4 Friday, October 1, 1976 University Daily Kansan Arts & Leisure Star struck Jum Ivey, Chicago junior, does a little loosening up for his title role in Wednesday night's dress rehearsal of "Anatol." The play begins at 8 tonight in the Inger Theatre, Murphy Hall. 'Anatol' production sparkles throughout If first impressions are true representations of character, then it is safe to say that the forthcoming 1976-77 KU theater season should be nothing short of phenomenal. By GREGG HEJNA Reviewer The new season opened last night with 'Anatol', a cycle of four plays set in Vienna in the late 1800s. The plays center on a do-do man, a town-far a playboy, and the women in his life. JAMES IVY works well in his role of Anatol. He underplays his role in the small Inge Theatre, choosing to develop his character with voice inflection and facial expressions. When he agonizes over his lower's possible infidelity, it isn't what The role of Max, Anastol's best friend and confident, is played superbly by Frank Robert Freeman. In his character, Freeman is called upon for a challenge, when he conveys them all well. Max is always there to smooth his friend's mistakes, pull him back when he's gone too far and push when he hasn't gone far enough. 'Shootist' is Wayne's best shot Each one of the four plays centers on a woman, who is or has been the object of Anatol's love. By CHUCK SAC "It's an-American not to like John Wayne."—Harvey Kelley in "Who's That Knocking on My Door?" The John Wayne movies of recent years have been a real test of patriotism. Often accused of playing the same character in every film, Wayne has plodded through almost every movie he's made in the last 10 years. But the fact that sexuality isn't enough for most of his fans, but since the retirement of Howard Hawks and John Ford, no director has been able to keep the Duke NOW, IN "The Shootist", John Wayne gives a portrayal composite of his legendary competition, with his rise to the challenges of the subxued under control long enough to make a decent film with him. "True Grit" gave Wayne an Academy Award, yet his performance in that film didn't earn him the honor, even if he did wear an eyepatch. And too many of his films since then have been potbottlers like Charlie Brown, whom seemed preoccupied with the logistics of making the tired old fossil look alive. Miles Hood Swarthout and Scott Hale script. Beginning with a review of an imaginary career composed of clips from earlier westerns, the film follows Wayne in the guee of gunslumber J. B. Books. The year is 1901, and Books has just returned to Carson City to get a doctor's diagnosis of his pains. he says that makes it believable, but how he says it. Dr. Hoestelier (Jimmy Stewart) has the unpleasant task of confirming his old friend's fears. Books has a cancer Hoestelier gives him a book on how to live. Determined to die quietly and with dignity, Books takes an apartment run by the Widow THE SUPPORTING cast is composed of many familiar faces. Besides Lauren Bacall and Jimmy Stewart, Richard Brennan, Larry Hobrien O'Brien and John Carridine have guest star roles. Rogers (Lauren Bacall) to prepare himself for death. But even though the film's affectionate handling of its star makes it clear that these actors are on hand to pay tribute to the greatest box-office star of all time. "The Shootist" avoids the clichés associated with marred last year's "Roster Cogburn." Then, the pairing of Wayne and Katherine Hepburn in the twilight of their careers IN THE ROLE OF the doomed vigilante, Wayne is seemed antichimacic. "The Shootist" doesn't allow time for such reflections. Under the sure hand of veteran director Don Siegel, Books is slowly surrounded by friends who have revelled in the tales of his past glories in the area resent him. Carson City fills with punk gunmen to establish their territory in the city. Books. Two men try to murder him in his sleep. And the town marshal tells him, "The day they lay you away, what I do grave not pass for flowers." made to seem even greater because his screen legend evokes the proper sense of awe and admiration commands from the townpeople. THE FIRST woman to make an appearance is La Dene Morton as Cora, Anatol's current lover, who his suspects is unfaithful to him. The scenario is devoted to Anatol hypnotizing the girl to ask her if she wants to be arguing with Max when he doesn't have the courage to know the truth. Far from being the broad self-parody he played in "The Cowboys," Wayne here is a real-life country boy who obides by a strict personal code. And in the best Wayne tradition, "The Shootist" is a straight-shooting moral tale. Most important of all, through this film returns to this proper place as a true hero. So what if it is just a John Wayne flick? By God, it makes you proud to be an American. Gabrielle, of an Anatou-former lovers, is portrayed by Teresa Peterson. She is a woman who often leaves left by Anatol and sees no reason to hide her bitterness over it. She can be as elegant as a waltz or as cold and bitter as the December evening when she meets him in a difficult role that Peterson performs with apparent ease. The few lines of dialogue Cora has before she drifts off to sleep are humorous and Morton delivers them well. HEATHER LAIRD as Annie provides humor in the play when she tells Anatol she is leaving him before he can break things off to go with his new found love. The irony is clear as Anatol breaks into a towering