8
Monday, June 4, 1979
Summer Session Kansan
Ruby said he chose the location to display the banner in accordance with guidelines in Articles 8 and 17 of the Code of Student Rights, Responsibilities and Conduct.
He was held briefly in jail and released after a 500 bail was posted that night.
From page one
Kuby . . .
A STUDENT, according to these articles, may not cause a disruption or obstruction of University activities. The code also provides for freedom of peaceful protest, it does not require that students be obstruct areas where members of the University community have a right to be.
But Thomas said the banner violated a Kansas Board of Regent rule that prohibits a display of political advertisements in enclosed areas of the campus devoted
Men's Wear with Flair . . .
"Even though there is no lid on the stadium, it was still considered an enclosed area." Thomas said. The decision to remove the banner was not based on its content.
BUT KUBY contends that the banner was not political advertising.
primarily to instruction, or in other enclosed areas during non-political events.
He said the University had consistently defined "political" in the Board of Regents' regulations as "electromeeting," or political discourse for public offices and issues on a ballot.
Thomas said that banners should be checked with the commencement committee before being used.
A member of the commencement committee,
Downer Dykes, professor of design.
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banners must be approved by the commencement committee before the commencement
However, Kuby said. "If I had displayed a banner that say 'we love you'爱稚 Dykes. I don't think I would have been arrested, arrested and dragged out of the stadium.
"I AM holding the Chancellor personally responsible for the incident. I don't know whether his involvement was direct or indirect, but his antipathy toward freedom of speech has contaminated the atmosphere of the University."
Chancellor Dykes said Saturday that he and Mike Davis, University General Counsel, would not comment on the incident at graduation until Kuby's complaint was filed.
Kuby's complaint is being typed and will be sent by registered mail this week to those charged, according to J. Hammond McNish, adjunct professor of business and chairman
Chancellor Dykes said, "We do not now know the nature of the charges, but if the University police made a mistake then, of course, we'll make corrections."
CHANCELLOR DYKES he said he found it difficult to believe that free speech was allowed in the conference with the distribution of pamphlets handed to graduates as they processed toward the stadium. The pamphlets also protested KU investments in the arena.
The issue, Chancellor Dykes said, would be decided when it was determined whether the code prohibiting political advertising had been used and whether it was correctly interpolated by the campus police.
The Whitenight's
Davis will determine the definition of political advertising, the chancellor said.
"Good legal opinion must come from the University's counsel," he said. "His vested interest is important."
After meeting with the chancellor next week, SenEx will give its opinion on whether a rule was violated, according to Gerhard Zuther, SenEx chairman.
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But Kuby said that Davis had a conflict of interest because he would be representing the University at the same time he determined the definition of political advertising.
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Summer Movie Guide
What to Watch for Watch Out for This June, July August
MOONRAKER starring Roger Moore as James Bond one more time.
Rikki Ridley Ridge's jacket band one more time. SUNNYDEW, gained after the tough section of Queens, Jeno Jawwolia, a name we've seen before. No dawning.
DEFINANCE gives us Jan-Michael Vincent as a merchant seaman who settles down in a nice tenement on the lower East Side.
THE FISH THAT SAVED PITTUBRUGH. From the gang that gave us Carhill St., star actress Sharon Stone, to the band that gave us The WANDERERS, cast of unknown, based on Richard Price's book about a New York street scene.
OVER THE EDGE, still another gang pic, this one in Denver.
OVEVE THE EDGE, still another gang pig, this one in Denver.
DRACULA, startling Frank Laurence and Laughter Oliver, directed by John Saturday Night Four
*ANOVER STREET*, with Harrison Ford and Lesley-Anne Down as an American flyer and English girl who fail in love during the London blitz, is best forgetten before it ever seen. **ALIEN**, a multi-million-dollar space extravaganza, has Hapline Kooto, John Hurt, Tom Skerritt and a space ship patrolling the ether; they encounter an alien being, and things get complicated.
