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Reviewer
Dance troupe energetic, sensual
By GIFFORD BOOTH
Energy: impulse, bounce, fall, swing,
pause, movement and Louis Falcon.
The University of Kansas was treated to a full and dynamic evening last night when Lous Falco and his company of five dancers performed in Hoch Auditorium. The three pieces performed by this innovative troupe were inspired by the dance dances provided not only stimulating visual and physical sensations, but also an intimate look at each of the performers.
"We're people, not dancers," Falco said in his master class Tuesday night. And thAt was apparent in the dancers' work. Although they were technically very young, deadpan puppets. There were breathing, no human beings moving in and around space.
The first piece, "B-Mine," choreographed by Juan Antonio, a member of the company, was a perfect warmup for the dancers and for the audience. It was performed one of
Keith Jarret's improvised piano solos. When you listen to Jarret's music, you are allowed to enter his lines of thought, and then ask what Antonia did with his movements.
Each dancer ambiled onto the stage and eventually began a series of movements. Patterns emerged as dancers came together in twos and threes and then danced in pairs until they created when polished movements retreated into casual walking or standing.
Review
It was terrific to see the dancers loosen up, their breathing growing heavier and more powerful. They became more and more excited and involved with the dance. That sensuality has always been the most exciting difference between modern dance and very proper ballet.
"The Sleepers," the second piece, choreographed by Falco, continued with the idea of stream of consciousness dancing. The group was led by Falco and their own voices talking or barking. The company entered the stage in a soft blue light as Falco laced the stage with pillow
Parts of this dance occasionally seemed too long, but the rhythms were true to life. For a moment one of the dancers "lost his image" and the movement on stage, along with the audiences' minds, went fuzzy until the image was retained.
From a sleeping heap, the six members talked, sang and danced through dreamlike
childhood fantasies into psycho-sexual adult fantasies.
game of "what-if." What if the stage were full of foam rubber sharks? What if one dancer bounced several others as if they were balls? What if your arms started rotating uncontrollably? Where would that energy take you?
The last dance, "Caviar," was Falco's
was danced with such exuberance and endurance that a standing ovation was
That is how the dance appeared to be put together. As each new idea popped in and out, new patterns and shapes and variations of each were played with. This piece was
It was an important event for this University—to see these dances dance their hearts out, to see choreography so carefully executed that it appeared to be spontaneous and improvised, and to see that dancing can be a whole lot of fun.
'Somebody's Mother' is at Inge
By MERLE GOLDMAN
Staff Writer
A play about the residents of a nursing home might reinforce stereotypes about old people, but the comedy that will premiere in the William Inge Theatre tonight evokes a thoughtful mirth that counters any preconceived notions about the aged.
"Everyone is somebody's Mother (Someetime)," written by Donna Young, Dallas, Tex., graduate student, will be part of the William Ingle Theatre Series.
THE RESIDENTS of the nursing home take on old-age characteristics because the staff treat them like婴孩婴儿, but the students are older. The student, said. They are fed banana mash instead of solid food and threatened with sedation when they don't behave, he said.
Abe, played by Jerry Smith, Topeka special student, always quotes Abe Lincoln; Madieuolaise, played by Valerie Meyers, Overland Park senior, thinks she's speaking with the teacher; Tamarra and Marina, played by Tamara Zook, Wichita sophomore, shells imaginary peas.
BUT WHEN Baby Doll, played by Lambrinry Helen Hedge, Brooklyn, N.Y., graduate student, comes to the home to visit her husband, Abe, and is mistakenly locked in for the night by an aide, she shows that they are still free to be themselves.
According to Connors, "Everyone is Somebody's Mother (Sometime)" really means "we are all responsible for someone." The play is about the individual's responsibility to be himself and to help other people, he said.
One of the challenges of this play, Comensal said, is to portray old people with actors who were young.
characterized by a deep feeling for the enduring humanity of old people. He said that he never told the actors to "play old" and that he would let age develop out of a sense of character.
Connors' approach to this problem is
The production of "Somebody's Mother" is an entry in the American College Theatre Festival playwriting awards category. Another original play by Young, "Tinkerbell is Dead," was performed in Hassinger Hall in spring 1974.
unsold adult tickets on the day of the performances at the University Box Office in Murphy Hall. There are student tickets to the performances from Oct. 31 to Nov. 6.
Student tickets for the performances Oct.
29 and 30 are all taken who can学生 get
designed by Lambrihy Helen Hedge, Brooklyn, N.Y., graduate student, for all three acts. With only a few alterations, she said, this single set suggests the Garden of Eden, a medieval kingdom and the New York City skyline.
INOSKALDOSANTHONY'S
FOOLS N FOLLIES
DORESDOTHERS
FILM REPERTORY
Curtain time for the show is 8 p.m. Oct. 28,
29 and Nov. 6 and 2; 30 and nov. 7, MOV.
Hashinger Hall's musical 'The Apple Tree' to be
FILM REPERTORY
JH:PR:SM:AL:SPH
Residents of Hashinger Hall will cast an affectionate look at human ravishment when they perform a musical comedy, "The Weekend," the weekends of October 28-29 and Nov. 5-7.
Tickets are 50 cents and may be purchased at the door.
The comedy is a collection of three one-act musicals with a script and music by Jerry Bock and Sheldon Harnick, the authors of "Fiddler on the Roof."
Ane Abrams, New York City graduate student and director of "The Apple Trees," a program of the Cooper Union.
The first musical, based on Mark Twain's "Adam and Eve," is an updated look at man's first sin. The second is a spoon on grand opera, based on Frank Stockton's story, "Lady or the Tiger." The story is about a defament in a medieval kingdom who must choose between two doors to establish his inheritance. One hides a tiger, the third, "Passionella," is built around a Jules Feiffer cartoon and portrays the plight of a female chimney sweep who wishes she were a movie star.
Remember: Carousel charge customers save from 10-50% on Mondays, our Ping Pong Ball Day!
Sweater weather is here and we're prepared with our beautiful selection of 100% shetland wool crew necks by Robert Scott. They go over and under almost anything and the Carousel has them all in orange, yellow, navy, Kelly and light green, grey, pink, light blue, brown and wheat.
Come try one on! $21
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STORE HOURS
10—8:30 Mon.—Thurs.
10—6 Fri.—Sat.
The Malls Shopping Center 23rd & Louisiana
Enjoy eating good home cooked food at the Cornucopia Restaurant. Our recipes, dressings and breads are made from scratch. We use the best basic natural ingredients possible. Featuring this state's finest salad and fruit bar, plus a large selection of meats, crepes, and sandwiches for the discriminating appetite.
Cornucopia Restaurant
Place a Kansan want ad. Call 864-4358
Average meal price, including drink $3.00. Please don't be discouraged by a waiting line. Seating within 15 minutes. Capacity for 104 people, ample parking in the neighborhood, on the street, after 6:00 p.m. and on Sundays.
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