rage. As the champagne drenched Annie, Leair says her humorous farewell to her lover with a dry wit mixed in innocent charm. Anatol spends his last night of bachelorhood with Illona, played by Barbara Mounsey. She becomes enraged when she finds that she is to be discarded by Anatol. Illinois delivers a rotten punch up to the adage that hath hell fry like a woman scorned. AS THE FIREY Illona. Mounse has the strongest role of the four women and she more than convincing performance. J. L. McClure, who directed and translated the Arthur Schnitzler plays, did a far better job than one would expect of someone who is only a graduate student. In the forthcoming theater productions directed by Mamie Dorsey, the direction shouldn't falter in comparison with other directors. McClure did an excellent *pwm* of knowing when to direct with an iron fist and when to allow a finger to touch their characters on their own. ED KIRKMAN'S sets were simple, often consisting of no more than a prop or two, but nonetheless he conveys the mood of the scene without fail. The absence isn't less, but just enough. Emil Muffich's faithful recreation of the Victorian age costumes was flawless down to the smallest detail. Anatol is a play that exhibits rare balance between what is not too little in the theater. The effect prompts interesting evening of theater. This Week's Highlights Concerts "MOZART, I LOVE YOU MADLY!" is presented by the Kansas City Philharmonic tonight and tomorrow night at 7:45 in the Multimedia Forum Hotel in Kansas City, Mo. THE AMERICAN STRING OIL MEMBERSHIP formers in this year's Chamber Series, plays sunday afternoon at 10 a.m. SWarthwock, Recital Hall 39 Murray Street THE KANSA $ CITY PHILHARMONIC performs works by Mozart, Bach and Haydn. From 3:30 to the Nelson Art Gallery, 451f and Oak, Kansas City, Mo. MARGARET LING, harpist; KAREEL BLAAS, violist, and JOHN BOULEVARD, faculty recital. Monday night at 8 in Swarthout Recital Hall in Murphy. LAWRENCE MAXEY plays the marimba in a faculty recital Tuesday night at 8 Saworth Hall Recital Hail in ALAN HAWKINS bassoon DONNY SMITH drums player gives a live recital Wednesday night at 8 in Swarthworth. Recital Hall in Exhibits "THE BARK ARTISTS OF YORKCITY, displayed on the Union Gallery is its collection of painting on bark by artists. The exhibit ends August 21." "PHOTOGRAPHS," a color photo journal with white and black photographic area photographers, is on display beginning Sunday at the 7EZ Museum. "ST. PETERSBURG-PETROGRAD INLINGRAG" pictures and book biography of pilots and book displays, displayed at Watson Library. THE MAX KADE COLLECTION, consisting of 19th-cen tury German oil paintings and prints by Whistler and Andres Zorn, on display on Thursday at the Union Gallery. Theater “ANATOL” Arthur Schmitz’s cycle of one act comedies he performed at the Vienna man about town, is performed at 8 tonight through Oct. 9 in the William Isement Memorial Theatre, Murray Hall. "THE BUTTERFLY," by THE BUTTERFLY, "Young People's Production series, is performed tomorrow morning at 10:30 in the Museum." The Kansas City City Lyric Opera gives its last performance of "DOE" tonight at 8:15 at the Lyric Theatre, 11th and Central streets, Kansas City, Mo. The concert is titled "CHENIER" Wednesday night at 7:30 at the Theatre and will be performed for "LA TRAVIATE," which will also be performed Thursday night both at 8:15 at the Nightclubs RIVER ROCK, a blue grass and country rock band, plays tonight from 9 to 12 at the Nest in the Kansas Union. GARY HILDENBROD, folk singer and guitar player, plays his songs from 11 p.m. to 2 a.m. at the 7th SPIRIT. MAXM TANENT, country guitarist and ballad singer, plays his night from 9 to 12 on the 7th SPIRIT. THE TOM MONTGOMERY to 12 at a1f Gray's Jazze Place. CLAUDE WILLIAMS, [aez] grown up in the garden night from 1 to a1f Gray's Jazze Place. TREE FROG plays country- rock music tonight from 9 to 12 at Off the Wall Hall, and RHYTHEM FUNCTION, a THE UNIVERSITY DAILY KANSAN PUBLISHED at the University of Kansas daily August through May and Monday through Thursday during weekdays. There will be 10 days, Second-class postage paid at Lawrence, Kan. 5 days, Third-class postage paid at Lawrence, Kan. 4 days, Fourth-class postage paid at Lawrence, Kan. a year in Douglas County and $1 a semester or $20 a semester. A year in Douglas County and $1 a semester or $20 a semester paid through the student activity fee. Editor Business Manager Dana Thompson SWAHBUCKLER — Robert Washburn and Genevieve lead the way in this pirate adventure. The production is designed to promote realism, so that the light-hearted spirit of the genre is obscured by the gorriness of the story. BARRY LYNDON-Stanley Kubrick's tenth film flopped at the box office, despite its beauty, despite its undeniable beauty. Heavily ironic, it's too ponderously padded to make the movie effective. Slarring Ryan O'Neal. THE UNIVERSITY DAILY Reggine band, will play tomorrow night from 9 to 12. Monday night the rock 'n' sneeze COMES plays at the Hail from 9 to 12. COMES plays at the Hail from 9 to 12. Hall's FREE ACOUSTIC JAM SESSION from 7 to midnight, and Thursday night the hall FOLK CONCERT from 9 to 12. Films THAT'S ENTERTAINMENT, Two-Like its predecessor from the M.G.M. vaults demonstrates why the studio got its reputation for lavish creature sets. And almost all the worthwhile material was exhausted in Part II. These sequences are more often stupid than