas of textile and science together," Burchett said. Aside from exploring new ideas, Burchett teaches a tie-dye and resist print class where they do shibori, an art form similar to professional tie-yding. Ruben Castillo, a graduate student from Dallas, will be displaying his personal work with intaglio printing, a form of printmaking, at the exhibition. Castillo said he has always had a love for drawing and decided to explore it further when he was introduced to etching and intaglio printing. "I got my undergrad in printmaking and I focus specifically on etching and intaglio where you put a ground on a plate and draw through that ground and etch it and you can create reproductions," Castillo said. "It's an old process but it's still very effective as an art medium." Castillo's interest in this art form sparked when he was in high school. One of his teachers assigned a project that involved a dry point on plexiglass. He was given a collageless image and then was told to put clear plexi over it so he could then scratch through it with a needle. "I always liked drawing and art when I was younger, it was kind of that thing where I started doing it and couldn't stop," Castillo said. "Print making was that place where I could not only more drawing but learn skills in etching and lithography, as well as different kinds of printing." Castillo is currently working with the concept of home to create his art. He said he is in the midst of drawing his apartment with the fascination of the space humans create for themselves. The two-part exhibition started this past Sunday, Sept. 21. The visual arts students will display their pieces in the gallery on the third floor of the Art & Design building through Oct. 3, and for a second showing from Oct. 5 through Oct. 17. Edited by Rob Pyatt Burma prints from 1800s on display ASSOCIATED PRESS As the British Empire spread in the 19th century, a young Englishman used his camera to chronicle the ancient cultures of India and Burma. Roughly 60 prints, and two rare negatives, of those efforts are on display at the National Gallery of Art in Washington D.C. in "Captain Linnaeus Tripe: Photographer of Indian and Burma, 1852-1860." Linneaus Tripe was the sixth son, of 12 children, of a middle-class family. He joined the East India Company in 1839 as a Captain, and was sent to India as an officer in the 12th Madras Native Infantry. The East India Company had started as a trading company but ended up the effective sovereign by forming alliances with local leaders and using its military to put down native rebellions. Senior Curator Sarah Greenough, head of the Department of Photographs at the National Gallery, says Tripe discovered a "country and a people almost entirely under British reign." He traveled broadly, drawing, mapping and "by the mid-1860s had photographed and mapped India's cities, monuments and architectural sites as well as its people and terrain," says Greenough. The photos served as raw intelligence information for the Company in administrating the area, construction and the study of art, religion and history. Photography was not easy during that period. Tripe had brought a large camera with him that made 15-by-12- inch salt paper negatives that demanded long exposures but where more tolerant of the hot, sultry climate then other photographic processes. Two of the negatives are on display in the National Gallery's exhibit. The Indian rebellion of 1857-1858 marked the end of the East India Company's dominance. The British government took over. Tripe's job fell to cost cutting and he returned England in 1860, unable to finish his last project, nine portfolios of his photography, which would have been 17,000 prints. While he made one more trip to India in 1863, he retired a decade later "discouraged" that his work wasn't appreciated, and died in 1902. His negatives went to family members and his portfolios languished in government offices and the archives of the East India Company at the British Library. In 1855 he set up a printing studio in India to create portfolios of 120 of his photos. He made 50 copies of the portfolios that he sent to various agencies in the British government and India. Unfortunately, not many have survived. "They were often the first photographs ever taken of these (palaces and temples) and thus they provided completely different kind of information than anything made before," says Greenough. They were also retouched to bring out details. Tripe would paint in foliage and tree trunks to "give them shape." G MCCLATCHY-TRIBUNE A photograph by Linnaeus Tripe of "Pugahm Myo: Thapinyu Pagoda," taken in 1855, lent by the Metropolitan Museum of Art. +