C. H.O.M.PS, is family fare, starring Wesley Euro (from the soap *Day of One Lies*) and Valerie Bertinelli (from TV's "One Day at a Time"), Jim Backus and Red Buttons. Invene a computerized burglar alarm system in the image of the dog Rascal, said computer biting through metal, etc.
APOCALYPSE NOW, the long-awaited Francis Ford Coppola tale of Viet Nam, starring Marlon Brando.
**PLAYERS**, a tennis flick, starring the dreary Al MacGraw and the handsome Dean Paul Martin in a younger man/older woman-court suit (pun intentional).
funds for a bankrupt America by throwing the world's biggest telecom,
MORE ANIMAL GRAPHITTE is the sequel, ten years later, starting all the originals except
**AMERICANATION** star Harvey Korman, Peter Rieger and assorted cranies who try to solicit funds for a bankrupt America by throwing the world's biggest telephone.
ESCAPE FROM ALCATRAS is Glint Eastwood's summer movie, based on the real escape many years ago that led to the prison's shutdown.
STINNE SHELLDON BROOGLAND. Aurie trepauin inherite a huge cosmetics empire and wears classy Glendych clothes.
BREAKING AWF, cast of unknowns, was filmed in Bloomington, Indiana, concerns college kids, their families and a 50-mile bike race.
THE AMITYVILLE HORROR, based on the beat-seller, stars Rod Steiger, James Brolin and Margot Kidder.
**PROPHYLEY star** Taya Shire. Another supernatural weirdie, directed by John Frankenheimer, who also directs *Garden State*. She plays a Fortune caster, gambler Fiona (who also directs) Winnie Shiawaka in a game card on noisemaking.
CONCORD—AIRPORT '79 Here we go again; this time the villains try to blow up the aircraft in order to kill him on board (and rather indiscriminately). Oh yes, the nets-welded mesh of the cockpit can be seen.
BUTCH & SUNDANCE. THE EARLY DAYS offers William Katt and Tom Berenger as Redford and Newman. Callow youths.
NIGHTWING, directed by Arthur Hillier, is a vampire-bat thriller starring David Warner and swarms of bats.
LOST & FOUND re-teams George Seagal and Glenda Jackson in a romantic comedy which its producers devolye hope will rekindle to *Touch of Class*.
**MAIN EVENT:** Barbra Streisand and Ryan O'Neal back together (they did their D*P*) in *D*P's aetate*.
**THE VILLAIN:** A film by Hal Malone and the North Sea is about western movies
BEYOND THE PODEIDON ADVENTURE stars Michael Gaine and Sally Field, who discover better in this one. Irwin Twain directs another all-star cast trying to get the treasure off that map.
Just YOU AND ME. KK JOB. George Burns tries to rehabilitate street urchen Brookie Shirewarn hearted起来媂
NORTH DALLAS FORTY stars Nick Nolte and Mac Davis as footballers.
NORTH DALLAS FORY or Nick Nielse and Mac Davin as footballers.
THE LAWS. Alain Arkau who daught嫁 Pete Falken sown. Fafa is a CIA man, and this
THE FRISCO KID (formerly *Nw Amaf*) kids Gene Willemer as a Rabbit rabbit traveling across America to San Francisco, beheaded by outlaw Harrison Ford, among other features (see this feature).
GOLDEN GIRL stars Susan Anton as a would-be Olympic spinner with James Coburn as her manager.
I
LAST EMBRACE is a trailler in the Hirschock mold that falls apart after an hour, but Roy Scheider and Janet Marger almost pull it off.
BOID
InPrint
No End to Asimov
In Memory Yet Green: The Autobiography of Isaac Ames, 1920-1994 (Doubleday, $15.95) is his two-hundredth book and, at 732 pages, comprises only the first half of his life story. Like many writers, especially prolific ones, Asimov's history is relatively sedentary, and it is his observations rather than his actions that make him interesting. Yet so much of this volume is taken up with the man's childhood and adolescence that we are given far less insight into what goes on in the result is an odd hodgepodge that is occasionally amusing, intermittently interesting, yet often little more than a potentially serious case of eyehall fatigue.
