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Those familiar with Akira Kurosawa's film, "Rashomon," internationally acclaimed 25 years ago, will find KU's theater production of "Rashomon" embellished with traditional acting techniques that hint the mystery of a classic Japanese tale.
Mystery of 'Rashomon' emphasized by acting
"Rashomon" will be presented at 8 p.m.
Nov. 13, 13 and 26, and at 8:30 p.m. Nov.
21. Tickets are available at the University
Theatre box office in Murphy Hall.
Andrew Tasaki, associate professor of theater and "Rashomon" director, uses the highly stylized movements and voice characteristic characterize Kabuki and Noh-Kyo drama.
Tasuki's stage is divided into two sections. The great Rashomon gate stands on
French arrests protested
Members of the KU Iranian Students Association began distributing leaflets and collecting signatures on a petition today to protest recent actions of the United States and French governments against Iranian students.
The Associated Press reported that almost 100 Iranian students were arrested and charged with disorderly conduct following a demonstration in Houston Tuesday to protest the arrest of six Iranian students in France last week.
Thursday, November 11, 1976
The Iranian students in France were charged in connection with the Nov. 2 shooting of an Iranian diplomat, although the New York Times reported that an organization named Rena Real had taken charge of the attack, saying that a police spokesman said the students were "not suspects, but simply opponents of the Iranian regime."
To protest the actions taken against
The petition supported by the ISA calls for the immediate release of students arrested in Paris, an end to French deportation of Iranian students, and a cessation of French and American harassment of Iranian students. ISA officers said the petition would be sent to the Human Rights Council to investigate the nestsy International, French President Valery Giccard d'Estailing and the French ministries of justice and the interior.
irianian students, KU ISA members said they would rally in担心 at the owrcation at the University in Kansas.
The ISA's petition drive is based on a recent similar effort, in which the ISA said it collected the signatures of 23,000 American citizens to protest the arrest of 27 officers involved in an officer-involved Jefferson City, Mo. IsA spokesmen said that the signatures collected helped draw attention to the trial, which ended in dismissal of charges against the Iranians.
one side, representing the real world. On the other side is a bamboo forest bathed in sunlight. It is here that actors relive in this place the adventures backs frequently used throughout the story.
The play opens with a cold and dreary scene in medieval Japan. Three men have gathered around a fire below the gate to find shelter from the rain. Two of them recall the day before, when they saw the day before, of a bandit charged with a woman's rape and her husband's murder.
The bandit, Tajmani, appears on a platform in the orchestra and addresses the audience to disclaim responsibility for the crimes he is accused of. He steps into the forest and recounts the events that happened there.
Director Tsubaki uses symbolic movements and various sound effects to suggest a different level of reality. He explains his approach to "Rashomon" as:
sylization for what Brechian scholars call the 'distancing effect.' I use it to remind the audience that this is an interpretation. The audience has to make up its own mind. It has to be a fifth interpreter of the incident."
Tsukabi, who grew up in Japan but has been in the United States since 1968, seems himself as an interpreter of Japanese culture for Americans. During the 1974-75 winter, he returned to Japan to study Kabuki and to teach at Nagata, Japanese classical dance.
He said that stylized movements, characteristic of Japanese theatrical forms, added a unique element to Western theater:
"I SAW THE POSSIBILITY of applying
"THE STYLIZATION intensifies. It allows the actor to play with emotion in a manner that he would not normally think of, using very streamlined, economized movements. He portrays life bigger than reality."
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