suspendous, and the auxiliary comedy scenes only succeed. ALICE IN WONDERLAND DALYCE the version later called Carroll's original, and it was considered a failure by the public and the press. GIMME SHELTER and WILD-APPENNING — two more films by Brothers. The former is a record of the Rolling Stones' disastrous Atamunt concert, which critically captured a murder on film. The latter follows the story of their initial American tour. SALESMAN and CHRISTOS' VALLEY CURTAIN—Directed by the Mayays Brothers and clients of Chelsea Plains films contrast tellies in the poverty and plenty. Salesman deals with several door-to-door salesmen who pledge $5 Bibles in slum neighborhoods. Christo's Valley Curtain is a documentary about the lives of art across a Colorado pass. Check ads for showtimes. Burger bugged? Try natural foods By ROB EMBERS You've been a burger joint junkie for years and now, after a bad trip on a quarter pound, you decided to cook healthy food to help your failing health. Where can you go? A good place to start would be Massachusetts street, where natural food restaurants and one natural food grocery. THEY ARE called natural food restaurants because the food they serve is generally unprocessed and unprepared. For example, instead of buying bread, Cornucopia bakes its own, using unprocessed flour. Glenn Sohl, one of the owners of the Cormopusia Restaurant, 1801 Massachusetts St., called his restaurant a scratch food restaurant because most foods are made using basic ingredients possible. He said the restaurant served high quality, but inexpensive meals. SOHL, A FORMER KU student, started the restaurant two years ago, and despite not having had previous restaurant experience, he's making a profit. "I found myself going nowhere in school, so I started something I could get satisfaction from," be said. "I'd be a fifth semester freshman who had stayed in school." THE CAFE ALSO prepares its meals from scratch, using no sugar, white flour, hydrogenated oils or food containing preservatives or additives. Because it is a For those who run Sister Kettle Cafe, 1347 Massachusetts is making a profit is a collection is a collectively owned and operated vegetarian restaurant. About 50 people are in the restaurant, and they are paid an hourly wage for working in the cafe. Sue Bryant, one of the members of the collective, said one of the main reasons for opening the cafe was to educate the public on the need to eat locally and sustainably. She said meat production used large amounts of grain needed for human consumption. vegetarian cafe, no meat, fish or fowl are served. ANOTHER REASON for opening the restaurant, she said, was to create jobs for members of the collective. "I'm very philosophically in favor of creating your own job," she said. "I also like working with a group of people Vegetarian meals cost more in the winter...because the prices of fruits and vegetables go up then. with a common idea. It's sort of like a big family." Sister Kettle Cafe gets some of its food from another collective, The Community Merchantile, 615 Massachusetts St. The 300 members of the Merchantile food their食 in food for two hours of work a month and a $5 membership fee. PATTY SPENCER, a member of the collective, said that nonmembers were welcome to buy in the store, but that most business came from members. She said the store carried both organic and inorganic foods, and that hasn't been sprayed by insecticide or grown with insecticide. The Casabah Cafe, 803 Massachusetts St., the oldest of the Massachusetts Street natural food restaurants, is nestled in the back of a craft shop. Its menu, like most natural food restaurants, lists meals that may be strange to students who are used to eating meat. Shrimp and vegetable tempura, dipped in egg batter and fried in pure soybean oil, or crab quiche are two of the meals served at the Casahb. ALAN AIDSF, a cook at the Casbah, said students could probably afford some of the food they would get good food. "I don't think I was aware until I started working here of the difference between run-of-the-mill fast food places and good food," he said. "I've seen the short cuts they take." The employees at the Casbah are dedicated, Aidif said, and won't serve anything that appeal to them personally. Looking at a typical natural food meal, one gets the idea that anything that grows is appealing. Organic broccoli, asparagus, brussel sprouts and celery are some of the weeds by burger freaks are just a few of the foods that natural food eaters like. AIDIF SAID the meal prices were usually about three times the price of the food they are less because people will pay only so much for certain foods, he said. Vegetarian meals cost more in the winter, he said, because the prices of out-of-season fruit and vegetables go up them. Bryant said the prices at Sister Kite Cafe were about $15 per person for ingredients. This compares favorably, she said, with most restaurants, which charge the cost of the ingredients. BOTH THE CASBAH and the Cornucopia have cooks prepare the meals. The meals are frozen and heated in a microwave oven after they have been ordered. Sister Kettle Cafe does not use microwave ovens. The essentials Staff photo by GEORGE MILLENEI Staff photo by GEORGE MILLENER Decor at Sister Kettle Cafe, one of Lawrence's natural food restaurants, including ceiling fans and bar stools. The cafe is a collective where about 30 members are paid hourly wages to operate it.