From his birth is Petrovich, Russia, through his childhood in Brooklyn and up to 1938, when he began keeping a diary from which much of his book's detail is drawn, takes over 200 pages to relate, more space some people take to write their entire lives.
The largest audience for this book will certainly be the fans of Asimov's science fiction novels and stories, who are likely also to be the most pleased with the book, for Asimov gives a complete and quite detailed account of the stories. His books was written, sold, and published.
I wouldn't, however, count on eventually discovering that man. I think he got lost in the crowd.
We come to understand the mind that maintains such awesome and incredible retention of detail and puts it to splendid use in books on science and history.
Yet the witticisms, the logic, and all the fine-tuning *still probe* no deeper than a hairbreadth, and one can only hope that all this groundwork, as tightly fitted as the stones in an Egyptian temple, is only a preliminary step. The warrior emerges into the light in the second volume.
The stories are not upbeat; they are patient, deliberate, unflinching and fairly merciless. Moreover, they are so British, so accurately British, so un-American British, as well as many American read them as falsely quaint or weird. In fact, they are exact as photographs.
William Tevoy's *Lovers of Their Time* is a collection of short stories evoking mainly England and sometimes Ireland in the period from the Thirteies to the Seventies.
Richard Delap
The few stories touching on Ireland or Irish characters deal, predictily, with aspects of "the Troubles" as they filter into Irish society. The story's science and the tony whereby the true Christmas
All the Lonely People
tian is not necessarily the one in clerical clothing.
Somewhere, most of the English stories hinge on sex—not in the steam, physical sense, but more in the ludicrous ways it causes people to behave, wrenching their hearts and souls with raging crowning fools. All that. There are children discovering their mother's makehift lovestest in an abandoned summer-house after their father has been killed in the war. There is the enjoyably menacing revenge of a boy made a laughsticking in prep school, who, when he fell ill, left behind track records before their horrified wives and children. There is the lonely, conventional middle-aged lady who is repelled by the attention of a working-class lesbian, only to discover, when it too late to cash in, that she was murdered in the title story of a sleazy romance between a married travel agent and a buxom salesgirl, set in the era of Eleanor Rigby. Trevor's reference to the Beatles' music—and this song in particular—suggests that the Sixties were the common person and that his lovers were much of "the time" as lone Eleanor.
These stories are not charming; the characters are not incandescent. The pleasure to be had from reading the collection is sheer delight. The experience of observation and his craftsmanship.
Shellev Turner
A Jazzy Trio
Three new books on jazz are worthy of mention. Loon Ostransky's *Jazz City* (Prentice-Hall, $10.95) traces the growth of four major cities and their jazz cultures. New Orleans is presented in depth, from basic city music to a world of richly populated inflences, and Ostransky spends a good deal of time explaining the origins of Creole, the result of crossbreeding Blacks and French, and on the Storyville sector, where crime and vice ran rampant. Little is said of the jazz scene in New Orleans, though we get a nice idea of turn-of-the-century events, the dances and salons, and the accompanying music that eventually led to jazz.
When we jump to Chicago, the book gets rolling. Proclaimed as the town that made fortunes for Cyrus McCormick, George Pullman and Marshall Field, Chicago is also painted as a hobot of crime and corruption. Mayor "Big Bill" Thompson, who ruled from 1914-1931, is largely credited with the "Open City" policy that encouraged men like "Bugs" Moran and AI Capone. The music quotes from Benny Gosling clubs, and colorful quotes fromBenny Gosling Edison Cordon and Sidney Beehler relay those musical proceedings.
From Chi-town we head Southwest to (Continued on page 22)